The Quad Cities is a region of four counties in northwest Illinois and Southeastern Iowa. The urban core consists of five principal cities: Davenport and Bettendorf in Iowa, and Rock Island, Moline, and East Moline in Illinois. These cities are the center of the Quad Cities Metropolitan Area, which, as of 2013, had a population estimate of 383,781 and a CSA (Combined Statistical Area) population of 474,937, making it the 90th largest CSA in the nation.
Before European settlers came to inhabit the Quad Cities, the confluence of rivers had attracted many varying cultures of indigenous peoples, who used the waterways and riverbanks for their settlements for thousands of years. At the time of European encounter, it was a home and principal trading place of the Sauk and Fox tribes of Native Americans. Saukenuk was the principal village of the Sauk tribe and birthplace of its 19th-century war chief, Black Hawk. In 1832, Sauk chief Keokuk and General Winfield Scott signed a treaty in Davenport after the US defeated the Sauk and their allies in the Black Hawk War. The treaty resulted in the Native Americans ceding six million acres (24,000 km²) of land to the United States in exchange for a much smaller reservation elsewhere. Black Hawk State Historic Site in Rock Island preserves part of historic Saukenuk and is listed on the National Register of Historic Places.
Quad is a television play by Samuel Beckett, written and first produced and broadcast in 1981. It first appeared in print in 1984 (Faber and Faber) where the work is described as "[a] piece for four players, light and percussion" and has also been called a "ballet for four people."
It consists of four actors dressed in robes, hunched and silently walking around and diagonally across a square stage in fixed patterns, alternately entering and exiting. Each actor wears a distinct colored robe (white, red, blue, yellow), and is accompanied by a distinct percussion instrument (leitmotif). The actors walk in sync (except when entering or exiting), always on one of four rotationally symmetric paths (e.g., when one actor is at a corner, so are all others; when one actor crosses the stage, all do so together, etc.), and never touch – when walking around the stage, they move in the same direction, while when crossing the stage diagonally, where they would touch in the middle, they avoid the center area (walking around it, always clockwise or always anti-clockwise, depending on the production). In the original production, the play was first performed once, and then, after a pause, an abbreviated version is performed a second time, this time in black and white and without musical accompaniment. These are distinguished as Quad I and Quad II, though Quad II does not appear in print.
Quad or QUAD was the name of a solo music project by Gary Ramon.
During his six-year hiatus from Sun Dial, Ramon embarked on an ambitious solo project, Quad, which combined ambient electronica with kraut rock. The result was a pair of self-titled albums. The first of these was released on Ramon's own Acme Records in 1997 as a 1000-copy limited edition on 12" clear vinyl with a transparent sleeve. The second Quad album was released in 1998 on the Prescription label as a 99-copy limited edition LP.
A 1999 American re-release of the first album on CD and 10" LP on the Man's Ruin label was scheduled, but eventually cancelled.
Both albums are now highly sought-after collectors' items.
In rocketry, the Armadillo Aerospace Quad vehicle called Pixel is a computer controlled VTVL rocket that was used in 2006 to compete in the Lunar Lander Challenge.
The quad vehicle design is a pressure fed in blow-down mode from an initial pressure of 320 psi for level 1 (400 psi level 2). The cold gas vernier engines are cross-fed by gas drawn from ullage space of the opposite tank. The vehicle was able to transfer propellant through connecting pipes between opposite tanks by controlling ullage pressures with the thrusters; this helps it balance, minimizing gas use. The main engine had two-axis thrust vectoring. The vehicle was fully computer controlled; with guidance from GPS and fiber optic gyros.
The specification for Pixel/Texel for level 1:
Still got that key to the city...
(Verse 1)
uh.uh... uh
J-U, The hot shit, to hot to fall
I'm too ahead of my time kid, I stop for y'all
in a drunk mind state, I bomb Kuwait
I'm so ill I raise the dead when I rhyme at wakes
From the moment that my first verse caught your head
years later you'll be buggin' off the thoughts I said
Now I'm lampin' on the street, with my foot on the curb
give me the illest concept, and I can put it in words
Analog mics are used to record the subliminal
Pro Tools chapped em soundwave and make em digital
Flow cool Juice'll do the mic something pitiful
For me you're gonna need a million gigabytes minimal
Niggas wanna rap they gettin in it for dough
but start hangin up when they cell minutes are low
I'm toed back off of a couple Guinnesses though
I'll have people passin' out before I finish the show
now you feelin' insecure when I grin at yo' ho'
I had her ass in the air kid, chin on the flo'
Now you tryin' to spend your dough, so your women'll know
I'm still Juice but big Panik put the gin in the flow
Now the flows are the fattest crazy rap status
Juice hold belts in all the fuckin' weight classes
I'm anti-sobriety, I try to stay tipsy
I move at the speed of light, Blink, you missed me
(Chorus)
From the Midwest, to the West
And all sides of the U.S. feeling buddah blessed
No matter how it goes we fresh
Cause you can have a scantron and still can't test, the best
(Chorus 2)
From the East coast to the West
The best sides of the U.S. feeling buddah blessed
No matter how it goes we fresh
Cause you can have a scantron and still can't test, the best
(Verse 2)
I was told by the council, to lead the new millinium
One ounce'll have your skin chippin' like a pentium
3 processor, nobody floss fresher
my style very day to day like a cross dresser (Whoo)
Juice at the club, your whore I macked her
She forgot she had a man until the morning after
Bones and vocal cords get torn and fractured
She said comparin' us was like before and after
Juice bust 'em out, flush 'em out, what's the fuss about
I kick lines other cats can only cuss about
they say Juice is on the lose, have you seem him
I'm day and night and every hour between 'em
I'm on some Mary J. shit, nigga this is my life
Tape so hot they had to wrap it up in dry-ice
So having any thoughts about winnin me God
is like tryin to save a game without a memory card
And in case you didn't know, I'm paid to hijack your motorcade
Try to wave to the crowd I'm blowin off your shoulder blade
your chance to live is at a very low percentage
your so close to death that you can see your own image
A amateur, lost to a professional
Now they dissconnectin you from all that bullshit you was connected to
I need no remorse, I had to diminish 'em
In Mortal Kombat I had the crowd screamin' "Finish him"