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Mad Professor | |
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![]() Mad Professor during a soundcheck at Reggie's Music Place in Chicago, IL |
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Background information | |
Birth name | Neil Joseph Stephen Fraser |
Also known as | Mad Professor |
Born | Georgetown, Guyana |
Genres | Dub, Reggae, Jungle |
Occupations | Music producer, music engineer |
Years active | 1979-current |
Labels | Ariwa |
Website | Myspace page |
Mad Professor (born Neil Joseph Stephen Fraser, 1955, Georgetown, Guyana) is a dub music producer and engineer known for his original productions and remix work. He is considered one of the leading producers of dub music’s second generation and was instrumental in transitioning dub into the digital age. He is a prolific producer, contributing to or producing nearly 200 albums. He has collaborated with reggae artists such as Lee "Scratch" Perry, Sly and Robbie, Pato Banton, Jah Shaka and Horace Andy, as well as artists outside the realm of traditional reggae and dub, such as Sade, Massive Attack, The Orb, and Brazilian DJ Marcelinho da lua.
Fraser became known as Mad Professor as a boy due to his fascination with electronics. He emigrated from Guyana to London at the age of 13 and later began his music career as a service technician. He gradually collected recording and mixing equipment and in 1979 opened his own four-track recording studio, Ariwa Sounds, in the living room of his home in Thornton Heath.[1] He began recording lovers rock bands and vocalists for his own label (including the debut recording by Deborahe Glasgow) and recorded his first album after moving the studio to a new location in Peckham in 1982, equipped with an eight-track setup, later expanding to sixteen.[1] Fraser's Dub Me Crazy series of albums won the support of John Peel, who regularly aired tracks from the albums.[1] Although early releases were not big sellers among reggae buyers, the mid-1980s saw this change with releases from Sandra Cross (Country Life), Johnny Clarke, Peter Culture, Pato Banton, and Macka B (Sign of the Times).[1] Fraser moved again, this time to South Norwood, where he set up what was the largest black-owned studio complex in the UK, where he recorded highly successful lovers rock tracks by Cross, John McLean, and Kofi, and attracted major Jamaican artists including Bob Andy and Faybiene Miranda.[1] He teamed up with reggae legend Lee "Scratch" Perry for the first time in 1989 for the album Mystic Warrior.[2]
Dub music, which combines reggae music and recording studio trickery, seemed to fit Mad Professor's musical and technical tastes perfectly and his early work remained faithful to the traditional Jamaican dub pioneered by King Tubby, Lee "Scratch" Perry, and Augustus Pablo. Mad Professor's early work was characterized by few vocal tracks and heavy echo, reverb, and phaser effects on the instrumentals. Eventually, he began to experiment with electronic sounds and effects alongside the traditional instruments. Synthesized sounds began to find a place in his mixes. This experimentation caught the attention of artists outside of reggae and dub genres and led to Mad Professor's work with electronic artists, most notably Massive Attack.
Contents |
Mad Professor has released hundreds of original recordings and has worked with a number of reggae and non-reggae artists. He is perhaps best known for his 12 installments of the Dub Me Crazy series and 5 albums under the Black Liberation Dub banner. The following is a list of his more accessible original releases, collaborations with other artists, and remixes. A complete discography can be found at Discogs.com.[3]
Since the 1990s he has remixed tracks by Sade, The Orb, The KLF, Beastie Boys, Jamiroquai, Rancid, Depeche Mode, Perry Farrell and Japanese pop singer Ayumi Hamasaki. His best-known project, perhaps, is 1995's No Protection, an electronic dub version of Massive Attack's second album, Protection. He has also done a version of I&I for New Zealand reggae band Katchafire. Mad Professor has done three versions for New Zealand electronic group Salmonella Dub.
[Dialogue between Violent J and Couch Guy]
[Violent J]
I was never popular, this I'll admit, fuck school never liked me, Goo!
All the kids would always beat me, until I'm half-dead
Make fun of the size of my forehead
But that shit never bothered me, Mama and Mother
They had a lot of property
They had a science lab in the basement
And that's where my free ti...well, my time was spent
I made a mouse with a chicken head
It clucked three times: CLUCK, CLUCK, CLUCK!
And then it was dead
I made a lot of things though, like a frog with a turkey neck
gobblegobblegobble, it was the shit (yeah)
But I'm still lonely, I need a homie
So I collected limbs and made a zombie
I could've made a girlie friend
But fuck that, I got my girlie right here...yeah!
[Chorus]
You can call me Mad Professor
I will make a friend for me
You can call me Mad Professor
We will rule eternity
[Dialogue between Violent J and a bitch]
[Violent J]
I used so many body parts it was crazy
I killed a whole bunch of mother fuckers , like what, eighty?
They all chipped in on my special friend
Everything helps, Even if you got a finger to lend, come on
I hear the other children playing outside
"Keep it down you little bitches, I'll skin your fucking hides!"
?Stressful?, this part is wack
Some how I gots to attach this nut sack
Shit! Fuck! I'm sawing off an elbow
Looking at the meter I'm like ?Quasar and Ziphalo?
Or better yet look out the fucking window
I see a storms coming, almost time to roll
Screw the head on, come on, come on
It's the thuggish, ruggish, bone
Okay it's time, hit the switch, turn it up a hert
Fuck! Shit! Didn't work
[Chorus]
[Dialogue between Violent J and a wrecker serviceman]
It wasn't always easy (Hell no!) let me tell ya
But fuck that, cause I ain't no failure
I put the shit with the veins and this with that
Wait a minute...(brrrt) did you hear that?
It's alive! I just gotta wake it up
Hand me that ?rocky rye? pour it in a cup
Give it to his ass wait, hold up, pause
I ain't cleaning his draws man, fuck that
Get him fat, get him ready, it's almost time
Paint his ugly face up almost like mine
I see him twitching, I'm on a roll
He can help me tell the whole world about the carnival
Turn the hertz all the way up for this shit
And just wait for that lightning bolt to hit
Did it work? You make the call
Shaggy? (What up, y'all!)
[Chorus 3X]