Rendezvous is the annual culfest of the Indian Institute of Technology (IIT), Delhi. It is a four-day-long event held at the end of October every year. It draws a footfall of about 50,000 from more than 350 colleges across the country. Started in 1976 by a bunch of enthusiastic IITians, now in its 38th edition, it has become the largest festival of its kind in Northern India.
Rendezvous, the cultural festival of Indian Institute of Technology Delhi, is North India's largest college cultural festival. This four-day-long annual festival held towards the end of October every year, is a student-run non-profit organization which caters primarily to the youth. Rendezvous sees participation from a large number of students from over 350 colleges all over Delhi and nearby states of Punjab, Haryana, UP and Rajasthan with a footfall of over 50,000. Rendezvous boasts of performances by the stalwarts of the entertainment industry, from India and abroad. In the past, celebrities like Rabbi Shergill, Javed Ali, Anushka Sharma, Ranveer Singh, John Abraham, Deepika Padukone, Imran Khan, Tania Sachdev, Rajyavardhan Singh Rathore and Tom Alter have come and been a part of the events in this festival. Performers like Farhan Akhtar, Kailash Kher, KK, Mohit Chauhan, Papon, Shilpa Rao, Shubha Mudgal, Amaan and Ayaan Ali Khan and Surinder Sharma have performed in events here to entertain the crowd. Bands like Hoobastank, Malefice, Textures, Mindsnare, Rockfour and Mynta have come from abroad to perform here in musical events. Indian Bands like Parikrama, Agnee, Advaita, Prestorika, Vayu, Faridkot and Thermal and a Quarter (TAAQ) have also performed in this festival. Rendezvous has attracted major sponsors and extensive media coverage over the years. The team of Rendezvous consists of student volunteers who work to promote creativity and intellectualism, and it symbolizes a place to be together and celebrate, as its name suggests.
A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect of that community and its religion or traditions, often marked as a local or national holiday, mela or eid. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern.
Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanksgiving. The celebrations offer a sense of belonging for religious, social, or geographical groups, contributing to group cohesiveness. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced entertainment. Festivals that focus on cultural or ethnic topics also seek to inform community members of their traditions; the involvement of elders sharing stories and experience provides a means for unity among families.
Festival! is a 1967 American documentary film about the Newport Folk Festival, directed by Murray Lerner.
Filmed over the course of three festivals at Newport (1963-1965), the film features performances by Johnny Cash, Joan Baez & Peter Yarrow, Joan Baez, Pete Seeger, Peter, Paul and Mary, Odetta, Bob Dylan, Judy Collins, Mississippi John Hurt, Son House, Howlin' Wolf, Brownie McGhee and Sonny Terry, Buffy Sainte-Marie, Spider John Koerner, Theodore Bikel, Hobart Smith, the Osborne Brothers, The Staple Singers, Mimi and Richard Fariña, Donovan, Sacred Harp Singers, Georgia Sea Island Singers, Mike Bloomfield, Judy Collins, Ronnie Gilbert, Moving Star Hall Singers, Blue Ridge Mountain Dancers, and many others.
It also features the infamous 1965 set by Bob Dylan at Newport. It was nominated for an Academy Award for Best Documentary Feature.
In the actual film, the years 1963, 1964, 1965, and 1966 are credited as having film footage drawn from those years' concerts. Ref - View the actual film credits on the actual film.
HBO (Home Box Office) is an American premium cable and satellite television network that is owned by Home Box Office Inc., the cable flagship division of Time Warner. HBO's programming consists primarily of theatrically released motion pictures and original television series, along with made-for-cable movies and documentaries, boxing matches and occasional stand-up comedy and concert specials.
It is the oldest and longest continuously operating pay television service (basic or premium) in the United States, having been in operation since November 8, 1972. In 2014, HBO had an adjusted operating income of US$1.79 billion, compared to the US$1.68 billion it accrued in 2013.
As of July 2015, HBO's programming is available to approximately 36,483,000 households with at least one television set (31.3% of all cable, satellite and telco customers) in the United States (36,013,000 subscribers or 30.9% of all households with pay television service receive at least HBO's primary channel), making it the second largest premium channel in the United States (Encore's programming reaches 40.54 million pay television households as of July 2015). In addition to its U.S. subscriber base, HBO broadcasts in at least 151 countries, covering approximately 122 million subscribers worldwide.
A space rendezvous is an orbital maneuver during which two spacecraft, one of which is often a space station, arrive at the same orbit and approach to a very close distance (e.g. within visual contact). Rendezvous requires a precise match of the orbital velocities and position vectors of the two spacecraft, allowing them to remain at a constant distance through orbital station-keeping. Rendezvous may or may not be followed by docking or berthing, procedures which bring the spacecraft into physical contact and create a link between them.
The same rendezvous technique can be used for spacecraft "landing" on natural objects with a weak gravitational field, e.g. landing on one of the Martian moons would require the same matching of orbital velocities, followed by a "descent" that shares some similarities with docking.
In its first human spaceflight program Vostok, the Soviet Union launched pairs of spacecraft from the same launch pad, one or two days apart (Vostok 3 and 4 in 1962, and Vostok 5 and 6 in 1963). In each case, the launch vehicles' guidance systems inserted the two craft into nearly identical orbits; however, this was not nearly precise enough to achieve rendezvous, as the Vostok lacked maneuvering thrusters to adjust its orbit to match that of its twin. The initial separation distances were in the range of 5 to 6.5 kilometers (3.1 to 4.0 mi), and slowly diverged to thousands of kilometers (over a thousand miles) over the course of the missions.
Rendezvous is a latin jazz album released by Michel Camilo, pianist and composer from Santo Domingo, Dominican Republic, in 1993 on the Columbia Records label. The album was produced by Camilo and Julio Marti and features nine tracks. This album was picked by Billboard magazines as one of the top jazz albums of the year.
In North American history, a rendezvous was a larger meeting held typically once per year in the wilderness. All types included a major transfer of furs and goods to be traded for furs. Variations included a mix of other types of trading, business transactions, business meetings and revelry.
One type of rendezvous is associated with the voyageur & canoe-based fur trade business which was largely in Canada. These were generally at a transportation transfer point within in a wilderness route that could not be traversed in one season run by and including the fur trade of only a single company. The transfer was the dominant reason for holding the rendezvous although they included other meetings and revelry.
Rendezvous held in the western part of what is now the United States included a more diverse range of activities than their northern counterparts. Such a rendezvous might include several fur trading companies, and array of fur traders, mountain men and native Americans. A substantial amount of deal-making and trading occurred at these rendezvous. These were often a temporary "town" of sorts with businesses which offered the fur trade workers and participants ways to spend their money on supplies and revelry. The emblematic type was a large annual rendezvous held in the Rocky mountains from 1825 until 1840. One of the largest of these was the Rendezvous of 1832. Much of the attendance of these consisted of mountain men who were fur trade participants who were experienced at living in the mountain back country.