In music, the range of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest note.
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings.
The sounding range refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience. A piccolo, for example, typically has a sounding range one octave higher than its written range. The designated range is the set of notes the player should or can achieve while playing. All instruments have a designated range, and all pitched instruments have a playing range. Timbre, dynamics, and duration ranges are interrelated and one may achieve registral range at the expense of timbre. The designated range is thus the range in which a player is expected to have comfortable control of all aspects.
In arithmetic, the range of a set of data is the difference between the largest and smallest values.
However, in descriptive statistics, this concept of range has a more complex meaning. The range is the size of the smallest interval which contains all the data and provides an indication of statistical dispersion. It is measured in the same units as the data. Since it only depends on two of the observations, it is most useful in representing the dispersion of small data sets.
For n independent and identically distributed continuous random variables X1, X2, ..., Xn with cumulative distribution function G(x) and probability density function g(x) the range of the Xi is the range of a sample of size n from a population with distribution function G(x).
The range has cumulative distribution function
Gumbel notes that the "beauty of this formula is completely marred by the facts that, in general, we cannot express G(x + t) by G(x), and that the numerical integration is lengthy and tiresome."
In passing through matter, charged particles ionize and thus lose energy in many steps, until their energy is (almost) zero. The distance to this point is called the range of the particle. The range depends on the type of particle, on its initial energy and on the material through which it passes.
For example, if the ionising particle passing through the material is a positive ion like an alpha particle or proton, it will collide with atomic electrons in the material via Coulombic interaction. Since the mass of the proton or alpha particle is much greater than that of the electron, there will be no significant deviation from the radiation's incident path and very little kinetic energy will be lost in each collision. As such, it will take many successive collisions for such heavy ionising radiation to come to a halt within the stopping medium or material. Maximum energy loss will take place in a head-on collision with an electron.
Since large angle scattering is rare for positive ions, a range may be well defined for that radiation, depending on its energy and charge, as well as the ionisation energy of the stopping medium. Since the nature of such interactions is statistical, the number of collisions required to bring a radiation particle to rest within the medium will vary slightly with each particle (i.e., some may travel further and undergo less collisions than others). Hence, there will be a small variation in the range, known as straggling.
Range, a geographic term referring to a chain of hills or mountains; a somewhat linear, complex mountainous or hilly area.
Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."
"Music" is a short story by Russian American author Vladimir Nabokov originally published in Russian in 1932.
The story uses third-person narration and tells the story of Victor, a self-conscious man for whom "music he did not know... could be likened to the patter of a conversation in a strange tongue." When Victor arrives at a party, he finds the other guests listening with varying degrees of engagement to a man named Wolfe play the piano. As Victor does not know the song being played, he loses interest. He catches a glimpse of his ex-wife at the party, but cannot look at her. He laments the fact that now he must "start all over" the long task of forgetting her (in a flashback, it's revealed that she left him for another, who may or may not be at the party). Throughout the entire story, Victor views the music as a structure that has him encaged in an awkward situation with his ex-wife; it had seemed to him "a narrow dungeon" until it ends, thus giving his ex-wife the opportunity to leave, which she does. Victor then realizes that the music was not a dungeon, but actually "incredible bliss, a magic glass dome that had embraced and imprisoned him and her," and which allowed him to "breathe the same air as she." After she leaves, another party-goer comments to Victor that he looked immune to the music and that he didn't think such a thing possible. His own inanity is revealed when Victor asks him what was played and he cannot tell whether it was Beethoven's Kreutzer Sonata or Tekla Bądarzewska-Baranowska's rather easy piece, Maiden's Prayer.
"Music" is a 2001 hit single by Erick Sermon featuring archived vocals from Marvin Gaye.
The song was thought of by Sermon after buying a copy of Gaye's Midnight Love and the Sexual Healing Sessions album, which overlook some of the original album's earlier mixes. After listening to an outtake of Gaye's 1982 album track, "Turn On Some Music" (titled "I've Got My Music" in its initial version), Sermon decided to mix the vocals (done in a cappella) and add it into his own song. The result was similar to Natalie Cole's interpolation of her father, jazz great Nat "King" Cole's hit, "Unforgettable" revisioned as a duet. The hip hop and soul duet featuring the two veteran performers was released as the leading song of the soundtrack to the Martin Lawrence & Danny DeVito comedy, "What's the Worst That Could Happen?" The song became a runaway success rising to #2 on Billboard's R&B chart and was #1 on the rap charts. It also registered at #21 pop giving Sermon his highest-charted single on the pop charts as a solo artist and giving Gaye his first posthumous hit in 10 years following 1991's R&B-charted single, "My Last Chance" also bringing Gaye his 41st top 40 pop hit. There is also a version that's played on Adult R&B stations that removes Erick Sermon's rap verses. The song was featured in the 2011 Matthew McConaughey film The Lincoln Lawyer.