A box set or boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) packaged in a box, for sale as a single unit.
Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect together previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's Oh, by the Way.
Other music box sets focus on a compilation of boxes of different artists from a particular genre such as Big Band jazz, 1960s rock and roll, or opera. They generally feature a large collection of various hits from some of the top artists of a particular genre. The scope of such box sets varies widely, with some genre-specific box sets (such as one featuring rock music) focusing on boxes of a specific style (for instance, guitar rock or "Summer of Love" music). Two of the best known companies for making box sets are Legacy Recordings and Rhino Records; both have won multiple Grammy Awards. Prior to Rhino and Legacy, companies such as Time-Life Records and Readers Digest also issued box sets.
In theatre, a box set is a set with a proscenium arch stage and three walls. The proscenium opening is the fourth wall. Box sets create the illusion of an interior room on the stage, and are contrasted with earlier forms of set in which sliding flats with gaps between them create an illusion of perspective.
Box sets were introduced to the English theatre by Elizabeth Vestris. They later became a feature of realist theatre, and an example of the "fourth wall removed" principle that characterized the work of noted realists such as Henrik Ibsen, Émile Zola, George Bernard Shaw, or Anton Chekhov.
In play style of Realism the Box Set of the stage was a room with either plain black back drop or three walls, the fourth wall was invisible, separating the characters from the audience, the ceiling was tilted down at the far end of the stage and up toward the audience. Doors slammed instead of swinging when being shut just like in a real world.
The Fall Risk is an American folk rock band founded by Furthur vocalist Jeff Pehrson in 2009.
Jeff Pehrson, currently a backup vocalist for Furthur, began playing guitar and writing original songs in 1985 while matriculating at San Francisco State University. In 1987, along with keyboardist/vocalist friend Matt Twain, the Twain & Pehrson Duo began playing regular gigs at San Francisco's The Owl and the Monkey Cafe. In 1991, singer-songwriter Jim Brunberg joined the duo, forming the folk rock band, Box Set, that began performing locally, and after establishing a growing loyal fan base, regionally. Twain, who was unable to travel due to his day job, left the band, leaving the Box Set Duo, which still continues to perform on occasion in the Bay Area and Portland. The increasingly popular duo, whose expressive songwriting and resonant harmonies have prompted comparisons to Simon & Garfunkel, decided to broaden their sound by adding drummer Matt Abbott and bass player Chad Heise in 1993 and keyboardist/harmonicist/accordionist Sam Johnston in 1994. Box Set toured continuously until 2004, when their touring pace slowed, in part due to Brunberg's relocating to Portland and matriculating in law school, and performed its last show in 2006. During its career, Box Set released a total of 12 recordings, was recognized by Billboard on their "Honor Roll of Unsigned Talent" in 1994, was named "Group of the Year" by the National Academy of Songwriters in 1995, and won two Bay Area Music Awards ("Bammies") for "Best Club Band" and "Outstanding Americana/Roots Band" in 1997.
Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the Mexican-American War, it portrays the life of a mixed-race Scots–Native American orphan girl, who suffers racial discrimination and hardship. Originally serialized in the Christian Union on a weekly basis, the novel became immensely popular. It has had more than 300 printings, and been adapted four times as a film. A play adaptation has been performed annually outdoors since 1923.
The novel's influence on the culture and image of Southern California was considerable. Its sentimental portrayal of Mexican colonial life contributed to establishing a unique cultural identity for the region. As its publication coincided with the arrival of railroad lines in the region, countless tourists visited who wanted to see the locations of the novel.
In Southern California, shortly after the Mexican-American War, a Scots-Native American orphan girl, Ramona, is raised by Señora Gonzaga Moreno, the sister of Ramona's deceased foster mother. Ramona is referred to as illegitimate in some summaries of the novel, but chapter 3 of the novel says that Ramona's parents were married by a priest in the San Gabriel Mission. Señora Moreno has raised Ramona as part of the family, giving her every luxury, but only because Ramona's foster mother had requested it as her dying wish. Because of Ramona's mixed Native American heritage, Moreno does not love her. That love is reserved for her only child, Felipe Moreno, whom she adores. Señora Moreno considers herself a Mexican, although California has recently been taken over by the United States. She hates the Americans, who have cut up her huge rancho after disputing her claim to it.
Ramona is a 1936 American Technicolor drama film directed by Henry King, based on Helen Hunt Jackson's 1884 novel Ramona. This was the third adaptation of the film, and the first one with sound. It starred Loretta Young and Don Ameche.
The New York Times praised its use of new Technicolor technology but found the plot "a piece of unadulterated hokum." It thought "Ramona is a pretty impossible rôle these heartless days" and Don Ameche "a bit too Oxonian" for a chief's son.
Ramona (Loretta Young), is a half-Indian girl who falls in love with the young man Felipe Moreno (Kent Taylor).
Ramona is a 1928 American silent drama film directed by Edwin Carewe, based on Helen Hunt Jackson's 1884 novel Ramona, and starring Dolores del Rio and Warner Baxter.
Mordaunt Hall of the New York Times found much to praise in what he called "an Indian love lyric": "This current offering is an extraordinarily beautiful production, intelligently directed and, with the exception of a few instances, splendidly acted. The scenic effects are charming.... The different episodes are told discreetly and with a good measure of suspense and sympathy. Some of the characters have been changed to enhance the dramatic worth of the picture, but this is pardonable, especially when one considers this subject as a whole."
This was the first United Artists film with a synchronized score and sound effects, but no dialogue, and so was not a talking picture.
The story had been filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young.
Oh, I'd like to be like a bird up in the sky
Hoppin' from branch to branch and learning to fly
I'd fly right over the hill
Right to your window sill, your window sill
I'm just crazy about you darlin'
You're one in a million
Or I'd like to be like a fish down deep in the sea
Swimmin' from canyon to canyon and feeling free
I'd pull up on your line
Let you catch me any time, any time
I'm just crazy about you darlin'
You're one in a million
Or I'd like to be like a great big bumble bee
I'd live in a hive that was hangin' from your tree
I'd make sweet honey for you
That's just what I would do, only for you
I'm just crazy about you darlin'
You, you, you
You're one in a million