Rave is an American film written and directed by Ron Kraussand starring Efren Ramirez, Douglas Spain, Aimee Graham, Nicholle Tom, Dante Basco and Franco Vega.
It is Saturday night in Los Angeles and six teenagers are in search of the hottest rave in the city. In one day, we see a portrait of these teenagers finding their way through all the temptations, attractions and dangers of the wild underbelly of Los Angeles.
Rave is an Indian music magazine, launched in March 2002. It was modeled on Rolling Stones magazine. The magazine is published by Soul City Publications ten times per year. In 2004 the US edition began to be published. Its online edition was started in August 2007.
RAVE can refer to:
Lucid is a dataflow programming language. It is designed to experiment with non-von Neumann programming models. It was designed by Bill Wadge and Ed Ashcroft and described in the book Lucid, the Dataflow Programming Language.
Lucid uses a demand-driven model for data computation. Each statement can be understood as an equation defining a network of processors and communication lines between them through which data flows. Each variable is an infinite stream of values and every function is a filter or a transformer. Iteration is simulated by 'current' values and 'fby' (read as 'followed by') operator allowing composition of streams.
Lucid is based on an algebra of histories, a history being an infinite sequence of data items. Operationally, a history can be thought of as a record of the changing values of a variable, history operations such as first and next can be understood in ways suggested by their names. Lucid was originally conceived as a kind of very disciplined, mathematically pure, single-assignment language, in which verification would be very much simplified. However, the dataflow interpretation has been a very important influence on the direction in which Lucid has evolved.
Lucid is the fifth studio album by American R&B singer Lyfe Jennings. The album was released on October 8, 2013, by Mass Appeal Entertainment. On May 8, 2013, the album's first single "Boomerang" was released. On July 25, 2013, the music video was released for "Boomerang".
Lucid was met with a generally positive reviews from music critics. Andy Kellman of AllMusic gave the album three out of four stars, saying "Jennings draws character sketches, spins cautionary tales—as someone still growing, learning from his mistakes—and largely sticks to the type of mature R&B that his listeners don't get from anyone else. He briefly breaks from the norm with "Rock," a classy but contemporary steppers groove that's one of his best songs. Despite a mostly new cast of collaborators—including TGT associate Brandon Hodge and producer/songwriter Lashaunda "Babygirl" Carr—Lucid is a natural progression for a veteran artist who seems to have plenty left to express."
Sixology (Chinese: JJ陸) is Singaporean Mandopop Singer-songwriter JJ Lin's sixth Mandarin studio album. It was released on 18 October 2008 by the Ocean Butterflies Music and contains 14 tracks. It is called this because it is his sixth album. There are three versions for this album. The song "主角" is popular in China, with many performances recently and concerts in many cities.
The album was awarded one of the Top 10 Selling Mandarin Albums of the Year at the 2009 IFPI Hong Kong Album Sales Awards, presented by the Hong Kong branch of IFPI.
Land, released in 1983 on Jive Records, was The Comsat Angels' fourth album. The album was reissued on CD in 2001 with five B-sides as bonus tracks for Jive's "Connoisseur Collection".
The song "Independence Day," originally from their debut album, Waiting for a Miracle, was rerecorded for Land. "Will You Stay Tonight" and "Independence Day" received a reasonable amount of airplay and charted in the UK at No. 81 and No. 71, respectively. "Island Heart" was also released as a single.
Land was the first of two albums for the Jive label and was viewed as a major departure from the Comsats' first three albums. Frontman Stephen Fellows looked back in a 2006 interview: "We made more commercial albums in the mid-'80s because the record company wanted us to do so. We were happy to find a new label after the commercially not-so-successful first albums." He regretted the result, but their options seemed limited because of the pop music world at the time. "Indie didn’t really exist, so we had no choice. But in retrospect we should have [stuck] to our early sound." Bass player Kevin Bacon put it this way: "The demos we did for Land were really good. It was a weird time for us – we felt deflated after being dropped after three albums by Polydor. Eighties pop values were rife; we didn’t naturally fit in, but were all into being popular (pop) and felt we could achieve it in a more damning way. We didn’t think Land was crap at the time, we just didn’t think it was us."