The sheep (Ovis aries) is a quadrupedal, ruminant mammal typically kept as livestock. Like all ruminants, sheep are members of the order Artiodactyla, the even-toed ungulates. Although the name "sheep" applies to many species in the genus Ovis, in everyday usage it almost always refers to Ovis aries. Numbering a little over one billion, domestic sheep are also the most numerous species of sheep. An adult female sheep is referred to as a ewe (/juː/), an intact male as a ram or occasionally a tup, a castrated male as a wether, and a younger sheep as a lamb.
Sheep are most likely descended from the wild mouflon of Europe and Asia. One of the earliest animals to be domesticated for agricultural purposes, sheep are raised for fleece, meat (lamb, hogget or mutton) and milk. A sheep's wool is the most widely used animal fiber, and is usually harvested by shearing. Ovine meat is called lamb when from younger animals and mutton when from older ones. Sheep continue to be important for wool and meat today, and are also occasionally raised for pelts, as dairy animals, or as model organisms for science.
A ram was a weapon carried by varied types of ships, dating back to antiquity. The weapon comprised an underwater prolongation of the bow of the ship to form an armoured beak, usually between six and 12 feet (2–4 m) in length. This would be driven into the hull of an enemy ship in order to puncture the hull and sink, or at least disable, that ship.
The ram was a naval weapon in the Greek/Roman antiquity and was used in such naval battles as Salamis and Actium. Naval warfare in the Mediterranean rarely used sails, and the use of rams specifically required oarsmen over sails in order to maneuver with accuracy and speed, and particularly to reverse the movement of a ramming ship to disentangle it from its sinking victim, lest it be pulled down when its victim sank. The Athenians were especially known for their diekplus and periplus tactics that disabled enemy ships with speed and ramming techniques.
Rams were first recorded in use at the battle of Alalia in 535 BC. There is evidence available to suggest that it existed much earlier, probably even before the 8th century BC. They appear first on stylized images found on Greek pottery and jewelry and on Assyrian reliefs and paintings. The ram most likely evolved from cutwaters, structures designed to support the keel-stem joint and allow for greater speed and dynamism in the water.
The Ram Fortress is situated on a steep slope on the right bank of the River Danube, in the municipality of Veliko Gradište, Serbia. Situated on a rock which is from the northeast side tilted towards the Danube River. It is assumed that the city was built on an opposite side of fortress of Haram, from which nothing was left today, and which is located on the other side of the Danube. The remains of the city are in good condition today.
The place first finds its reference in Trajanic times as a settlement where the cavalry units were stationed. The earliest record of Ram Fortress dates back to 1128 CE, as the year when where the Byzantines army defeated the Hungarians. After victories in this region, Byzantine army have focused their activities on the Pannonian Basin. In order to protect the right bank of the Danube Ottoman sultan Bayezid II (1480-1512) was revised and strengthened the existing fortress for fighting firearms. Ram Fortress represents one of the oldest artillery fort in Serbia.
Dream is a brand of white chocolate by Cadbury. It is no longer manufactured in the UK and Ireland, but is still produced in Australia, New Zealand and South Africa. It is similar to a Milkybar, which is made by Nestlé. Some of the difference between it and Milkybar is that "Dream" uses real cocoa butter, is slimmer then the Milkybar, and the Milkybar uses puffed rice. It was first launched in Australia and New Zealand in 2001. According to Cadbury, the product became one of the top five block chocolate brands in New Zealand and had driven growth in the overall chocolate market. In 2002, the product was launched in the United Kingdom and Canada and was featured in the credits for Coronation Street.
Dream is a sculpture and a piece of public art by Jaume Plensa in Sutton, St Helens, Merseyside. Costing approximately £1.8m, it was funded through The Big Art Project in coordination with the Arts Council England, The Art Fund and Channel 4.
In 2008 St Helens took part in Channel 4's "The Big Art Project" along with several other sites. The project culminated in the unveiling of Dream, a 66 feet sculpture located on the old Sutton Manor Colliery site.
St Helens retains strong cultural ties to the coal industry and has several monuments including the wrought iron gates of Sutton Manor Colliery, as well as the 1995 town centre installation by Thompson Dagnall known as "The Landings" (depicting individuals working a coal seam) and Arthur Fleischmann's Anderton Shearer monument (a piece of machinery first used at the Ravenhead Mine).
The council and local residents (including approximately 15 former miners from the colliery) were involved in the consultation and commission process through which Dream was selected. The plans involved a full landscaping of the surrounding area on land previously allowed to go wild after the closure of the pit.
Dream (Hangul: 드림) is a 2009 South Korean television series that follows the lives of a sports agent and K-1 fighters. Starring Joo Jin-mo, Kim Bum and Son Dam-bi (in her acting debut), it aired on SBS from July 27 to September 29, 2009 on Mondays and Tuesdays at 21:55 for 20 episodes.
Nam Jae-il is a successful sports agent with some famous clients, but when one of his baseball stars gets involved in a drug case, he loses everything. But when the miserable Nam befriends former pickpocket and aspiring K-1 fighter Lee Jang-seok, and tomboyish taebo instructor Park So-yeon, he decides to regain his glory by making Lee a star.
Pure is a studio album from saxophonist Chris Potter released 1994 for Concord Records. Appearing on the album is frequent collaborator John Hart on guitar, in addition to pianist and organist Larry Goldings. According to Neil Tesser, Goldings plays with "virtually none of the traditional organ-jazz fare" on this album.