Raw, raw, or RAW may refer to:
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
Raw is the second studio album by American hip hop recording artist Hopsin. The album was released on November 19, 2010, by Funk Volume. On the song 'Sag My Pants' Hopsin disses mainstream rappers Drake, Lil Wayne, Soulja Boy, and Lupe Fiasco. He also disses the widowed wife of Eazy-E, Tomica Wright, vowing that he'll 'make sure no one signs with Ruthless Records again. Despite the release of the previous album, Gazing at the Moonlight, Hopsin considers Raw as his debut album. Upon release it peaked at number 46 on the Billboard Heatseekers Albums chart.
A proxy is an agent or substitute authorized to act for another person or a document which authorizes the agent so to act, and may also be used in the following contexts:
Proxy is a 2013 sci-fi, dystopian young adult novel by Alex London. The novel, which was released on June 18, 2013, features a gay adolescent as its action-hero protagonist. A sequel to the novel has been released in 2014, Guardian. The novel utilizes a third-person, subjective narration structure that alternates between Knox Brindle and Sydney Carton.
London states that he drew inspiration for Proxy from the 1987 book The Whipping Boy, "where the rich pay for the poor to take their punishments."
The book is set in a distant post-cataclysmic future where civilization has evolved its technology so rapidly through unrestricted capitalism to bring about a world where nearly every conceivable service can be purchased. Society has developed into a rigid class system where the Upper City lives in the height of luxury while the Lower City lives in utter poverty. As a result of the Lower City being infinitely indebted to the Upper City super corporations, the middle class has been eliminated altogether. Because of this debt, Upper City citizens can purchase the debts of someone from the Lower City. The wealthy patron will pay for the poorer person's essential needs and in return they serve as proxies to be punished whenever the rich patron either breaks the law, or needs their body for health purposes - e.g. donate blood or organs. However this system is seen as unfair, as the Lower City citizens assume this debt at birth and have no other feasible way to repay the debt. In addition any contact between the proxies and the patrons is outlawed. This injustice has brought about the existence of "The Rebooters", a rebel organization set on destroying this system by introducing "Jubilation", an idea that would erase debts, currency credits, and all digital data and records.
Proxy is a 2013 American horror film directed by Zack Parker. The movie had its world premiere on September 10, 2013 at the Toronto International Film Festival. It stars Alexia Rasmussen as a pregnant young woman who joins a support group after she miscarries due to a vicious attack. The filmmakers describe Proxy as a spiritual successor to the horror film Rosemary's Baby, and its main character Esther Woodhouse is named after the earlier film's protagonist Rosemary Woodhouse.
Film rights to Proxy were picked up by IFC Midnight shortly after its premiere at the Toronto International Film Festival.
While walking home from a doctor's appointment, the pregnant Esther Woodhouse (Alexia Rasmussen) is knocked unconscious by a person in a hoodie who hits her belly repeatedly with a brick. Despite the efforts of emergency room doctors, her baby is already dead when removed by Caesarian section. Noticing that Esther doesn't seem to have any friends or family (the baby was conceived via sperm bank), a social worker at the hospital forwards her to a support group for grieving parents.
Scribble your name on the desk,
Erase it and write it again.
I don't blame you.
I have trouble paying attention too.
Scribble my head with horns, a bad suit, and a face that looks worn.
I don't blame you.
Sometimes I see myself that way too.
And it may “take a village,”
But sometimes it seems that the village is to blame.
The writing's on the chalkboard.
We should be saying so much more.
I should be saying so much more.
I'm sorry that you feel like this school bus drives you down a desperate dead end
Where you hear me speak fallacies, like the importance of apostrophes
And the difference between the ocean and the sea.
So please bear with me while I try to balance my professional posturing
With my punk rock posturing.
Scribble your name on the desk,
Erase it and write it again.
The writing's on the chalkboard.
We should be saying so much more,
Should be saying so much more.
The writing's on the chalkboard.
We should be saying so much more,