Raw, raw, or RAW may refer to:
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
Raw is the second studio album by American hip hop recording artist Hopsin. The album was released on November 19, 2010, by Funk Volume. On the song 'Sag My Pants' Hopsin disses mainstream rappers Drake, Lil Wayne, Soulja Boy, and Lupe Fiasco. He also disses the widowed wife of Eazy-E, Tomica Wright, vowing that he'll 'make sure no one signs with Ruthless Records again. Despite the release of the previous album, Gazing at the Moonlight, Hopsin considers Raw as his debut album. Upon release it peaked at number 46 on the Billboard Heatseekers Albums chart.
Dogs is the first album by American singer-songwriter Nina Nastasia. It was originally released in 2000 by Socialist Records and re-released in 2004 by Touch and Go Records.
John Peel has described the album as "astonishing".
Engineer Steve Albini has described it as one of the albums he is the most proud of, as well as one of his personal favorites:
Engineered by Steve Albini at Electrical Audio in Chicago.
"Dogs" is the third single from Damien Rice's second album 9. The single was released in Ireland as a digital download on 24 August 2007, then in the UK on 17 September 2007, where it charted at number 88. The single is the first release since Damien and Lisa Hannigan parted ways. The single mix for the song is much more upbeat and has noticeable drum beats.
CD:
7" vinyl #1 (gatefold sleeve):
7" vinyl #2 (poster sleeve):
"Dogs" (originally composed as "You've Got to Be Crazy") is a song by English progressive rock band Pink Floyd, released on the album Animals in 1977. This song was one of several to be considered for the band's "best of" album Echoes: The Best of Pink Floyd.
The music was written in 1974 by David Gilmour and Roger Waters, with lyrics by Waters, and originally titled "You've Got to Be Crazy". Waters modified the lyrics in some parts, transposed the key to suit both Gilmour's and his vocals, and retitled it "Dogs". The version on Animals is 17 minutes long.
The main theme features what were, for Pink Floyd, rather unusual chords. In the final version's key of D minor, the chords are D minor ninth, E♭maj7sus2/B♭, A sus2sus4, and A♭sus2(♯11). All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord.
The song fades in with an acoustic guitar in D tuning strumming the chords with a lively, syncopated rhythm, with a droning Farfisa organ playing chord tones (A, B♭, A, and A♭, respectively). After the first sixteen-bar progression, Gilmour begins the vocal. For the third repetition, bass guitar, Hammond organ, drums and lead guitar (playing a subtle drone of D) enter. After this repetition comes the first of several guitar solos, played by Gilmour on a Fender Telecaster rather than his usual Fender Stratocaster. Next is another verse of lyrics, followed by a keyboard solo. Finally, after six repetitions of the main theme, the tempo is cut in half, dramatically slower, a new chord progression is introduced, resolving gradually to the relative major, F, with two lead guitars loudly playing a slow harmonized melody, and a quieter third guitar adding decorative string bends, with heavy use of reverb and echo.
Darkman was developed by Ocean Software (Painting By Numbers on the NES version) and published by Ocean Software in 1991. It was released for the ZX Spectrum, NES, Amstrad CPC and Commodore 64. It was also ported to the Game Boy and Atari ST. The game's plot is loosely based on the film of the same name.
In this side-scrolling platformer, the player controls Darkman, a superhero who can jump, kick and punch, as well as swing from a rope during action sequences between levels. In each level, Darkman disguises himself as the boss of the level, whom he must defeat before the time limit elapses. Tying into the plot of the film, Darkman wears masks of various gangsters who are responsible for his disfigurement, but his disguise dissolves after being exposed to sunlight for too long. The character changes into a different member of the evil gang in each level, taking on their attack moves as well as their face.
In-between levels, Darkman must photograph his quarry before he can make a mask of them. These scenes involve moving the cursor to take a picture of the gangster. The better the photo accuracy, the more time Darkman is granted to complete the subsequent level. The final level is the most faithful to the film, and takes place on a skyscraper under construction.