Oasis was a short lived CITV drama series which was about a group of children who ran an inner city farm. It's best known for featuring John Simm and Dean Gaffney. It was set in a wasteland site in south London.
The drama series ran from 5 January to 9 March 1993 for 10 episodes, made by Zenith North, the team behind Byker Grove for Carlton; their first children's drama series for the ITV network.
Amir Haddad (in Hebrew עמיר חדד) or just Amir, (born Laurent Amir Khlifa Khedider Haddad in 1984 in 12th arrondissement of Paris and grew up in Sarcelles (Val-d'Oise), France) is an Israeli French singer and songwriter of Tunisian and Moroccan-Spanish Jewish parents. He took part in 2006 in Israeli music competition Kokhav Nolad, released his album Vayehi in 2011 and was a finalist in French competition The Voice: la plus belle voix as part of Team Jenifer finishing third in the competition.
Haddad born in France, immigrated to Israel in 1992 at the age of 8 as part of Aliyah and residing in Herzliya, north of Tel Aviv. He sang as a young child in the synagogue and in various social events. He came to fame in 2006 with his participation in the fourth season of the Israeli song competition Kokhav Nolad (in Hebrew כוכב נולד meaning A Star is Born), the Israeli equivalent of the Pop Idol held May to September 2006. He was the first candidate to sing mostly French language songs during the audition. He advanced for 4 stages before being eliminated. The series was won by Jacko Eisenberg.
Oasis (Hangul: 오아시스) is a 2002 South Korean film directed by Lee Chang-dong. This is Lee's third feature film, and the last one he directed before his stint as South Korea's Minister of Culture. The film's plot tells about the difficult romance between a mildly mentally disabled man who was just released from jail after a two and a half year sentence for involuntary manslaughter and a woman with severe cerebral palsy. Starring in these roles are the couple from Lee Chang-dong's previous film Peppermint Candy: Sol Kyung-gu and Moon So-ri. The movie also shows how the two main characters are treated by their families and perceived by the people around them.
The film was a critical success, earning prizes in numerous film festivals. Among the most important were the special director's prize given to Lee Chang-dong at the 2002 Venice Film Festival and the Marcello Mastroianni Award for Emerging Actor or Actress given to Moon So-ri at the same event.
Upon his release from prison, Hong Jong-du (Sol Kyung-gu) goes looking for his relatives in Seoul. His brothers have moved and neither they and nor their mother are aware Jong-du is back on the streets after serving a three-year prison term for a hit-and-run accident. He quickly discovers that during his absence his family has moved without telling him. Oblivious to society's rules, Jong-du again ends up in police custody for non-payment of a restaurant bill. He is bailed out by his younger brother Jong-sae (Ryoo Seung-wan) and reunited with his estranged family who reluctantly take him back in. Slightly mentally disabled and an incurable social misfit, Jong-du is hired as a delivery boy for a neighborhood Chinese restaurant on the recommendation of his older brother Jong-il (Ahn Nae-sang).
Rasa may refer to:
A rasa (Sanskrit: रस lit. 'juice' or 'essence') denotes an essential mental state and is the dominant emotional theme of a work of art or the primary feeling that is evoked in the person that views, reads or hears such a work.
Although the concept of rasa is fundamental to many forms of Indian art including dance, music, musical theatre, cinema and literature, the treatment, interpretation, usage and actual performance of a particular rasa differs greatly between different styles and schools of abhinaya, and the huge regional differences even within one style.
Bharata Muni enunciated the eight Rasas in the Nātyasāstra, an ancient work of dramatic theory, written during the period between 200 BC and 200 AD. Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There are 4 pairs of rasas. For instance, Hāsya arises out of Sringara. The Aura of a frightened person is black, and the aura of an angry person is red. Bharata Muni established the following.
The river Raša, (Latin: Arsia, Italian: Arsa) in Croatian Istria is a major river of Croatia's Istria County. It is 23 kilometres (14 mi) long, and its basin covers an area of 279 km2 (108 sq mi). Its mouth is in the long ria of Raški zaljev/Porto d'Arsia, which is a drowned river valley scoured out when world sea levels were lowered, then drowned by the rising waters of the post glacial era. The Raša rises in springs near Pićan and flows south through a steep-sided valley before opening into the head of the Adriatic Sea. The river, although short in length, has an ancient history as a border.
By Roman times, the Arsia, as it was called in Latin, constituted the border between the Histri, who lived west of its banks, and the Liburni on the coast to the east, with the Iapydes in the upcountry valley behind them. After the Romans conquered the fierce and piratical Histri in 177 BC, the Arsia formed the limes of Roman territory in coastal Istria for a generation, until the gap between the Arsia and the northernmost Roman outposts in illyria was closed in 129; for long afterwards it divided Italia Regio X, Venetia et Histria, from Illyricum, according to the divisions ratified by Augustus. The 8th-century Irish monk and geographer Dicuil, following his late Latin sources for the geographical summary De mensura Orbis terrae, gives the northeastern boundary of Italia as flumen Arsia.
Je lis tous les romans à l'eau de rose.
J'en souligne des passages au crayon rose.
Le bonheur m'obsède à la névrose.
Là où il y a du gris, je mets du rose.
Sur sa bouche, je pose
Mes deux lèvres roses.
Je l'aime car il suppose
Qu'aimer est toujours rose. [2x]
La couleur de tes joues quand glissent mes bas roses.
Je m'ouvre si tu presses le bouton rose.
Le bonheur m'obsède à la névrose.
Là où il y a du gris, je mets du rose.
Sur sa bouche, je pose
Mes deux lèvres roses.
Je l'aime car il suppose
Qu'aimer est toujours rose. [2x]
Sur sa bouche, je pose
Mes deux lèvres roses.
Je l'aime car elle suppose
Qu'aimer est toujours rose. [2x]