Reach may refer to:
"Reach" is a song by English pop group S Club 7. It was released as a single on 22 May 2000. "Reach" is an up-tempo track co-written by Cathy Dennis and Republica keyboardist Andy Todd. The song debut at its number two peak on the UK Singles Chart, with first week sales of almost 124,000 (more than the first week sales of their two previous singles). It spent three weeks at its peak, unable to dislodge Sonique's "It Feels So Good" from number one. It is one of the group's most popular songs.
"Reach" was the theme tune to the second series of the group's CBBC series, L.A. 7 and was the last song at every CBeebies live show. The song has sold 588,000 copies in the UK, according to the Official Charts Company.
Park Jung-suk, also known as Reach or [Oops]Reach (born 27 December 1983) is a professional South Korean StarCraft player.
Park, who also goes by the usernames Six_Devil_nO.1, ChoGoSy or TechniCal, is recognized as one of the best Protoss players in the world, an accomplishment for which he has been nicknamed "Hero Toss". He is skillful at macromanagement and does successful psionic storms and dragoon dancing, but plays relatively inconsistently against Zerg. He won the 2002 Sky Ongamenet StarLeague, beating SlayerS `BoxeR` with a 3-1 score. He uses a Logitech optical mini (a gift from his fanclub) and Samsung DT-35 Black keyboard.
Park was the first player to achieve 100 Proleague victories, an accomplishment commemorated when he and Lee Jaedong (the second player to reach that benchmark) formed prints of their mouse-controlling hands in clay in a September 2009 ceremony.
Park is now a coach for League of Legends and Tekken team NaJin e-mFire in Korea.
Feint is a French term that entered English via the discipline of swordsmanship and fencing. Feints are maneuvers designed to distract or mislead, done by giving the impression that a certain maneuver will take place, while in fact another, or even none, will. In military tactics and many types of combat, there are two types of feints: feint attacks and feint retreats.
A feint attack is designed to draw defensive action towards the point under assault. It is usually used as a diversion to force the enemy to concentrate more manpower in a given area, to weaken the opposing force in another area. Unlike a related diversionary maneuver, the demonstration, a feint involves actual contact with the enemy.
A feint retreat is performed by briefly engaging the enemy, then retreating. It is intended to draw the enemy pursuit into a prepared ambush, or to cause disarray. For example, the Battle of Hastings was lost when Saxons pursued the Norman cavalry. This forfeited the advantage of height and the line was broken, providing the opportunity to fight in single handed combat on a neutral vantage point, a battle for which the Saxons were not ready. The Parthian shot is another example of a feint retreat, where mounted Parthian archers would retreat from a battle and then, while still riding, turn their bodies back to shoot at the pursuing enemy.
The Phantom Agony is the first full-length studio album by Dutch symphonic metal band Epica. It was released in 2003 by the Dutch label Transmission Records. It is the first album recorded by guitarist Mark Jansen after his departure from the band After Forever. On this album, Mark Jansen continues with the collection of songs that make up "The Embrace That Smothers". The first three parts can be found on Prison of Desire (2000), After Forever's debut album, and the following three parts can be found on The Divine Conspiracy (2007), Epica's third album. These songs deal with the dangers of organized religion.
The album was re-released on 23 March 2013, which coincided with Epica’s 10th anniversary Retrospect show, as a 2-disc expanded edition by Epica’s former record label Transmission Records.
"The Phantom Agony" was the first single of the eponymous album. It was released in October 2003.
I wanna be clean but I gotta get high

It's good to be here so hard to come by

You bring pain cause you got game

And needles and pins a man can't take

Peaches living in niches

Digging the scene like beautiful cliches

From these shapes of a gangster lean

Ignoring wars on gasoline

Our god's ???? and made to get high

God's left hand wasn't made to get by

Got more highs left in me

And there's more room in recovery


From evil ??? that strip all chrome

From Marshall Amps into broken homes

And borstal blues to countless clicks

That rhythm sticks to those classic cheques

Steal your tears and drown your fears

All is clear in a glass of beer


Peaches living in niches

Digging the scene like beautiful cliches

You fill me with endorphins

And you star in magazines

We draw liquor from the mattress springs

It ain't over til the last bell rings

Got more highs you and me