QE2 (album)

QE2 is the sixth record album by Mike Oldfield, released in 1980 on Virgin Records. The album was named after the ocean liner Queen Elizabeth 2.

The album contained both original Oldfield compositions as well as two cover version of pieces recorded by other bands ("Arrival" by ABBA and "Wonderful Land" by The Shadows).

Album analysis

The longest tracks on the album are "Taurus I" and the title track, "QE2", lasting 10 minutes and 7 minutes respectively. Some years later The Shadows responded to Oldfield's cover of "Wonderful Land", by releasing a cover of Oldfield's "Moonlight Shadow". The cover songs were released as singles; and the helicopter cover for "Arrival" was clearly a reference to ABBA's Arrival album cover.

The album was the first Oldfield album to feature Maggie Reilly as a collaborator. Some tracks on the album feature vocals sung through vocoder. "Conflict" has an excerpt from J. S. Bach’s "Badinerie" (the last part of Bach's Orchestral Suite No. 2 in B Minor). The lyrics for "Celt" were written by Tim Cross.

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.