Ramona

Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the Mexican-American War, it portrays the life of a mixed-race Scots–Native American orphan girl, who suffers racial discrimination and hardship. Originally serialized in the Christian Union on a weekly basis, the novel became immensely popular. It has had more than 300 printings, and been adapted four times as a film. A play adaptation has been performed annually outdoors since 1923.

The novel's influence on the culture and image of Southern California was considerable. Its sentimental portrayal of Mexican colonial life contributed to establishing a unique cultural identity for the region. As its publication coincided with the arrival of railroad lines in the region, countless tourists visited who wanted to see the locations of the novel.

Plot summary

In Southern California, shortly after the Mexican-American War, a Scots-Native American orphan girl, Ramona, is raised by Señora Gonzaga Moreno, the sister of Ramona's deceased foster mother. Ramona is referred to as illegitimate in some summaries of the novel, but chapter 3 of the novel says that Ramona's parents were married by a priest in the San Gabriel Mission. Señora Moreno has raised Ramona as part of the family, giving her every luxury, but only because Ramona's foster mother had requested it as her dying wish. Because of Ramona's mixed Native American heritage, Moreno does not love her. That love is reserved for her only child, Felipe Moreno, whom she adores. Señora Moreno considers herself a Mexican, although California has recently been taken over by the United States. She hates the Americans, who have cut up her huge rancho after disputing her claim to it.

Ramona (1936 film)

Ramona is a 1936 American Technicolor drama film directed by Henry King, based on Helen Hunt Jackson's 1884 novel Ramona. This was the third adaptation of the film, and the first one with sound. It starred Loretta Young and Don Ameche.

The New York Times praised its use of new Technicolor technology but found the plot "a piece of unadulterated hokum." It thought "Ramona is a pretty impossible rôle these heartless days" and Don Ameche "a bit too Oxonian" for a chief's son.

Plot

Ramona (Loretta Young), is a half-Indian girl who falls in love with the young man Felipe Moreno (Kent Taylor).

Cast

References

Ramona (1928 film)

Ramona is a 1928 American silent drama film directed by Edwin Carewe, based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Rio and Warner Baxter.

Mordaunt Hall of the New York Times found much to praise in what he called "an Indian love lyric": "This current offering is an extraordinarily beautiful production, intelligently directed and, with the exception of a few instances, splendidly acted. The scenic effects are charming.... The different episodes are told discreetly and with a good measure of suspense and sympathy. Some of the characters have been changed to enhance the dramatic worth of the picture, but this is pardonable, especially when one considers this subject as a whole."

This was the first United Artists film with a synchronized score and sound effects, but no dialogue, and so was not a talking picture.

The story had been filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young.

List of Latin phrases (E)

This page lists English translations of notable Latin phrases, such as veni vidi vici and et cetera. Some of the phrases are themselves translations of Greek phrases, as Greek rhetoric and literature reached its peak centuries before the rise of ancient Rome.

E

Notes

References

EG

Eg may refer to:

EG also stands for:

E.G. Records

E.G. Records was a UK-based artist management company and independent record label, mostly active during the 1970s and 1980s. The initials stood for its founders, David Enthoven and John Gaydon. The pair signed on as managers of King Crimson in early 1969, during the formative stage of the band and prior to the release of debut In the Court of the Crimson King. They also signed T. Rex, Emerson, Lake & Palmer and Roxy Music to management. Gaydon left in 1971 and Enthoven in 1977. Sam Alder and Mark Fenwick (later managing Roger Waters) reformed the label several years later, re-releasing material from King Crimson in addition to others such as Penguin Cafe Orchestra, Brian Eno, Killing Joke, Loose Tubes, Human Chain, Man Jumping, Iain Ballamy, Earthworks, and U.K.

The label was distributed by Island Records (through 1974) and then Polydor Records. In the US, artists were placed on Atlantic Records, Warner Bros. Records, Polydor Records, Passport Records/Jem Records, and Virgin Records and on various other labels in other parts of the world.