"Red Light" is a song by rock band U2. It is the eighth track from their 1983 album War.
Taking advantage of American musical group Kid Creole and the Coconuts being in Dublin, U2 invited the trumpet player to work in "Red Light", thinking that it would freshen up the sound of the band. Three singers joined as well. Bono said, "We had the studio lit red for effect, and one Coconut took her top off and sang in what looked like a ballerina's bra. The boys from Ireland had difficulty breathing."
Sid Smith of the BBC wrote of the song, “[U2’s] palette broadens on “Red Light” with backing vocals from Kid Creole’s Coconuts no less, and some equally superfluous trumpet – the latter making a tokenistic jazz noise atop the impervious surface of the band’s default setting, that only loosens up enough to work effectively by the time the track is fading-out.” More positive was Sputnikmusic contributor John Cruz's take on the song: "The album's mood becomes looser, with Bono chasing hopeless love and the band locking into a mid-tempo urban style funk groove."
Red light may refer to:
Tunnel Records is a record label founded by DJ Dean, and based in Hamburg, Germany. Tunnel Records was home to artists and groups such as X-Dream, DJ Dean, Gollum + Hunter, DJ Yanny, Accuface, Wrong Plane, DJ Shane, DJ Shoko, Waveliner, DJ Krid-Kid, Dj C-Bass & DJ Merlin, Ziggy X, Patrick Bunton, and Gary D.
Since 1997, Tunnel has produced Tunnel Trance Force compilation CDs based on the current "sound of the Tunnel", which refers to music played in the club 'Tunnel', also owned by Tunnel Records and located in Hamburg. Tunnel Records also publishes a number of other trance compilations such as Time Tunnel, Tunnel goes Ibiza, DJ Networx, and Best of Tunnel.
Tunnel Records has two sublabels: Push Up Records and Red Light. Under the latter were released six editions of Tunnel Red Light, techno mixes on CD, from 1996 to 1999.
Tunnel Trance Force release history:
A safelight is a light source suitable for use in a photographic darkroom. It provides illumination only from parts of the visible spectrum to which the photographic material in use is nearly, or completely, insensitive.
A safelight usually consists of an ordinary light bulb in a housing closed off by a coloured filter, but sometimes a special light bulb or fluorescent tube with suitable filter material coated directly on the glass is used in an ordinary fixture.
Differently sensitised materials require different safelights. In traditional black-and-white photographic printing, photographic papers normally are handled under an amber or red safelight, as such papers typically are sensitive only to blue and green light. Orthochromatic papers and films are also sensitive to yellow light and must be used only with a deep red safelight, not with an amber one.Panchromatic films and papers, nominally sensitive to the entire spectrum, sometimes have a region of minimum in their range of sensitivity that allows the careful use of safelight confined to that part of the spectrum, e.g. Kodak Panalure panchromatic paper, tolerant of limited exposure to light filtered through a Kodak 13 Safelight Filter. Other panchromatic materials must be handled only in total darkness.