A character race is a fundamental part of the identity and nature of characters in the Dungeons & Dragons role-playing game.
Each race has a distinct appearance, behavior and often range of statistics associated with it. The following races have appeared in D&D throughout its history.
In each edition, the core player character races are detailed in one of that edition's core rulebooks: Men & Monsters for "original" Dungeons & Dragons, the Basic Set and Rules Cyclopedia for "basic" Dungeons & Dragons and the Player's Handbook for all other editions.
In sport, racing is a competition of speed, against an objective criterion, usually a clock or to a specific point. The competitors in a race try to complete a given task in the shortest amount of time. Typically this involves traversing some distance, but it can be any other task involving speed to reach a specific goal.
A race may be run continuously from start to finish or may be made of several segments called heats, stages or legs. A heat is usually run over the same course at different times. A stage is a shorter section of a much longer course or a time trial.
Early records of races are evident on pottery from ancient Greece, which depicted running men vying for first place. A chariot race is described in Homer's Iliad.
Running a distance is the most basic form of racing, but races may be conducted in vehicles, such as boats, cars, cycles and aircraft; or with animals such as horses or dogs. Other forms of racing are by skis, kicksled, skates or wheelchair. In a relay race members of a team take turns in racing parts of a circuit or performing a certain racing form.
Race is a play by David Mamet that premiered on Broadway in December 2009.
Race premiered on Broadway at the Ethel Barrymore Theatre on November 16, 2009 in previews, officially on December 6, 2009, closing on August 21, 2010 after 23 previews and 297 performances. Directed by Mamet, the cast included James Spader, David Alan Grier, Kerry Washington, and Richard Thomas. Scenic design was by Santo Loquasto, lighting design by Brian MacDevitt and costume design by Tom Broecker. David Alan Grier was nominated for a Tony Award for Best Performance by a Featured Actor in a Play.
The producers announced on April 21, 2010 that the play had recouped its investment, making it the first new play to recoup on Broadway in the 2009-2010 season.
The play has been produced in US regional theatres, such as at the Goodman Theatre in Chicago in 2012 and Next Act in Milwaukee in 2014.
Canadian Stage's production ran from April 7 to May 4, 2013 at the St. Lawrence Centre in Toronto, Ontario. The cast included Jason Priestley, Matthew Edison, Nigel Shawn Williams and Cara Ricketts. Williams garnered a Dora Mavor Moore Award nomination for Outstanding Performance by a Male in a Principal Role – Play for his performance.
A railroad slug is an accessory to a diesel-electric locomotive. It has trucks with traction motors but, unlike a B unit, is unable to move about under its own power, as it does not contain a prime mover to produce electricity, nor is there a cab for an operator. Instead, it is connected to a locomotive, called the mother, which provides the needed electrical power to operate the traction motors, and the motor controls.
A slug is used to increase adhesive weight, allowing full power to be applied at a lower speed, thus allowing a higher maximum tractive effort. They are often used in low-speed operations such as switching operations in yards. At low speeds, a diesel-electric locomotive prime mover is capable of producing more electricity than its traction motors can use effectively. Extra power would simply cause the wheels to slip and possibly overheat the traction motors. A slug increases the number of traction motors available to the locomotive, increasing both the pulling and braking power. In addition the load on each traction motor is reduced, which helps prevent overheating from excess current. Slugs typically carry ballast to increase their weight and improve traction. Large blocks of concrete are frequently used for this purpose, substituting for the weight of the now-absent prime mover.
Slug was a noise rock group that formed in Los Angeles in 1988 by DJs from Loyola Marymount University campus radio station KXLU. Originally formed as an experimental noise collage trio utilizing metal percussion, feedback and primitive sound loops created via gouged children's and sound effect records, they subsequently added traditional instrumentation (2 basses, 2 guitars, drums, vocals) to the mix.
Slug self-released their first single on their own label Magnatone Recordings. After the release of their first album Swingers, guitarist Rich Alvarez left to pursue his own band Jackknife, and was replaced by Collin Rae, formerly of 4AD artist Ultra Vivid Scene.
Before the recording of their third album The 3 Man Themes, bassist Michael B.© left to be replaced by David Scott Stone.
Slug disbanded in 1996. Stone would go on to work with The Melvins, LCD Soundsystem and other groups. Bassist Damian Romero continued his side noise/ambient project under the name Speculum Fight. Guitarist Todd Williams relocated to New York City to work as a film editor. Drummer Tomás Palermo moved to the San Francisco Bay area as a freelance writer on reggae for URB magazine and other publications. Guitarist Collin Rae moved to the Bay Area as well, performing in other groups as well as continuing his work as a professional photographer.
Semantic URLs, also sometimes referred to as clean URLs, RESTful URLs, user-friendly URLs, or search engine-friendly URLs, are Uniform Resource Locators (URLs) intended to improve the usability and accessibility of a website or web service by being immediately and intuitively meaningful to non-expert users. Such URL schemes tend to reflect the conceptual structure of a collection of information and decouple the user interface from a server's internal representation of information. Other reasons for using clean URLs include search engine optimization (SEO), conforming to the representational state transfer (REST) style of software architecture, and ensuring that individual web resources remain consistently at the same URL. This makes the World Wide Web a more stable and useful system, and allows more durable and reliable bookmarking of web resources.
Semantic URLs also do not contain implementation details of the underlying web application. This carries the benefit of reducing the difficulty of changing the implementation of the resource at a later date. For example, many non-semantic URLs include the filename of a server-side script, such as example.php, example.asp or cgi-bin. If the underlying implementation of a resource is changed, such URLs would need to change along with it. Likewise, when URLs are non-semantic, if the site database is moved or restructured it has the potential to cause broken links, both internally and from external sites, the latter of which can lead to removal from search engine listings. The use of semantic URLs presents a consistent location for resources to user-agents regardless of internal structure. A further potential benefit to the use of semantic URLs is that the concealment of internal server or application information can improve the security of a system.