Rashomon (羅生門, Rashōmon) is a 1950 Japanese period drama film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. It stars Toshiro Mifune, Machiko Kyō, Masayuki Mori and Takashi Shimura. The film is based on two stories by Ryūnosuke Akutagawa: "Rashomon", which provides the setting, and "In a Grove", which provides the characters and plot.
The film is known for a plot device that involves various characters providing alternative, self-serving and contradictory versions of the same incident.
Rashomon marked the entrance of Japanese film onto the world stage; it won several awards, including the Golden Lion at the Venice Film Festival in 1951, and an Academy Honorary Award at the 24th Academy Awards in 1952, and is now considered one of the greatest films ever made.
The name of the film refers to the enormous, former city gate "between modern day Kyoto and Nara", on Suzaka Avenue's end to the South.
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And my hom-- and my homies all singin' to it,
3oh...3oh!3,
I ain't callin' for a close-up,
No clubs, no cars, bitches with the nose jobs,
No dubs, no stars,
I'm 'a do it how I always have;
Whiskey in a 40 bag,
Pissin' in the alleyway out back where the party's at,
I'm 'a spend it on a new whip, new hat, new kicks,
Bitches with the huge tits, new gat, new slips,
I'm 'a do it how I always do;
Sleep until the break of noon,
Wakin' just to make it through another night of shakin' you
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I ain't signin' on a new lease,
No cooks, no keys,
Models with the nose bleeds,
White lace, gold beads,
I'm 'a run it like a marathon;
Party 'til I'm 50,
Wake up on my parent's
Them cops still out to get me,
And I ain't sippin' on a mixed drink, pinkie out, lips pink,
Talkin' to a rich skank filled up like a sperm bank,
I'm 'a go where I always go;
Drinks are on the house,
Whiskey's on the rocks while your sister's on my mouth,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go
And if I was a rich man,
I'd never been to sea,
Could I take you anyways,
Would you come with me, baby?
And if I was a sick man,
I'd never meant to be,
Would you love me anyways,
And would you marry me?
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go,
I mean what can I say,
Three babies in the backseat singin' to you,
Hey Dj, won't you play that song for me,
And turn it up on your radio,
I got 200 seconds and I'm ready to go