Raw, raw, or RAW may refer to:
Tin Man is a 2007 four and a half hour miniseries co-produced by RHI Entertainment and Sci Fi Channel original pictures that was broadcast in the United States on the Sci Fi Channel in three parts. The first part aired on December 2, and the remaining two parts airing on the following nights. It was released to DVD on March 11, 2008; the same year it was rebroadcast in the United Kingdom, Australia, and New Zealand. Starring Zooey Deschanel, Neal McDonough, Alan Cumming, Raoul Trujillo, Kathleen Robertson, and Richard Dreyfuss, the miniseries is a continuation of the classic story The Wonderful Wizard of Oz, with science fiction and additional fantasy elements added. It focuses on the adventures of a small-town waitress named DG who is pulled into a magical realm called the O.Z., ruled by the tyrannical sorceress Azkadellia. Together with her companions Glitch, Raw, and Cain, DG journeys to uncover her lost memories, find her true parents, and foil Azkadellia's plot to trap the O.Z. in eternal darkness.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
The GNU Data Language (GDL) is a free alternative to IDL (Interactive Data Language). Together with its library routines, GDL is developed to serve as a tool for data analysis and visualization in such disciplines as astronomy, geosciences, and medical imaging. GDL is licensed under the GPL. Other open-source numerical data analysis tools similar to GDL include GNU Octave, NCAR Command Language (NCL), Perl Data Language (PDL), R, Scilab, SciPy, and Yorick.
GDL as a language is dynamically-typed, vectorized, and has object-oriented programming capabilities. GDL library routines handle numerical calculations (e.g. FFT), data visualisation, signal/image processing, interaction with host OS, and data input/output. GDL supports several data formats, such as NetCDF, HDF (v4 & v5), GRIB, PNG, TIFF, and DICOM. Graphical output is handled by X11, PostScript, SVG, or z-buffer terminals, the last one allowing output graphics (plots) to be saved in raster graphics formats. GDL features integrated debugging facilities, such as breakpoints. GDL has a Python bridge (Python code can be called from GDL; GDL can be compiled as a Python module). GDL uses Eigen_(C++_library) numerical library (similar to Intel MKL) to have excellent computing performance on multi-cores processors, with better benchmark than IDL on large matrix operations.
How ya feelin'?
The day has had its way with both of us
And oh, I've gone out of my way
But I'm not free
From this pain I'm feeling
I was a fool to think someday
You would come around
But no, no, no
I'm not thinking that way
'Cause now i see
You are not what you seem
You are a mystery to me
Sometimes I just want to scream
I think you should just go away 'cause
There's no necessity for you to stay and
Next time you come around my way
Forget it baby
You're not comin' in
How's your day been? (yeah)
'Cause mine has taken strange and ugly turns
But no, no, no
I feel better today
Because I'm off my knees
You are not what you seem
You are a mystery to me
Sometimes I just want to scream
I think you should just go away 'cause
There's no necessity for you to stay and
Next time you come around my way
Forget it baby
You're not comin' in
A heart ready for a life of sorrow
No you can't come back tomorrow
Shut my windows
Lock my doors
'Cause my heart won't be your ragdoll anymore (yeah)
I think you should just go away 'cause
There's no necessity for you to stay and
Next time you come around my way
Forget it baby
You're not comin' in
A heart ready for a life of sorrow
No you can't come back tomorrow
Shut my windows
Lock my doors
'Cause my heart won't be your ragdoll anymore (oh oh yeah yeah)