Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
Raw is the second studio album by American hip hop recording artist Hopsin. The album was released on November 19, 2010, by Funk Volume. On the song 'Sag My Pants' Hopsin disses mainstream rappers Drake, Lil Wayne, Soulja Boy, and Lupe Fiasco. He also disses the widowed wife of Eazy-E, Tomica Wright, vowing that he'll 'make sure no one signs with Ruthless Records again. Despite the release of the previous album, Gazing at the Moonlight, Hopsin considers Raw as his debut album. Upon release it peaked at number 46 on the Billboard Heatseekers Albums chart.
Raw is a 2006 live album by rock band Ra. Songs are taken from their former albums From One, and Duality. "Don't Turn Away" is a newly recorded track and is also included in their 2008 album Black Sun.
Vocalist Sahaj Ticotin broke the record for the longest single note for a male vocalist in a song, having held a high B for 24 seconds during "Skorn". Sahaj overtook the previous record of 20.2 seconds which was held by Morten Harket in his song "Summer Moved On". Ra released an e-card on September 12, 2006, where the song "Don't Turn Away" could be streamed. The entire album of Raw can be downloaded for free on Ra's website.
DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.
The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.
DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.
The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.
In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.
In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.
Lieutenant Commander Data (/ˈdeɪtə/ DAY-tə) is a character in the fictional Star Trek universe portrayed by actor Brent Spiner. He appears in the television series Star Trek: The Next Generation and the feature films Star Trek Generations, Star Trek: First Contact, Star Trek: Insurrection and Star Trek: Nemesis.
An artificial intelligence and synthetic life form designed and built by Doctor Noonien Soong, Data is a self-aware, sapient, sentient, and anatomically fully functional android who serves as the second officer and chief operations officer aboard the Federation starships USS Enterprise-D and USS Enterprise-E. His positronic brain allows him impressive computational capabilities. Data experienced ongoing difficulties during the early years of his life with understanding various aspects of human behavior and was unable to feel emotion or understand certain human idiosyncrasies, inspiring him to strive for his own humanity. This goal eventually led to the addition of an "emotion chip", also created by Soong, to Data's positronic net. Although Data's endeavor to increase his humanity and desire for human emotional experience is a significant plot point (and source of humor) throughout the series, he consistently shows a nuanced sense of wisdom, sensitivity, and curiosity, garnering immense respect from his peers and colleagues.
In the room, on the red wall hang Rosalyn,
and the scent from the petals of the flowers fills the room but you are not here.
On the velvet sofa as the dreams that turned to ashes quietly
I watch a local movie. The reason to laugh is seeing you on screen.
The moon-shaped lamp still shines red.
Goodbye... My to my dearest Vivian-scented girl.
The decorations of perfumes in the sink, the black and white picture cries.
What you see is everything and there's no reason to that.
Cut down your discomfort wings.
It's dying on you.
Cut down your discomfort wings.
To a tomorrow that can't be reached.
Children sing the church choir at the newly built church.
When ever I walk past it, my heart screams.
There's no forgetting the Past, the Present, or the Future.
Will only the believers be led to salvation? That's stupid.
Why can't we be perfect? Why can't it be?
The merry go round that goes around and around and around has dried you up.
I hold in my sweaty hand, a picture of you and an ice pick.
Cut down your discomfort wings.
Be freer.
Cut down your discomfort wings.
But keep the door closed.