Image (board game)

Image is a board game developed by 3M released in 1971. The object of the game is to put together cards that represent an image, a description of a famous person.

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1963 (comics)

1963 is an American six-issue comic book limited series written by Alan Moore in 1993, with art by his frequent collaborators Steve Bissette, John Totleben, and Rick Veitch. Dave Gibbons, Don Simpson, and Jim Valentino also contributed art. Image Comics published the series.

The six issues are an homage to the Silver Age of American comics (in particular, the early Marvel Comics), and feature spoof advertisements on the rear covers—in a manner to be repeated with a twist by Moore and Kevin O'Neill in The League of Extraordinary Gentlemen.

Marvel parody

Moore's homage to Marvel clichés included fictionalizing himself and the artists as the "Sixty-Three Sweatshop", describing his collaborators in the same hyperbolic and alliterative mode Stan Lee used for his "Marvel Bullpen"; each was given a Lee-style nickname ("Affable Al," "Sturdy Steve," "Jaunty John," etc.—Veitch has since continued to refer to himself as "Roarin' Rick"). The parody is not entirely affectionate, as the text pieces and fictional letter columns contain pointed inside jokes about the business practices of 1960s comics publishers, with "Affable Al" portrayed as a tyrant who claims credit for his employees' creations. Moore also makes reference to Lee's book Origins of Marvel Comics (and its sequels) when Affable Al recommends that readers hurry out and buy his new book How I Created Everything All By Myself and Why I Am Great.

Tin Man (miniseries)

Tin Man is a 2007 four and a half hour miniseries co-produced by RHI Entertainment and Sci Fi Channel original pictures that was broadcast in the United States on the Sci Fi Channel in three parts. The first part aired on December 2, and the remaining two parts airing on the following nights. It was released to DVD on March 11, 2008; the same year it was rebroadcast in the United Kingdom, Australia, and New Zealand. Starring Zooey Deschanel, Neal McDonough, Alan Cumming, Raoul Trujillo, Kathleen Robertson, and Richard Dreyfuss, the miniseries is a continuation of the classic story The Wonderful Wizard of Oz, with science fiction and additional fantasy elements added. It focuses on the adventures of a small-town waitress named DG who is pulled into a magical realm called the O.Z., ruled by the tyrannical sorceress Azkadellia. Together with her companions Glitch, Raw, and Cain, DG journeys to uncover her lost memories, find her true parents, and foil Azkadellia's plot to trap the O.Z. in eternal darkness.

Raw (magazine)

Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.

Origin

Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.

Raw (Ra album)

Raw is a 2006 live album by rock band Ra. Songs are taken from their former albums From One, and Duality. "Don't Turn Away" is a newly recorded track and is also included in their 2008 album Black Sun.

Vocalist Sahaj Ticotin broke the record for the longest single note for a male vocalist in a song, having held a high B for 24 seconds during "Skorn". Sahaj overtook the previous record of 20.2 seconds which was held by Morten Harket in his song "Summer Moved On". Ra released an e-card on September 12, 2006, where the song "Don't Turn Away" could be streamed. The entire album of Raw can be downloaded for free on Ra's website.

Track listing

Credits

References

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Baby (musical)

Baby is a musical with a book by Sybille Pearson, based on a story developed with Susan Yankowitz, music by David Shire, and lyrics by Richard Maltby, Jr.. It concerns the reactions of three couples each expecting a child. The musical first ran on Broadway from 1983 to 1984.

Synopsis

Three couples, each newly expecting a child, have different but familiar reactions. Lizzie and Danny are university juniors who have just moved in together. Athletic Pam and her husband, Nick, a sports instructor, have had some trouble conceiving. Arlene, already the mother of three grown daughters, is unsure of what to do, contemplating abortion while her husband Alan is thrilled with the thought of a new baby. Throughout the show, these characters experience the emotional stresses and triumphs, the desperate lows and the comic highs, that accompany the anticipation and arrival of a baby.

Musical numbers

"Baby, Baby, Baby (Reprise)" was replaced in the initial run and the original cast recording with the song "Patterns," wherein Arlene contemplates her circular life as mother and wife.