Rendezvous (1930 film)
Rendezvous (German:Komm' zu mir zum Rendezvous) is a 1930 German musical film directed by Carl Boese and starring Lucie Englisch, Ralph Arthur Roberts and Alexa Engström. Separate versions were made in French (Love Songs) and Spanish (My Wife's Teacher). Such multi-language versions were common in the early years of sound.
The film's sets were designed by the art director Julius von Borsody.
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1930 in film
The following is an overview of 1930 in film, including significant events, a list of films released and notable births and deaths.
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Top grossing films
Academy Awards
Rendezvous (Sandy Denny album)
Rendezvous is a 1977 album by English folk rock singer-songwriter Sandy Denny, and was her last release before her death.
Sandy Denny and Trevor Lucas left Fairport Convention at the end of 1975 and Denny embarked on Rendezvous in the spring of 1976. Trevor Lucas produced the album with a contemporary rock sound designed to turn Denny into a mainstream act. The album is now generally thought to be overproduced with an excess of strings, backing vocals and instrumental overdubs. Despite this the album is felt to contain some of her finest compositions, and showed someone continuing to widen and deepen their songwriting craft, and who was responsive to new influences; Gold Dust with its Caribbean feel, the soulful torch songs Take Me Away and I'm A Dreamer and, most ambitious of all, a seven-minute orchestral tribute to the English pastoral symphony in the style of Vaughan Williams called All Our Days recorded live at CBS Studios.
Alias (season 1)
The first season of Alias premiered September 30, 2001 on ABC and concluded May 12, 2002 and was released on DVD in region 1 on September 2, 2003. Guest stars in season one include Sir Roger Moore, Terry O'Quinn, Quentin Tarantino, and Gina Torres.
Apart from Truth Be Told, the episodes of Alias are often unconventionally structured in that the title credits are usually shown well into the plot, almost as an afterthought. Also, usually a plot finishes at mid-episode and a new plot begins, so that every episode finishes with a cliffhanger. The impression thus created is that an episode will conclude the previous one and plant the seeds of the next one.
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Film (Polish magazine)
Film is a monthly Polish magazine devoted to cinema. It has been in publication since 1946, originally as a bimonthly publication. The founders were Jerzy Giżycki, Zbigniew Pitera, Tadeusz Kowalski, and Leon Bukowiecki.
Since September 2012, the editor-in-chief has been Tomasz Raczek. Previous editors have included Maciej Pawlicki, Lech Kurpiewski, Igor Zalewski and Robert Mazurek, Agnieszka Różycka, Marcin Prokop and Jacek Rakowiecki.
In January 2007, Film was purchased by Platforma Mediowa Point Group (PMPG).
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Official website (Polish)
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
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Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
