Purple is defined as a deep, rich shade between crimson and violet, or, more broadly, as a range of hues of color between blue and red, or as a dark color that is a blend of red and blue. According to surveys In Europe and the U.S., purple is the color most often associated with royalty, magic, mystery and piety. When combined with pink, it is associated with eroticism, femininity and seduction.
Purple was the color worn by Roman magistrates; it became the imperial color worn by the rulers of the Byzantine Empire and the Holy Roman Empire, and later by Roman Catholic bishops. Similarly in Japan, the color is traditionally associated with the Emperor and aristocracy.
Purple and violet are similar, though purple is closer to red. In optics, there is an important difference; purple is a composite color made by combining red and blue, while violet is a spectral color, with its own wavelength on the visible spectrum of light.
The word 'purple' comes from the Old English word purpul which derives from the Latin purpura, in turn from the Greek πορφύρα (porphura), name of the Tyrian purple dye manufactured in classical antiquity from a mucus secreted by the spiny dye-murex snail.
Purple is a color.
Purple may also refer to
Boom may refer to:
Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.
Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.
Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".
The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.