UR

UR, Ur or ur may refer to:

Computing

  • Ur, also called Ur/Web a programming language.
  • Geography

  • Ur, an ancient city-state in southern Mesopotamia, modern day Iraq
  • Royal Game of Ur, two ancient game boards found in the Royal Tombs of Ur
  • Ur of the Chaldees ((Ur Kaśdim)), mentioned in the Book of Genesis as the birthplace of Abraham
  • Ur, Pyrénées-Orientales, a commune of the Pyrénées-Orientales Département, France
  • Ur (continent), name of the first known continent in the field of tectonics
  • Ur, Iran, a village in Ardabil Province, Iran
  • Canton of Uri, Switzerland
  • Hay Ur, a neighborhood of Baghdad, Iraq
  • Mathematics

  • Unitary representation in group theory
  • Language and linguistics

  • ur, ISO 639 alpha-2 code for the Urdu language
  • ur, acronym for "your" or "you're" in text messaging
  • Úr (), a letter of the Ogham alphabet
  • ur (digraph), a digraph in Central Alaskan Yup'ik for /ʁʷ/, and in Pinyin for the trilled vowel /ʙ̝/
  • Ur (root), a common root word in the Basque language
  • Milady 3000

    Milady 3000 (Italian: Milady nel 3000) is an Italian comic series featuring an eponymous character, created in 1980 by Magnus for the magazine Il Mago. The series continued until 1984 (also in the magazine Eureka), and was later published in France (in Métal Hurlant), in the United States (in Heavy Metal), in Belgium and Spain.

    Synopsis

    Milady is Paulina Zumo, a haughty Imperial Colonel and countess of the Zumo dynasty. Her stories, set in 3000 AD, are a science fiction mixture of many influences: these include Old Chinese costumes, Italian Renaissance intrigues, and hyper-technological environments. Magnus maintained he was also inspired by Alex Raymond's Flash Gordon for the series.

    In her adventures, Milady is assisted by Uèr, an electro-chemical android who is desperately in love with her, in spite of Milady's repeated, contemptuous refusals.

    Publication

  • Il Principe dell'Equilibrio e della Quiete Galattica - Il Mago N°94-96, January–March 1980
  • Nel Palazzo di Kê - Il Mago N°105, December 1980
  • Satiric misspelling

    A satiric misspelling is an intentional misspelling of a word, phrase or name for a rhetorical purpose. This is often done by replacing a letter with another letter (for example, k replacing c), or symbol (for example, $ replacing s, @ replacing a, or ¢ replacing c). Satiric misspelling is found particularly in informal writing on the Internet, but can also be found in some serious political writing that opposes the status quo.

    K replacing c

    Replacing the letter c with k in the first letter of a word came into use by the Ku Klux Klan during its early years in the mid-to-late 19th century. The concept is continued today within the group.

    In the 1960s and early 1970s in the United States, leftists, particularly the Yippies, sometimes used Amerika rather than America in referring to the United States. It is still used as a political statement today. It is likely that this was originally an allusion to the German spelling of the word, and intended to be suggestive of Nazism, a hypothesis that the Oxford English Dictionary supports.

    R.U.R.

    R.U.R. is a 1920 science fiction play by the Czech writer Karel Čapek. R.U.R. stands for Rossumovi Univerzální Roboti (Rossum’s Universal Robots). However, the English phrase Rossum’s Universal Robots had been used as the subtitle in the Czech original. It premiered on 25 January 1921 and introduced the word "robot" to the English language and to science fiction as a whole.

    R.U.R. quickly became famous and was influential early in the history of its publication. By 1923, it had been translated into thirty languages.

    The play begins in a factory that makes artificial people, called roboti (robots), out of synthetic organic matter. They are not exactly robots by the current definition of the term; these creatures are closer to the modern idea of cyborgs, androids or even clones, as they may be mistaken for humans and can think for themselves. They seem happy to work for humans at first, but that changes, and a hostile robot rebellion leads to the extinction of the human race. Čapek later took a different approach to the same theme in War with the Newts, in which non-humans become a servant class in human society.

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