Emi (えみ, エミ, 絵美, 恵美) is a very common feminine Japanese given name and is occasionally used as a surname.
Emi can be written using different kanji characters and can mean:
The given name can also be written in hiragana or katakana.
EMI Group Limited (originally Electric and Musical Industries), also known as EMI Music or simply EMI, was a British multinational music recording and publishing company, and electronics device and systems manufacturing company, headquartered in London, England.
At the time of its break-up in 2012 it was the fourth-largest business group and family of record labels in the recording industry and was one of the big four record companies (now the big three). Its record labels included EMI Records, Parlophone, Virgin Records, and Capitol Records. EMI Group also had a major publishing arm, EMI Music Publishing—also based in London with offices globally.
The company was once a constituent of the FTSE 100 Index, but faced financial troubles and $4 billion in debt, leading to its acquisition by Citigroup in February 2011. Citigroup's ownership was temporary, as it announced in November 2011 that it would sell its music arm to Vivendi's Universal Music Group for $1.9 billion, and EMI's publishing business to a Sony/ATV consortium for around $2.2 billion. Other members of the Sony consortium include the Estate of Michael Jackson, Blackstone, and Abu Dhabi–owned investment fund Mubadala.
In computing, ANSI escape codes (or escape sequences) are a method using in-band signaling to control the formatting, color, and other output options on video text terminals. To encode this formatting information, certain sequences of bytes are embedded into the text, which the terminal looks for and interprets as commands, not as character codes.
ANSI codes were introduced in the 1970s and became widespread in the minicomputer/mainframe market by the early 1980s. They were used by the nascent bulletin board system market to offer improved displays compared to earlier systems lacking cursor movement, leading to even more widespread use.
Although hardware text terminals have become increasingly rare in the 21st century, the relevance of the ANSI standard persists because most terminal emulators interpret at least some of the ANSI escape sequences in the output text. One notable exception is the win32 console component of Microsoft Windows.
Almost all manufacturers of video terminals added vendor-specific escape sequences to perform operations such as placing the cursor at arbitrary positions on the screen. One example is the VT52 terminal, which allowed the cursor to be placed at an x,y location on the screen by sending the ESC
character, a y
character, and then two characters representing with numerical values equal to the x,y location plus 32 (thus starting at the ASCII space character and avoiding the control characters).
In classical geometry, the radius of a circle or sphere is a the length of a line segment from its center to its perimeter. The name comes from Latin radius, meaning "ray" but also the spoke of a chariot wheel. The plural of radius can be either radii (from the Latin plural) or the conventional English plural radiuses. The typical abbreviation and mathematic variable name for "radius" is r. By extension, the diameter d is defined as twice the radius:
If an object does not have a center, the term may refer to its circumradius, the radius of its circumscribed circle or circumscribed sphere. In either case, the radius may be more than half the diameter, which is usually defined as the maximum distance between any two points of the figure. The inradius of a geometric figure is usually the radius of the largest circle or sphere contained in it. The inner radius of a ring, tube or other hollow object is the radius of its cavity.
For regular polygons, the radius is the same as its circumradius. The inradius of a regular polygon is also called apothem. In graph theory, the radius of a graph is the minimum over all vertices u of the maximum distance from u to any other vertex of the graph.
Radius is a London music ensemble founded in 2007 by the British composer Tim Benjamin. The ensemble specialises in the performance of new music from around the world (though primarily in the Western classical music tradition) written by living composers and 20th-century masters. The ensemble's artistic director is the British composer Ian Vine, a contemporary of Tim Benjamin at the Royal Northern College of Music from 1994 to 1997. Modelled on the 1960s ensemble The Fires of London, (which in turn was derived from the instrumentation of Schoenberg's Pierrot Lunaire), the core instrumental line-up of Radius is flute, clarinet, violin, cello, piano, and percussion. To this instrumentation have been added trumpet, trombone, French horn, actors, and vocalists, as required for the performance of specific works.
Although Radius is usually unconducted, the ensemble was conducted by John Traill (musician) for performances of Tim Benjamin's The Corley Conspiracy at London's Southbank Centre in September 2007, directed by Sean Starke. Radius has performed at the Purcell Room at the Southbank Centre in London, the Wigmore Hall in London, and the Holywell Music Room in Oxford.
The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called stopping the strings.
The word "fingerboard" in other languages sometimes occurs in musical directions. In particular, the direction sul tasto (Ital., also sulla tastiera, Fr. sur la touche, G. am Griffbrett) for bowed string instruments to play with the bow above the fingerboard. This reduces the prominence of upper harmonics, giving a more ethereal tone.
A fingerboard may be fretted, having raised strips of hard material perpendicular to the strings, which the player presses the strings against to stop the strings. Frets let the player stop the string consistently in the same place, and don't dampen string vibrations as much as fingers alone. Frets may be fixed, as on a guitar or mandolin, or movable, as on a lute. Fingerboards may also be unfretted, as they usually are on bowed instruments, where damping by the finger is of little consequence because of the sustained stimulation of the strings. Unfretted fingerboards allow a musician more control over subtle changes in pitch than fretted boards, but are generally considered harder to master. Fingerboards may also be, though uncommon, a hybrid of these two. Such a construction is seen on the sitar, where arched frets attach at the edges of a smooth fingerboard; unfrettable strings run inside the frets, while frettable ones run outside. The fret arches are sufficiently high that the exterior strings can be fretted without making the finger making contact with the interior strings and Frets may be marked by inlays to make navigating the fingerboard easier.
Everything that you hide is
Everything that you lied
Everything I want you to is
Count on me
This is not right for me
Everything that you sigh is
Everything that you fight
Everything I need you to is
Depend on me
Something that I should be
Departure
Forever
Always in that endless falling rain