Encode or encoder may refer to:
All pages with titles containing Encoding
Encoding, in semiotics, is the process of creating a message for transmission by an addresser to an addressee. The complementary process – interpreting a message received from an addresser – is called decoding.
The process of message exchanges, or semiosis, is a key characteristic of human life depending on rule-governed and learned codes that, for the most part, unconsciously guide the communication of meaning between individuals. These interpretive frameworks or linking grids were termed "myths" by Roland Barthes (1915-1980) and pervade all aspects of culture from personal conversation to the mass media's output (for code exchange through the mass media, see Americanism).
The Encyclopedia of DNA Elements (ENCODE) is a public research project launched by the US National Human Genome Research Institute (NHGRI) in September 2003.
Intended as a follow-up to the Human Genome Project (Genomic Research), the ENCODE project aims to identify all functional elements in the human genome.
The project involves a worldwide consortium of research groups, and data generated from this project can be accessed through public databases.
Humans are estimated to have approximately 20,000 protein-coding genes, which account for about 1.5% of DNA in the human genome. The primary goal of the ENCODE project is to determine the role of the remaining component of the genome, much of which was traditionally regarded as "junk."
Approximately 90% of single-nucleotide polymorphisms in the human genome (that have been linked to various diseases by genome-wide association studies) are found outside of protein-coding regions.
The activity and expression of protein-coding genes can be modulated by the regulome - a variety of DNA elements, such as promoter, transcriptional regulatory sequences and regions of chromatin structure and histone modification. It is thought that changes in the regulation of gene activity can disrupt protein production and cell processes and result in disease (ENCODE Project Background). Determining the location of these regulatory elements and how they influence gene transcription could reveal links between variations in the expression of certain genes and the development of disease.
In classical geometry, the radius of a circle or sphere is a the length of a line segment from its center to its perimeter. The name comes from Latin radius, meaning "ray" but also the spoke of a chariot wheel. The plural of radius can be either radii (from the Latin plural) or the conventional English plural radiuses. The typical abbreviation and mathematic variable name for "radius" is r. By extension, the diameter d is defined as twice the radius:
If an object does not have a center, the term may refer to its circumradius, the radius of its circumscribed circle or circumscribed sphere. In either case, the radius may be more than half the diameter, which is usually defined as the maximum distance between any two points of the figure. The inradius of a geometric figure is usually the radius of the largest circle or sphere contained in it. The inner radius of a ring, tube or other hollow object is the radius of its cavity.
For regular polygons, the radius is the same as its circumradius. The inradius of a regular polygon is also called apothem. In graph theory, the radius of a graph is the minimum over all vertices u of the maximum distance from u to any other vertex of the graph.
A radius is a straight line or distance from the center to the edge of a curve.
Radius may also refer to:
Radius is a London music ensemble founded in 2007 by the British composer Tim Benjamin. The ensemble specialises in the performance of new music from around the world (though primarily in the Western classical music tradition) written by living composers and 20th-century masters. The ensemble's artistic director is the British composer Ian Vine, a contemporary of Tim Benjamin at the Royal Northern College of Music from 1994 to 1997. Modelled on the 1960s ensemble The Fires of London, (which in turn was derived from the instrumentation of Schoenberg's Pierrot Lunaire), the core instrumental line-up of Radius is flute, clarinet, violin, cello, piano, and percussion. To this instrumentation have been added trumpet, trombone, French horn, actors, and vocalists, as required for the performance of specific works.
Although Radius is usually unconducted, the ensemble was conducted by John Traill (musician) for performances of Tim Benjamin's The Corley Conspiracy at London's Southbank Centre in September 2007, directed by Sean Starke. Radius has performed at the Purcell Room at the Southbank Centre in London, the Wigmore Hall in London, and the Holywell Music Room in Oxford.