Ramin (album)
Ramin, renamed Human Heart in the United States, is the debut studio album from Iranian-born Canadian actor and singer Ramin Karimloo. It was released in the UK on April 9, 2012.
Background
Karimloo released his album in the UK on April 9 2012 after several months of promotion. He ended his West End run as Jean Valjean on the week preceding the album's release in order to prepare for a series of signings and further promotion before embarking on a major tour which will take him to venues in London, Oxford, Southend, Manchester, Nottingham, Birmingham, Gateshead, and Cardiff in the UK and New York, Charlotte, Atlanta, Philadelphia, Washington, Bethlehem, Chicago, and Pittsburgh in the US. He is also visiting Toronto in his native Canada.
Karimloo said in anticipation of the album: "I have a huge love for country and bluegrass, I love rock 'n' roll and I love what I'm doing, so it was how to balance all that". He went on to say, "I didn't want to be just a theatre star putting out an album. It was only when they started talking about writing and bringing in other writers that I got interested. I wanted to have lived the songs. I wanted an album that was like a diary." He has cited influences as diverse as The Tragically Hip, Johnny Cash and Mumford and Sons, and so a straightforward West End leading man album of covers was never really on the cards, says Karimloo, "I wanted to marry that rocky sound with things that people know me more for". The album was produced by Tom Nichols, who has worked with world-class vocalists from Céline Dion to Hayley Westenra. It includes not only his own compositions but also covers of Bryan Adams and Muse songs, having as well his own take on "Music of the Night" from The Phantom of the Opera and "'Til I Hear You Sing" from Love Never Dies.
Ramin (disambiguation)
Ramin (transliterated from Rāmin) is a given name and surname. Ramin may also refer to:
! (album)
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
Track listing
Personnel
The following people were involved in the making of !:
References
"@" (album)
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
Album
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Podcasts:
