Rebus or Appointment in Beirut is a 1969 crime film directed by Nino Zanchin and starring Laurence Harvey and Ann-Margret. An international co-production, it was largely filmed in Venezuela, the UK and Lebanon.
Rebus is the title of the detective drama TV series based on the Inspector Rebus novels by the Scottish author Ian Rankin set in and around Edinburgh. The series was produced by STV Productions (previously known as "SMG Productions") for the ITV network.
Four series have been aired; series 1 and 2 starred John Hannah and was made for STV by his own production company, Clerkenwell Films. A new cast featuring Ken Stott as DI John Rebus was introduced for the third and subsequent series (which went into production in 2005, made in-house by STV).
The first four episodes, starring John Hannah, are very different in both format and style. John Hannah's interpretation of the inspector is deeper. His thoughts are often announced to the viewers (which never occurs in Ken Stott's appearances).
In February 2008, ITV announced that it had cancelled the drama series, amid reports that Ken Stott had told producers he did not want to continue in the role of Rebus. ITV indicated that "one-off specials are a possibility for the future."
Rebus is an album by American jazz guitarist Joe Morris with reedist Ken Vandermark, who played tenor sax, and drummer Luther Gray. It was recorded in 2006 and released on the Portuguese Clean Feed label. Morris and Vandermark have recorded before on Like Rays, a trio date with pianist Hans Poppel. Morris also joined Vandermark's DKV Trio on Deep Telling.
In his review for All About Jazz Andrey Henkin states "The music contained on Rebus, a word defined as a representation, is fascinating for its perpendicular nature. With Luther Gray's solid and expansive drumming, Morris and Vandermark play against each other, the former working vertically while the latter moves horizontally."
? (also written Tanda Tanya, meaning Question Mark) is a 2011 Indonesian drama film directed by Hanung Bramantyo. It stars Revalina Sayuthi Temat, Reza Rahadian, Agus Kuncoro, Endhita, Rio Dewanto, and Hengky Sulaeman. The theme is Indonesia's religious pluralism, which often results in conflict between religious beliefs, represented in a plot that revolves around the interactions of three families, one Buddhist, one Muslim, and one Catholic. After undergoing numerous hardships and the deaths of several family members in religious violence, they are reconciled.
Based on Bramantyo's experiences as a mixed-race child, ? was meant to counter the portrayal of Islam as a "radical religion". Owing to the film's theme of religious pluralism and controversial subject matter, Bramantyo had difficulty finding backing. Eventually, Mahaka Pictures put forth Rp 5 billion to fund the production. Filming began on 5 January 2011 in Semarang.
Released on 7 April 2011, ? was a critical and commercial success: it received favourable reviews and was viewed by more than 550,000 people. Also screened internationally, it was nominated for nine Citra Awards at the 2011 Indonesian Film Festival, winning one. However, several Indonesian Muslim groups, including the Indonesian Ulema Council and Islamic Defenders Front, protested against the film because of its pluralist message.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: