Punk or punks may refer to:
A number of cyberpunk derivatives have become recognized as distinct subgenres in speculative fiction. These derivatives, though they do not share cyberpunk's computers-focused setting, may display other qualities drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level (this may even be a fantastical or anachronistic technology, akin to retro-futurism), a gritty transreal urban style, or a particular approach to social themes.
The most successful of these subgenres, Steampunk, has been defined as a "kind of technological fantasy", and others in this category sometimes also incorporate aspects of science fantasy and historical fantasy. Scholars have written of these subgenres' stylistic place in postmodern literature, and also their ambiguous interaction with the historical perspective of postcolonialism.
American author Bruce Bethke coined the term "cyberpunk" in his 1980 short story of the same name, proposing it as a label for a new generation of punk teenagers inspired by the perceptions inherent to the Information Age. The term was quickly appropriated as a label to be applied to the works of William Gibson, Bruce Sterling, John Shirley, Rudy Rucker, Michael Swanwick, Pat Cadigan, Lewis Shiner, Richard Kadrey, and others. Science fiction author Lawrence Person, in defining postcyberpunk, summarized the characteristics of cyberpunk thus:
Punk was a music magazine and fanzine created by cartoonist John Holmstrom, publisher Ged Dunn, and "resident punk" Legs McNeil in 1975. Its use of the term "punk rock", coined by writers for Creem magazine a few years earlier, further popularized the term. The founders were influenced by their affection for comic books and the music of The Stooges, the New York Dolls, and The Dictators. Holmstrom later called it "the print version of The Ramones". It was also the first publication to popularize the CBGB scene.
Punk published 15 issues between 1976 and 1979, as well as a special issue in 1981 (The D.O.A. Filmbook), and several more issues in the new millennium. Its covers featured Sex Pistols, Iggy Pop, Lou Reed, Patti Smith, and Blondie.
Punk was a vehicle for examining the underground music scene in New York, and primarily for punk rock as found in clubs like CBGB, Zeppz, and Max's Kansas City. It mixed Mad Magazine-style cartooning by Holmstrom, Bobby London and a young Peter Bagge with the more straightforward pop journalism of the kind found in Creem. It also provided an outlet for female writers, artists and photographers who had been shut out of a male dominated underground publishing scene.
Hippolytus (Ancient Greek: Ἱππόλυτος, Hippolytos) is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy.
Euripides first treated the myth in a previous play, Hippolytos Kalyptomenos (Ἱππόλυτος καλυπτόμενος – Hippolytus Veiled), which is now lost; what is known of it is based on echoes found in other ancient writings. The earlier play, and the one that has survived are both titled Hippolytus, but in order to distinguish the two they have traditionally been given the names, Hippolytus Kalyptomeos (“Hippolytus veiled”) and Hippolytus Stephanophoros (“Hippolytus the wreath bearer”). It is thought that the contents to the missing Hippolytos Kalyptomenos portrayed a shamelessly lustful Phaedra who directly propositioned Hippolytus, which apparently offended the play's audience.
Euripides revisits the myth in Hippolytos Stephanophoros (Ἱππόλυτος στεφανοφόρος – "Hippolytus who wears a crown"), its title refers to the crown of garlands Hippolytus wears as a worshipper of Artemis. In this version Phaedra fights against her own sexual desires, which have been incited by Aphrodite.
In Greek mythology, Phaedra /ˈfiːdrə, ˈfɛdrə/ (Ancient Greek: Φαίδρα, Phaidra) is the daughter of Minos and Pasiphaë, wife of Theseus, sister of Ariadne, and the mother of Demophon of Athens and Acamas. Phaedra's name derives from the Greek word φαιδρός (phaidros), which meant "bright".
Though married to Theseus, Phaedra fell in love with Hippolytus, Theseus's son born by either Hippolyta, queen of the Amazons, or Antiope, her sister. Euripides placed this story twice on the Athenian stage, of which one version survives. According to some sources, Hippolytus had spurned Aphrodite to remain a steadfast and virginal devotee of Artemis, and Aphrodite made Phaedra fall in love with him as a punishment. He rejected her.
In one version, Phaedra's nurse told Hippolytus of her love, and he swore he would not reveal her as a source of information. In revenge, Phaedra wrote Theseus a letter that claimed Hippolytus raped her. Theseus believed her and cursed Hippolytus with one of the three curses he had received from Poseidon. As a result, Hippolytus's horses were frightened by a sea monster and dragged their rider to his death.
Phaedra, is a play by philosopher and dramatist Lucius Annaeus Seneca, which tells the story of Phaedra, wife of King Theseus of Athens, and her consuming lust for her stepson, Hippolytus. Based on Greek Mythology and the tragedy Hippolytus by Greek playwright Euripides, Seneca's Phaedra is one of several artistic explorations of this tragic story. Seneca portrays the title character as knowing and direct in the pursuit of her stepson, while in other iterations of the myth she is more of a passive victim of fate. This Phaedra takes on the scheming nature and the cynicism often assigned to the Nurse character.
Seneca wrote Phaedra during the Roman Empire before 54 C.E., and the play has influenced drama over the centuries since then, particularly the works of Shakespeare and dramas of 16th and 17th century France. Other notable dramatic versions of the Phaedra story that were influenced by Seneca's version include Phèdre by Jean Racine and Phaedra's Love by Sarah Kane. Seneca's play continues to be performed today.