Rao Saheb is a 1985 Hindi period drama film directed by Vijaya Mehta, a noted theatre director. It is based on a Marathi novel Andharachya Parambya by Jaywant Dalvi, on which he also wrote the play Barrister. The film set in small rural town in Maharashtra in early 19th century, and deals with clash of progressives and orthodox traditions, while depicting plight of women especially widows in traditional Indian society under feudalism and oppressive patriarchy. The film starred Anupam Kher, Vijaya Mehta, Nilu Phule, and Tanvi Azmi.
At the 33rd National Film Awards for 1985 films, the film won two awards; Best Supporting Actress for Vijaya Mehta, while Sham Bhutkar won the award for Best Art Direction.
Rao is a fictional star in the DC Comics Universe. It is the red supergiant (in some continuities, red dwarf) that the planet Krypton orbited.
"Rao" is also later written into the Superman mythology as the name of a Kryptonian deity, the personification of their sun, worshipped as a god of light and life. As such the name was sometimes invoked in the comics as a Kryptonian exclamation.
In the early years of Superman comics, the sun of Krypton was unnamed and was given no effect on Superman's powers, which were attributed first to greater evolution, and then to a combination of innate powers and Earth's lower gravity. Starting in 1960, the fact that Earth's sun was yellow while Krypton's was red became the explanation for Superman's powers, with our sunlight fueling them like the charge of a battery. In the standard Silver Age continuity existing up until Crisis on Infinite Earths, Rao's red sun radiation actively suppressed the superhuman abilities of Kryptonians, as their powers only worked in the radiation of a yellow sun. The post-Crisis version created by John Byrne stated that Kryptonians absorbed solar energy, with the dim output of Rao being just enough to sustain them, and a yellow sun producing enough energy to "supercharge" a Kryptonian metabolism to levels of power not seen in their native environment, though it takes years for Clark Kent to build up enough energy to reach the level of power he displays as Superman. The 2004 graphic novel Superman: Birthright corroborates this, although in recent years, other writers have depicted red-sun radiation matching that of Rao as once again actively shutting down Kryptonian powers, for as long as an individual is exposed to it.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: