"Reach Out" is a song recorded by American singer Hilary Duff for the planned re-release of her fourth studio album, Dignity (2007). It was written by Martin Gore, Ryan "Alias" Tedder, Evan Bogart, Mika Guillory and produced by Tedder. The song was released on October 20, 2008 by Hollywood Records as the first and only single from Duff's first greatest hits album, Best of Hilary Duff (2008).
The song was produced by Ryan "Alias" Tedder and co-written by Tedder, Evan Bogart, and Mika Guillory. It is built around a sample of Depeche Mode's 1989 song "Personal Jesus". On the last episode of Total Finale Live, Duff described the song by saying that "[i]t's different for me. It's a little dancey, and there's a rapper named Prophet who's on it who's really cool and kinda fresh".
Duff said in September 2007 that a previously unheard song on the Dignity Tour's set list, "Reach Out", would be released as a single. In an interview with Joe Bermudez in November 2007, Duff revealed that her fourth studio album Dignity would be re-released. The re-release would feature remixes of the original songs alongside "two or three" new recordings, including "Reach Out" and "Holiday". While "Reach Out" and "Holiday" were already completed, Duff hoped to write a third new song for the re-release, but this never came to be. Duff revealed that she wanted "Holiday" to be either the first or second single from the re-release.
ReachOut.com is an internet service for young people that provides information, support and resources about mental health issues and enable them to develop resilience, increase coping skills, and facilitate help-seeking behaviour. The site contains information about issues affecting young people in the form of fact sheets, stories, podcasts and online forums.
ReachOut.com was launched in March 1998 as an initiative of Inspire Foundation (now known as ReachOut Australia) to help young people with their mental health. ReachOut.com has now expanded to the United States and Ireland.
ReachOut provides online support to young people going through tough times. It provides online resources like real stories and fact sheets which are written alongside young people, and a peer-support forum which is a space where young people can talk about mental health issues and receive support and help.
The majority of ReachOut is written in an informal tone to appeal to the younger audience. The writing is often broken up into smaller sections or contains lists, and is usually accompanied by an image.
Reach Out may refer to: In music:
In organizations:
SL2 may refer to:
SL2 are an English breakbeat hardcore group active in the early 1990s from London, England. They also recorded, remixed or produced under the names Slipmatt & Lime and T.H.C.
"Starting out as a group of three, SL2 was originally a coming together of DJ's Matt "Slipmatt" Nelson, John "Lime" Fernandez and rap vocalist Jason "Jay-J" James. The SL2 name came from the founders initials - Slipmatt (S) and Lime (L), and as they were a duo - hence "SL2".
As youngsters in 80s Britain, they were very much into the hip hop scene before having their heads turned by the growing rave scene.
Their big break came in 1989 through Slipmatt's older brother, who was running the now legendary party-promoting organisation Raindance, they became the enterprise's resident DJs, playing parties all over the United Kingdom.
A year into touring with Raindance, SL2 released their debut single, "Do That Dance," through B-Ware Records which sold well to fans of the rave scene. Allegedly, the practices of the record label prevented the band from ever seeing any money. Subsequently, SL2 set up their own Awesome Records label, through which they first released another single, "DJ's Take Control". The record sold 3500 copies, attracting the attention of new dance label XL Recordings.
The Silver Line is the bus rapid transit (BRT) system of the Massachusetts Bay Transportation Authority (MBTA). It currently operates four routes in two sections that were built in separate phases.
The first section has two routes from Dudley Square in Roxbury, mostly via Washington Street, to Boston's Downtown Crossing (SL5) and South Station (SL4), using articulated buses operating in reserved lanes. The second section runs from South Station Under to South Boston (SL2) and to Logan Airport in East Boston (SL1). It runs dual-mode buses, partly in a dedicated bus tunnel and partly on shared roadway, including surface streets, the Ted Williams Tunnel, and airport roads. Riders can transfer between the sections and to other lines at South Station; transfers there between SL1, SL2, and the Red Line—but not SL4—are within fare control. At South Station, however, a transfer from SL1, SL2, and the Red Line to SL4 (and vice versa) can be made by walking alongside streets.
Speed and schedule performance have disappointed some transit advocates and the Silver Line routes fall far short of the minimum BRT Standard promulgated by the Institute for Transportation and Development Policy (ITDP). Some sections have an exclusive right-of-way, but other sections are bogged down by street running in congested mixed traffic. As of September 2014, a contract has been awarded for the first phase of an extension to Chelsea, Massachusetts, largely in reserved right-of-way; other extensions of the Silver Line are being studied as well.
So many things you said last night
In your attempt to be forthright
How certain things are meant to be
If it's of benefit to me
This moments really celestine
You said "I'm not sure what that means"
But kept this to myself
Lest I intrude on your sincerity
And you said
Go reach out and find yourself
Go reach out and find yourself
I fail to understand these pearls
Of abject generosity
They're all that they appear to be
A conscience sold for precious words
The meat of your philosophy
Of TV talk show homily
Was heaven is within us all
I couldn't help but think your heaven must be very small
So I said
Go reach out and find yourself
Go reach out and find yourself
God could I use a drink or a cigarette
Since you're refusing to think
Guess we'd better get high
It's been a while
Thanks for being so frank I gotta go
You wear your candor and rank
Like a new trophy bride
It's back in style
I felt your need to share some more
I felt the pressure knock my door
Thank god for wood and all it's strength
The power to keep you at arms length
So I said
Go reach out and find yourself
Go reach out and find yourself
Go reach out and find yourself