Regain Records

Regain Records is a Swedish based independent record label. The label predominantly releases death metal and black metal albums. Regain Records was founded from what remained of the former label, Wrong Again Records, by Per Gyllenbäck in 1997. Wrong Again Records had such bands as In Flames, Cryptopsy, Arch Enemy, and Naglfar among its ranks.

Regain Records' first two releases were Deranged's High on Blood and Embraced's Amorous Anathema, in late 1997. In the first two years of operation, business for the label was slow, due to lack of proper distribution. It was not until Regain Records re-released the first two In Flames albums, Lunar Strain and Subterranean, which were previously released under the name Wrong Again Records, that the label began to prosper.

In 2008 the label was involved in a legal dispute with the band Gorgoroth over their 2008 live album.

Current and former acts

Harvest (1937 film)

Harvest (French: Regain) is a 1937 French drama film directed by Marcel Pagnol, starring Fernandel, Orane Demazis, Marguerite Moreno and Gabriel Gabrio. The narrative revolves a farming village where only three inhabitants remain, but they are told that if only one of them, Panturle, manages to find a wife, the village will be able to prosper again. The film is based on the 1930 novel Second Harvest by Jean Giono. It was released in France on 28 October 1937 and in the United States on 2 October 1939.

Cast

Reception

Frank Nugent of The New York Times described Harvest as "a film of utter serenity and great goodness, so reverently played and so compassionately directed that it is far less an entertainment work than it is a testament to the dignity of man and to his consonance with the spinning of the spheres. Such faults as it possesses are mechanical; uneven editing, particularly in the early scenes; skimping of a few sequences that might have received more attention; attenuation of others that could have been cut. The flaws are obvious enough, yet they should not count too seriously aaginst the work as a whole and still less seriously when one appreciates that the editing was on this side of the water (for space and time requirements) and cannot properly be held against Marcel Pagnol, its director, producer and adapter."