Tolerance or toleration is the state of tolerating, or putting up with, conditionally.
Engineering tolerance is the permissible limit or limits of variation in:
Dimensions, properties, or conditions may have some variation without significantly affecting functioning of systems, machines, structures, etc. A variation beyond the tolerance (for example, a temperature that's too hot or too cold) is said to be non-compliant, rejected, or exceeding the tolerance. If the tolerance is too restrictive, the machine being incapable of functioning in most environments, it is said to be intolerant.
Drug tolerance is a pharmacology concept where a subject's reaction to a specific drug and concentration of the drug is reduced followed repeated use, requiring an increase in concentration to achieve the desired effect.
The following are characteristics of drug tolerance: it is reversible, the rate depends on the particular drug, dosage and frequency of use, differential development occurs for different effects of the same drug.
Tachyphylaxis is a sudden onset drug tolerance which is not dose dependent.
Pharmacodynamic tolerance occurs when the cellular response to a substance is reduced with repeated use. This may be caused by a reduced receptor response to receptor agonists (receptor desensitization), a reduction in receptor density (usually associated with receptor agonists), or other mechanisms leading to changes in action potential firing rate. Pharmacodynamic tolerance to a receptor antagonist involves the reverse, i.e., increased receptor firing rate, an increase in receptor density, or other mechanisms.
A raygun is a type of fictional or futuristic directed-energy weapon. They have various alternate names: ray gun, death ray, beam gun, blaster, laser gun, phaser, zap gun etc. They are a well-known feature of science fiction; for such stories they typically have the general function of guns. In most stories, when activated, a raygun emits a ray, typically visible, usually lethal if it hits a human target, often destructive if it hits mechanical objects, with properties and other effects unspecified or varying.
Real-life analogues are particle-beam weapons or electrolasers, electroshock weapons which send current along an electrically conductive laser-induced plasma channel.
A very early example of a raygun is the Heat-Ray featured in H. G. Wells' novel The War of the Worlds (1898). Science fiction during the 1920s described death rays. Early science fiction often described or depicted raygun beams making bright light and loud noise like lightning or large electric arcs. Nikola Tesla's attempts at developing directed-energy weapons encouraged the imagination of many writers.
Raygun were a British band formerly signed to RCA Records.
The Adj, former guitarist indie rock band Kubb, met lead singer Ray Gun studying Music Technology in Guildford. The two began writing songs and performing around Surrey and London, putting on live music events under the name 'Raygun and the Adjitators'. The duo recruited the help of bass player Ben and drummer Sam, continued the wild live performances and recorded an album at Britannia Row with producer Tim Bran.
Raygun toured Thailand, Singapore, Malaysia and The Philippines promoting the release of their debut album in South-East Asia.
On 15 August 2009, Raygun made history when it was featured alongside Kasabian, Hoobastank, Pixie Lott, Boys Like Girls and The All-American Rejects as one of the live acts at Asia's first MTV World Stage Live In Malaysia concert that was held in Malaysia.
The band supported Pink during the European leg of her 2009 Funhouse Tour. They have also supported Alphabeat, Paul Weller, The Script and Newton Faulkner and toured smaller venues as headliners later in 2009.
Ray Gun was an American alternative rock-and-roll magazine, first published in 1992 in Santa Monica, California. Led by founding art director David Carson, Ray Gun explored experimental magazine typographic design. The result was a chaotic, abstract style, not always readable, but distinctive in appearance. That tradition for compelling visuals continued even after Carson left the magazine after three years; he was followed by a series of art directors, including Robert Hales, Chris Ashworth, Jason Saunby, Scott Denton-Cardew, and Jerome Curchod.
In terms of content, Ray Gun was also notable for its choices of subject matter. The cutting-edge advertising, musical artists and pop culture icons spotlighted were typically ahead of the curve, putting such artists as Radiohead, Björk, Beck, Flaming Lips, PJ Harvey and Eminem on its cover long before its better-known competitors. Those choices were guided by Executive Editor Randy Bookasta and an editorial staff that included Dean Kuipers, Nina Malkin, Mark Blackwell, Joe Donnelly, Grant Alden, Mark Woodlief, and Eric Gladstone.