Erroll Garner

Erroll Louis Garner (June 15, 1923 - January 2, 1977) (some sources say 1921) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd.

Career

Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1923, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.

Ramona

Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the Mexican-American War, it portrays the life of a mixed-race ScotsNative American orphan girl, who suffers racial discrimination and hardship. Originally serialized in the Christian Union on a weekly basis, the novel became immensely popular. It has had more than 300 printings, and been adapted four times as a film. A play adaptation has been performed annually outdoors since 1923.

The novel's influence on the culture and image of Southern California was considerable. Its sentimental portrayal of Mexican colonial life contributed to establishing a unique cultural identity for the region. As its publication coincided with the arrival of railroad lines in the region, countless tourists visited who wanted to see the locations of the novel.

Plot summary

In Southern California, shortly after the Mexican-American War, a Scots-Native American orphan girl, Ramona, is raised by Señora Gonzaga Moreno, the sister of Ramona's deceased foster mother. Ramona is referred to as illegitimate in some summaries of the novel, but chapter 3 of the novel says that Ramona's parents were married by a priest in the San Gabriel Mission. Señora Moreno has raised Ramona as part of the family, giving her every luxury, but only because Ramona's foster mother had requested it as her dying wish. Because of Ramona's mixed Native American heritage, Moreno does not love her. That love is reserved for her only child, Felipe Moreno, whom she adores. Señora Moreno considers herself a Mexican, although California has recently been taken over by the United States. She hates the Americans, who have cut up her huge rancho after disputing her claim to it.

Ramona (1936 film)

Ramona is a 1936 American Technicolor drama film directed by Henry King, based on Helen Hunt Jackson's 1884 novel Ramona. This was the third adaptation of the film, and the first one with sound. It starred Loretta Young and Don Ameche.

The New York Times praised its use of new Technicolor technology but found the plot "a piece of unadulterated hokum." It thought "Ramona is a pretty impossible rôle these heartless days" and Don Ameche "a bit too Oxonian" for a chief's son.

Plot

Ramona (Loretta Young), is a half-Indian girl who falls in love with the young man Felipe Moreno (Kent Taylor).

Cast

  • Loretta Young as Ramona
  • Don Ameche as Alessandro
  • Kent Taylor as Felipe Moreno
  • Pauline Frederick as Señora Moreno
  • Jane Darwell as Aunt Ri Hyar
  • Katherine DeMille as Margarita (as Katherine de Mille)
  • Victor Kilian as Father Gaspara
  • John Carradine as Jim Farrar
  • J. Carrol Naish as Juan Can
  • Pedro de Cordoba as Father Salvierderra
  • Charles Waldron as Dr. Weaver
  • Claire Du Brey as Marda
  • References

    Ramona (1928 film)

    Ramona is a 1928 American silent drama film directed by Edwin Carewe, based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Rio and Warner Baxter.

    Mordaunt Hall of the New York Times found much to praise in what he called "an Indian love lyric": "This current offering is an extraordinarily beautiful production, intelligently directed and, with the exception of a few instances, splendidly acted. The scenic effects are charming.... The different episodes are told discreetly and with a good measure of suspense and sympathy. Some of the characters have been changed to enhance the dramatic worth of the picture, but this is pardonable, especially when one considers this subject as a whole."

    This was the first United Artists film with a synchronized score and sound effects, but no dialogue, and so was not a talking picture.

    The story had been filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young.

    Podcasts:

    Ramona

    Ramona

    Ramona

    Born: 1909-03-11

    Died: 1972-12-14

    developed with YouTube
    PLAYLIST TIME:

    Mambo Moves Garner

    by: Erroll Garner

    Cole Porter
    Like the beat beat beat of the tom-tom
    When the jungle shadows fall,
    Like the tick tick tock of the stately clock
    As it stands against the wall,
    Like the drip drip drip of the raindrops
    When the sum'r show'r is through,
    So a voice within me keeps repeating
    You-You-You
    Night and day you are the one,
    Only you beneath the moon and sun,
    Whether near me or far
    It's no matter, darling, where you are,
    I think of you, night and day.
    Day and night, why is it so
    That this longing for you follows wherever I go?
    In the roaring traffic's boom,
    In the silence of my lonely room,
    I think of you, night and day.
    Night and day under the hide of me
    There's an, oh, such a hungry yearning
    Burning inside of me,
    And its torment won't be through
    Till you let me spent my life making love to you
    Day and night, night and day.




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