Creeper, Creepers, or The Creeper may refer to:
SCE Studio Liverpool was a video game development house headquartered at Wavertree Technology Park in Liverpool, England. It was part of Sony Computer Entertainment Worldwide Studios. Founded in 1984 as Psygnosis by Jonathan Ellis, Ian Hetherington and David Lawson, the company later became a wholly owned subsidiary of Sony Computer Entertainment, and at the time of its closure employed roughly 100 individuals comprising two development teams. Mick Hocking oversaw Studio Liverpool's operations as its last Group Studio Director, a position he continues to hold within Evolution Studios.
Studio Liverpool was the oldest and second largest development house within Sony Computer Entertainment Europe's stable of developers, and is best known for the Wipeout series of futuristic racing games, with the first instalment released on the original PlayStation in 1995. The studio is also known for the Formula One series of licensed racing games, and the Colony Wars series released on the original PlayStation. As Psygnosis, they were the original publishers of the Lemmings series.
A pump is a mechanical device used to move fluids or slurries.
Pump may also refer to:
Antlia (/ˈæntliə/; from Ancient Greek ἀντλία) is a constellation in the southern sky. Its name means "pump" and it specifically represents an air pump. The constellation was created in the 18th century from an undesignated region of sky, so the stars comprising Antlia are faint. The brightest star is Alpha Antliae is an orange giant that is a suspected variable star, ranging between apparent magnitudes 4.22 and 4.29. NGC 2997, a spiral galaxy, and the Antlia Dwarf Galaxy lie within Antlia's borders.
The French astronomer Nicolas Louis de Lacaille first described the constellation in French as la Machine Pneumatique (the Pneumatic Pump) in 1751–52, commemorating the air pump invented by the French physicist Denis Papin. He had observed and catalogued almost 10,000 southern stars during a two-year stay at the Cape of Good Hope, devising fourteen new constellations in uncharted regions of the Southern Celestial Hemisphere not visible from Europe. All but one honoured instruments that symbolised the Age of Enlightenment. Lacaille Latinised the name to Antlia pneumatica on his 1763 chart. John Herschel proposed shrinking the name to one word, which was universally taken up.
Pump is the tenth studio album by American rock band Aerosmith, released on September 12, 1989. The album was remastered and reissued in 2001.
Pump incorporates the use of keyboards and a horn section on many of the singles ("Love in an Elevator", "The Other Side"), and contains straightforward rockers ("F.I.N.E.", "Young Lust"), the ballad "What It Takes", songs about issues such as incest and murder ("Janie's Got a Gun") and drug and alcohol abuse ("Monkey on My Back"), as well as a variety of instrumental interludes such as "Hoodoo" and "Dulcimer Stomp."
The album has certified sales of seven million copies in the U.S. to date, and is tied with its successor Get a Grip as Aerosmith's second best-selling studio album in the U.S. (Toys in the Attic leads with eight million). It produced a variety of successes and "firsts" for the band including their first Grammy Award ("Janie's Got a Gun"). "Love in an Elevator" became the first Aerosmith song to hit #1 on the Mainstream Rock Tracks chart. Additionally, it is the only Aerosmith album to date to have three Top 10 singles on the Billboard Hot 100 and three #1 singles on the Mainstream Rock Tracks chart. The album was the fourth bestselling album of the year 1990.
Bug! is a 3D rendered platform/adventure video game developed by Realtime Associates for the Sega Saturn. Released in 1995 as a launch game for the Saturn in North America, it was one of the earliest 3D platform games. It was later localized to Europe and Japan, then ported to Windows 3.x and Windows 95 on August 31, 1996 by Beam Software, on one CD that contains both versions of the game.
A sequel was released in 1996, Bug Too!.
The background plot centers around the title character, Bug!, a famous Hollywood star hoping to make his "biggest break" ever. Players take control shortly after Bug! has signed up a deal for the lead role in an action film in which his girlfriend is kidnapped by Queen Cadavra and must set out to rescue her. The gameplay takes place "on the set" of each scene and cutscenes between levels indicate Bug! moving over from one set to the next.
Bug! was played like a traditional side-scrolling adventure game. In the same fashion as Sonic the Hedgehog , Bug! must jump and stung on the heads of his enemies to defeat them while making his way through large levels and collecting power-ups. What sets Bug! apart is the game's 3D levels, which take the side-view and tweak it. Bug! can walk sidewise up vertical surfaces and even upside down. Each set of levels (ranging from a bright, green grassy area to a deep red, desert level) has a deeply individual look and feel.
Bug is a 2006 American psychological horror film directed by William Friedkin. It stars Ashley Judd, Michael Shannon and Harry Connick, Jr.. The screenplay by Tracy Letts is based on his 1996 play of the same name in which a woman holed up in a rural Oklahoma motel becomes involved with a paranoid man obsessed with conspiracy theories about insects and the government. Bug debuted at the 2006 Cannes Film Festival before being purchased by Lions Gate Films, who released the film the following year in May 2007.
Friedkin and Letts similarly collaborated on the 2011 film Killer Joe.
Agnes White is a waitress at a gay bar living in a run-down motel in rural Oklahoma. Unable to move on from the disappearance of her son some years previously, she engages in drug and alcohol binges with her lesbian friend, R.C. Lately, she has been plagued by silent telephone calls that she believes are being made by her abusive ex-husband, Jerry Goss, who has recently been released from prison.
Where are you annoying little bugger?
Oh I'm gonna find you!
Get over here!
Aha! There you are! Hehe.
Shit.
You're on a roll, you're on a streak, another day, another week
You've set your goal on letting dreams beat-up reality
The word is out and on the streets, the world keeps coming after me
I lose my touch and feed my fears “Crazy meals upstairs they creep”
This bug in me is strange, it craves, it hates and irritates.
It does the job, you see it waits, mates, then manipulates
Cold friend of mine king-sized galore, chews at my head, gets to my soul!
Won't let me go, God let me be, once more with you I plead
Unleash me, set me free
Let things go for rides defying security.
Unleash me, let me be
To where I go my buzzing friend I can't foresee
Let go!
Another night, another fight, your head-locked squeezed between a vice
You know it's wrong but feels so right, let go and let me remind you
When on your own and on your knees, another night, another feat
You meant you'd go by letting love reach out and set you free
This bug in me is strange, it craves, it hates and irritates.
It does the job, you see it waits, mates, then manipulates
Cold friend of mine king-sized galore, chews at my head, gets to my soul!
Just let me go, God let me be, once more with you I plead
Well, well I'll be damned!
That's right it's me, the bug in you who just loves to chew the brains
Right out of your head.
I know how you are and know exactly what you do to make you crawl into that
Dark, deep, depressive mode and then crush you like a grape, just the way I
Like it.
Watch me, watch out.
Unleash me, set me free
Let things go for rides defying security.
Unleash me, let me be
To where I go my buzzing friend I can't foresee
Unleash me
Well here we go again. I'm on the groove and I'm chiseling my way.
Not a minute too soon, through your heart and soul, where there's a big
Black hole which happens to be the trademark of my love.
And if you dare try to fix it or decide to resolutely repaint it and
Embellish it's illicit content, I'll trap rally-up and make sure I mess it
All up for ya'.
Unleash me
Gotcha!