Quiet storm is a late-night radio format.
Quiet Storm(s) may also refer to:
Quiet storm is a radio format, musical style, and subgenre of R&B, pioneered in the mid 1970s by then-intern Melvin Lindsey at Washington, D.C. radio station WHUR-FM, featuring soulful slow jams. Smokey Robinson's like-titled hit single, "A Quiet Storm", released in 1975 as the title track to his third solo album, lent its name to the format and to the radio program that introduced it to the public. Encompassing a mix of African-American music genres, quiet storm music is distinguished by understated, mellow dynamics and relaxed tempos and rhythms. It can be soothingly pensive, or express romantic sentiment. Quiet storm music is similar to soft rock styles, but it is more closely and unmistakably rooted in R&B and soul music, often with jazz extensions.
Today, quiet storm is a broad term given to an array of mellow, slow-groove contemporary R&B, soul and smooth jazz offerings of the type featured on Melvin Lindsey's WHUR program, and on myriad other stations that followed his lead—most notably KBLX-FM in San Francisco, which in 1979 became the first radio station in the U.S. to present a 24-hour quiet storm format (which lasted 32 years, until the station was acquired in April 2011 by Entercom Broadcasting and converted to straight-ahead Urban AC format).
Quiet Storm is the fifth album by the band Cockney Rejects, released in 1984.
Keith Warrington - Drums
Micky Geggus - Guitar/Bass
Jefferson Turner - Vocals
Ian Campbell - Bass
Falu, born Falguni Shah in Mumbai, India is a New York-based singer and songwriter whose music blends ancient classical Indian melodies with contemporary western sounds. In her burgeoning U.S.-based career, she has worked with and collaborated with a wide array of artists including A.R. Rahman (Slumdog Millionaire), Yo-Yo Ma (in The Silk Road Project), Philip Glass, Wyclef Jean, her teacher Ustad Sultan Khan, Blues Traveler, Ricky Martin and Bernie Worrell (Parliament Funkadelic).
In her early years in Mumbai, Falu was trained rigorously in the Jaipur gharana musical tradition, honing her talent for up to 16 hours a day at times. She later continued studying under the legendary sarangi/vocal master Ustad Sultan Khan.
Falu moved to the States in 2000, and joined the Boston-based Indo-American band Karyshma as lead vocalist. In 2001, she met up with Asian Massive leader Karsh Kale, and hit the nationwide university, club and festival circuits. After fulfilling a 2-year Indian music visiting lectureship at Tufts University in Boston, Falu moved to New York where she formed her own band of the same name. They began performing at music venues throughout New York, quickly garnering the attention of fans across the city.
Eduardo Falú (July 7, 1923 – August 9, 2013) was a well-known Argentine folk music guitarist and composer.
Eduardo Falú was born in El Galpón, a village near San José de Metán in the province of Salta, in 1923. His parents, Fada and Juan Falú, were Syrian immigrants. Raised in rural surroundings, he was strongly influenced by the folk traditions of Salta (which remain, in Falú's words, "something lively, dynamic and evolutionary").
Falú was given his first guitar as a gift during childhood, and he began to perform traditional folk tunes of the Argentine Northwest as a troubadour. He formed a duo with César Perdiguero, and became well known in the region during the 1940s. Largely self-taught, Falú deepened his knowledge of the guitar through study of the 19th century masters and was trained in harmony and theory by the prominent Argentine composer Carlos Guastavino.
His increasing renown brought him to Buenos Aires in 1945, and he recorded his first album there in 1950. Among the volume of collaborations with many of the leading Argentine poets, perhaps the best-known are his compositions for lyrics written by Jaime Dávalos, among which some of the most popular are Zamba de la Candelaria, Trago de sombra, and Canción del jangadero. Falú wrote music for a number of Argentine historical epics, as well, including Romance de la Muerte de Juan Lavalle (written by Ernesto Sábato) and José Hernández (by Jorge Luis Borges).
And we're back...it's me,
your around-the-way girl
rollin' through the night on the
Quiet Storm.
Tonight is kinda special...
we got Toby Mckheen up in here
so let's get down to it
now, Toby-
what's up?
In studying the landscape of your musical evolution,
it appeared as though you were maturing beyond your,
"so-called" rap years... (toby chuckles in background)
now suddenly like a ghost from the past
you present the public with this....