Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
Most commonly, remixes are associated with music and songs. Songs are remixed for a variety of reasons:
Remix is a Candan Erçetin album. There are remixes of "Neden" in this album. There is also a song named "Yazık Oldu" which is a song from Pjer Žalica's movie Fuse.
Remix was an Indian television series produced by Rose Audio Visuals, which used to air on STAR One. It was a hit among teenagers and had reruns on the same channel. The series is a remake of the popular Argentine soap Rebelde Way.
The story is based on the lives of 12th-grade students in an elite school called "Maurya High" for the kids of the rich and the famous, and scholarship students from poorer families.
The four main characters are Tia Ahuja (a fashion entrepreneur's only daughter: Sumit Ahuja), Anvesha Ray Banerjee (a Bollywood filmstar's only daughter: Sonia Ray), Yuvraaj Dev (brat son of India's politician: Yashwant Dev), and Ranveer Sisodia (a Rajasthani royal who comes to Maurya to avenge the death of his father which wasn't really Sumit Ahuja's fault). They form the music group "Remix" and become the singing sensation of the decade.
The story also brings into play other elements that shape the destiny of the four protagonists and many others.
A book is a set of written, printed, illustrated, or blank sheets, made of ink, paper, parchment, or other materials, fastened together to hinge at one side. A single sheet within a book is a leaf, and each side of a leaf is a page. A set of text-filled or illustrated pages produced in electronic format is known as an electronic book, or e-book.
Books may also refer to works of literature, or a main division of such a work. In library and information science, a book is called a monograph, to distinguish it from serial periodicals such as magazines, journals or newspapers. The body of all written works including books is literature. In novels and sometimes other types of books (for example, biographies), a book may be divided into several large sections, also called books (Book 1, Book 2, Book 3, and so on). An avid reader of books is a bibliophile or colloquially, bookworm.
A shop where books are bought and sold is a bookshop or bookstore. Books can also be borrowed from libraries. Google has estimated that as of 2010, approximately 130,000,000 unique titles had been published. In some wealthier nations, printed books are giving way to the usage of electronic or e-books, though sales of e-books declined in the first half of 2015.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).
Bibliomancy is the use of books in divination. The method of employing sacred books (especially specific words and verses) for 'magical medicine', for removing negative entities, or for divination is widespread in many religions of the world.
According to the Oxford English Dictionary, the word bibliomancy (etymologically from βιβλίον biblio- "books" and μαντεία -mancy "divination by means of") "divination by books, or by verses of the Bible" was first recorded in 1753 (Chambers' Cyclopædia). Sometimes this term is used synonymously with stichomancy (from στίχος sticho- "row, line, verse") "divination by lines of verse in books taken at hazard", which was first recorded ca. 1693 (Urquhart's Rabelais).
Bibliomancy compares with rhapsodomancy (from rhapsode "poem, song, ode") "divination by reading a random passage from a poem". A historical precedent was the ancient Roman practice of sortes ("sortilege, divination by drawing lots") which specialized into sortes Homericae, sortes Virgilianae, and sortes Sanctorum, using the texts of Homer, Virgil, and the Bible.