Raw data (also known as primary data) is a term for data collected from a source. Raw data has not been subjected to processing or any other manipulation, and are also referred to as primary data. Raw data is a relative term (see data). Raw data can be input to a computer program or used in manual procedures such as analyzing statistics from a survey. The term can refer to the binary data on electronic storage devices such as hard disk drives (also referred to as low-level data).
In computing, raw data may have the following attributes: possibly containing errors, not validated; in different (colloquial) formats; uncoded or unformatted; and suspect, requiring confirmation or citation. For example, a data input sheet might contain dates as raw data in many forms: "31st January 1999", "31/01/1999", "31/1/99", "31 Jan", or "today". Once captured, these raw data may be processed stored as a normalized format, perhaps a Julian date, so as to be easier for computers and humans to interpret during later processing.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
Raw is a 2006 live album by rock band Ra. Songs are taken from their former albums From One, and Duality. "Don't Turn Away" is a newly recorded track and is also included in their 2008 album Black Sun.
Vocalist Sahaj Ticotin broke the record for the longest single note for a male vocalist in a song, having held a high B for 24 seconds during "Skorn". Sahaj overtook the previous record of 20.2 seconds which was held by Morten Harket in his song "Summer Moved On". Ra released an e-card on September 12, 2006, where the song "Don't Turn Away" could be streamed. The entire album of Raw can be downloaded for free on Ra's website.
RAW is a young adult novel by Australian author Scott Monk. First published by Random House Australia in 1998, it has been reprinted eleven times. RAW is a tale of a teenager named Brett Dalton who has been sentenced to three months at The Farm for a break and enter charge. Brett learns a lot about himself during his time at The Farm. While there he finds love, he makes some new friends and he also manages to gain some enemies.
DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.
The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.
DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.
The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.
In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.
In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.
Lieutenant Commander Data (/ˈdeɪtə/ DAY-tə) is a character in the fictional Star Trek universe portrayed by actor Brent Spiner. He appears in the television series Star Trek: The Next Generation and the feature films Star Trek Generations, Star Trek: First Contact, Star Trek: Insurrection and Star Trek: Nemesis.
An artificial intelligence and synthetic life form designed and built by Doctor Noonien Soong, Data is a self-aware, sapient, sentient, and anatomically fully functional android who serves as the second officer and chief operations officer aboard the Federation starships USS Enterprise-D and USS Enterprise-E. His positronic brain allows him impressive computational capabilities. Data experienced ongoing difficulties during the early years of his life with understanding various aspects of human behavior and was unable to feel emotion or understand certain human idiosyncrasies, inspiring him to strive for his own humanity. This goal eventually led to the addition of an "emotion chip", also created by Soong, to Data's positronic net. Although Data's endeavor to increase his humanity and desire for human emotional experience is a significant plot point (and source of humor) throughout the series, he consistently shows a nuanced sense of wisdom, sensitivity, and curiosity, garnering immense respect from his peers and colleagues.
Woke up naked in the park
No recollection of where I go after dark
But when the moon is full I change my form
Bringing chaos and terror, whipping up a storm
Hurling abuse at passers by
They freeze with fear by my very sight
I’m Dr. Jekyll, I’m Mr. Hyde
I wet myself like an infant child
I am The Howling
I am The Howling
I am The Howling
I’m fucking howling
Indiscriminate of friend and stranger
My frenzied rage brings hellish danger
They tried to curb my wretched soul
They locked me up, issued an ASBO
But I’m the monster that can’t be tamed
An untamed beast with no restraint
A booze-fuelled demon rising after dark
Who wakes up naked in Hyde Park
I am The Howling
I am The Howling
I am The Howling
I’m fucking howling
Caged for hours like a rabid dog empowered