Qiang may refer to:
The Qiang (Chinese: 羌; pinyin: Qiāng; Wade–Giles: Ch'iang) was a name given to various groups of people at different periods in ancient China. The Qiang people are generally thought to have been of Tibetan-Burmese origin, though there are other theories.
The Tangut people of Tang, Sung and Yuan dynasties may be of Qiang descent.
The term "Qiang" appears in the Classic of Poetry in reference to Tang of Shang (trad. 1675–1646 BC). They seem to have lived in a diagonal band from northern Shaanxi to northern Henan, somewhat to the south of the later Beidi. They were enemy of the Shang dynasty, who mounted expeditions against them, capturing slaves and victims for human sacrifice. The Qiang prisoners were skilled in making oracle bones.
It is generally held that this ancient tribe is the progenitor of both the Qiang and Tibetan peoples. There are still many ethnological and linguistic links between the Qiang and the Tibetans. The Qiang tribe expanded eastward and joined the Han people in the course of historical development, while the other branch that traveled southwards, crosses over the Hengduan Mountains, and entered the Yungui Plateau; some went even farther, to Burma, forming series of ethnic groups of the Tibetan-Burmese language family. Even today, from linguistic similarities, their relative relationship can be seen. They formed the Tibetan ethnicity after the unification of the Tubo kingdom. The historical origins of the Qiang and Tibetan races is perhaps as Professor Fei Xiaotong has said: "Even if the Qiang people might not be regarded as the main source of the Tibetan people, it is undoubtedly that the Qiang people played a certain role in the formation of Tibetan race" (Fei Xiaotong: The Pluralistic and Unified Structure of Chinese Ethnic Groups, P28, The Central Ethnic University Publishing, 1999).
Qiang (simplified Chinese: 枪; traditional Chinese: 槍; pinyin: qiāng) is the Chinese term for spear. Due to its relative ease of manufacture, the spear in many variations was ubiquitous on the pre-modern Chinese battlefield. It is known as one of the four major weapons, along with the Gun (staff), Dao (sabre), and the Jian (sword), called in this group "The King of Weapons".
Common features of the Chinese spear are the leaf shaped blade and red horse-hair tassel lashed just below. The tassel shows elite troop status. It also serves a tactical purpose. When the spear is moving quickly, the addition of the tassel aids in blurring the vision of the opponent so that it is more difficult for them to grab the shaft of spear behind the head or tip. The tassel also served another purpose, to stop the flow of blood from the blade getting to the wooden shaft (the blood would make it slippery, or sticky when dried).
The length varied from around 9 feet long, increasing up to 21 feet. According to general Qi Jiguang, the Ming military categorized spears above 9 feet as short spears, 14 feet as long spears, and spears below 9 feet as spiked staffs, which were used more for hitting than stabbing. Spears used in war are typically made of hard wood. Martial arts (wushu) spears are typically made of wax wood, a lighter and more flexible wood better suited for performance; these are called flower spears.
I lie half awake
Late at night
I reach out to touch you
To feel you by my side
And I reach
And I reach
But I never get to feel you
Will I ever get to feel you again?
Again...
Just one more time
One more moment
To take you in my arms
One more chance
One more kiss
Before I wake to find you gone
One more time
Before I have to face another day
And my heart breaks...again
It's only a dream
But it's also real
I don't want it to end
But I know it will
So I pray and I pray
Every night I'm on my knees
Begging for the chance to see you again
Again…