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A kiva is a room used by modern Puebloans for religious rituals, many of them associated with the kachina belief system. Among the modern Hopi and most other Pueblo peoples, kivas are square-walled and underground, and are used for spiritual ceremonies.
Similar subterranean rooms are found among ruins in the American southwest, indicating ritual or cultural use by the ancient peoples of the region including the Ancient Pueblo Peoples, the Mogollon and the Hohokam. Those used by the ancient Pueblos of the Pueblo I Era and following, designated by the Pecos Classification system developed by archaeologists, were usually round, and generally believed to have been used for religious and other communal purposes.
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When designating an ancient room as a kiva, archaeologists make assumptions about the room's original functions and how those functions may be similar to or differ from kivas used in modern practice. The kachina belief system appears to have emerged in the Southwest at approximately AD 1250, while kiva like structures occurred much earlier. This suggests that the room's older functions may have been changed or adapted to suit the new religious practice.
As cultural changes occurred, particularly during the Pueblo III period between 1150 and 1300, kivas continued to have a prominent place in the community. However, some kivas were built above ground. Kiva architecture became more elaborate, with tower kivas and great kivas incorporating specialized floor features. For example, kivas found in Mesa Verde were generally keyhole shaped. In most larger communities, it was normal to find one kiva for each five or six rooms used as residences. Kiva destruction, primarily by burning, has been seen as a strong archaeological indicator of conflict and warfare among people of the Southwest during this period.
Fifteen top rooms encircle the central chamber of the vast Great Kiva at Aztec Ruins National Monument. The room's "... purpose is unclear . . . Each had an exterior doorway to the plaza. . . . Four massive pillars of alternating masonry and horizontal poles held up the ceiling beams, which in turn supported an estimated ninety-five-ton roof. Each pillar rested on four shaped stone disks, weighing about 355 pounds apiece. These discs are of limestone, which came from mountains at least forty miles away." (A Trail Guide to Aztec Ruins, 4th printing:WNPA, 2004).
After 1325 or 1350, except in the Hopi region, the ratio changed from 60 to 90 rooms for each kiva. This may indicate a religious or organizational change within the society, perhaps affecting the status and number of clans among the Pueblo people. The use of the kiva was for men and boys only.
Media related to kivas at Wikimedia Commons
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Kiva (1995) is a collaborative album by the American ambient musicians Steve Roach, Michael Stearns and Ron Sunsinger. A kiva is an underground ceremonial chamber used by Native American cultures of the Southwest.
The album is a mixture of traditional Native American ceremonies and highly experimental ambient music.
“East Kiva, ‘Calling in the Midnight Water” is a Peyote ceremony. “South Kiva, ‘Mother Ayahuasca” is an Ayahuasca ceremony from the South American rainforest. “West Kiva, ‘Sacrifice, Prayer and Visions” is a Sundance. The Sundance is an elaborate ceremony used by the tribes of the central plains to seek visions and initiate holy men. “North Kiva, ‘Trust and Remember” is a non-traditional improvisation created by the three artists in a cave in Northern New Mexico.
Kiva Simova is a Canadian harmonic overtone singer keyboard player and songwriter, based in Saltspring Island, BC, Canada. She is internationally recognized as a western pioneer in world beat/jazz music, particularly the art of harmonic overtone singing (singing two pitches simultaneously) which she both performs and teaches. She composes for overtone choir and has directed her own such choir, AURALIA in Prague.
Kiva has released three solo CDs featuring original compositions and her own style of overtone singing and recorded albums with a diverse range of artists.
Kiva's solo recordings include 1998's 'The Ladder', featuring thirteen originals by Kiva, one song co-written with Gary Taylor and one cover of a Bob Fuhr/ Larry Hicock song. Her 2004 album 'Pulse' features ten originals, including co-writes with Rhys Fulber, Nii Tettey Tetteh, John Hudson, Jay Stoller and Jordan Hanson. The third album, 'The Quality of Light', released December 2013 (with artist name adjusted to 'Kiva Simova') contains ten originals. It features an improvised piece co-written with didgeridoo player Ondrej Smeykal.