A red-light district is a part of an urban area where a concentration of prostitution and sex-oriented businesses, such as sex shops, strip clubs, adult theaters, etc. is found. The term originates from the red lights that were used as signs of brothels. Areas in many big cities around the world have acquired an international reputation as red-light districts.
According to the Oxford English Dictionary, the earliest known appearance of the term "red light district" in print is in an 1894 article from the Sandusky Register, a newspaper in Sandusky, Ohio. Author Paul Wellman suggests that this and other terms associated with the American Old West originated in Dodge City, Kansas, home to a well-known prostitution district during the 19th century, which included the Red Light House saloon. This has not been proven, but the Dodge City use was likely responsible for the term becoming pervasive. A widespread folk etymology claims that early railroad workers took red lanterns with them when they visited brothels so their crew could find them in the event of an emergency. However, folklorist Barbara Mikkelson regards this as unfounded.
A red-light district is a neighborhood where prostitution is common.
Red Light District may refer to:
Red Light District Video (RLD) is an American pornographic film studio headquartered in Chatsworth, California.
The company was founded in 2001 by industry veteran Dion Giarrusso and his half-brother David Joseph, who co-owned the company. Giarrusso had previously worked as general manager of Elegant Angel, whilst Joseph was new to the industry. Giarrusso established the Red Light brand by using his existing industry contacts, and launching an aggressive marketing campaign. Film production was overseen by performer and director Vince Vouyer, who had previously been an exclusive director at Anabolic Video. The plan was to emulate Evil Angel's setup where producers/directors would own their own movies, and share in the profits. Other initial directors included Michael Stefano, John Strong and Mark Wood. The company strove to produce hardcore gonzo pornography with higher production values than much of the gonzo of the time, and filmed in luxurious mansions rather than hotel rooms. The studio's first film was 110% Natural, which was released on November 1, 2001. Initially Red Light released one film a week, and produced more than 50 films in its first year.
The Producers may refer to:
The Producers is a musical adapted by Mel Brooks and Thomas Meehan from Brooks' 1968 film of the same name, with lyrics written by Brooks and music composed by Brooks and arranged by Glen Kelly and Doug Besterman. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of homosexuals and Nazis, and many show business in-jokes.
After 33 previews, the original Broadway production opened at the St. James Theatre on April 19, 2001, starring Nathan Lane and Matthew Broderick, and ran for 2,502 performances, winning a record-breaking 12 Tony Awards. It spawned a successful London production running for just over two years, national tours in the US and UK, many productions worldwide and a 2005 film version.
David Geffen persuaded Mel Brooks to turn his movie into a stage musical. When Brooks met with Jerry Herman to discuss their working together, Herman declined, telling Brooks that he should do the job himself, as he was a good songwriter. Brooks then asked Thomas Meehan to join him in writing the book for the stage. Brooks persuaded Mike Ockrent and his wife Susan Stroman to join the creative team as director and choreographer. After Ockrent's death in 1999, Stroman agreed to continue as both director and choreographer.
The Producers is a 1968 American satirical comedy film written and directed by Mel Brooks. The film is set in the late 1960s and tells the story of a theatrical producer and an accountant who want to produce a sure-fire Broadway flop. They take more money from investors than they can repay (the shares they sell total more than 100% of any profits) and plan to abscond to Brazil as soon as the play closes, only to see the plan go awry when the show turns out to be a hit.
The film stars Zero Mostel as Max Bialystock, the producer, and Gene Wilder as Leo Bloom, the accountant. It features Dick Shawn as L.S.D., the actor who ends up playing the lead in the musical within the movie, and Kenneth Mars as a playwright and former Nazi soldier, Franz Liebkind.
The Producers was the first film directed by Brooks. He won an Academy Award for Best Original Screenplay. Decades later, the film was selected for preservation in the National Film Registry and placed 11th on the AFI's 100 Years...100 Laughs list. It was later remade successfully by Brooks as an acclaimed Broadway stage musical, which itself was adapted as a film.
Hey man
Don't you know what you are saying
Hey man
Don't you hear the words running out of your mouth
Hey man
You tell me I ain't got to expertise
Expertise, what do you know about expertise
Who do you think you are
Who do you think you really are
Hey man
I'm aware of your position
Hey man
Luck has made you the man in charge
Hey man
You shake your finger and you give the word
Give the word
What gives you the right to give the word
Hey man
Your glory days are fading
Hey man
Your faithful troops have deserted you
Hey man
There's nobody left to listen anymore
Anymore
You've lost them all and you've just lost me