OSC may refer to:
In computing, ANSI escape codes (or escape sequences) are a method using in-band signaling to control the formatting, color, and other output options on video text terminals. To encode this formatting information, certain sequences of bytes are embedded into the text, which the terminal looks for and interprets as commands, not as character codes.
ANSI codes were introduced in the 1970s and became widespread in the minicomputer/mainframe market by the early 1980s. They were used by the nascent bulletin board system market to offer improved displays compared to earlier systems lacking cursor movement, leading to even more widespread use.
Although hardware text terminals have become increasingly rare in the 21st century, the relevance of the ANSI standard persists because most terminal emulators interpret at least some of the ANSI escape sequences in the output text. One notable exception is the win32 console component of Microsoft Windows.
Almost all manufacturers of video terminals added vendor-specific escape sequences to perform operations such as placing the cursor at arbitrary positions on the screen. One example is the VT52 terminal, which allowed the cursor to be placed at an x,y location on the screen by sending the ESC
character, a y
character, and then two characters representing with numerical values equal to the x,y location plus 32 (thus starting at the ASCII space character and avoiding the control characters).
Czechoslovak Trade Union Association (Czech: Odborové sdružení československé), abbreviated to OSČ, was a national trade union center, founded in 1897 in what was then the Austro-Hungarian Empire. With the break-up of the empire, the OSČ emerged as the major trade union force in Czechoslovakia up to the Second World War.
Odborové sdružení českoslovanské ('Czechoslav Trade Union Association') was founded in Prague on January 31, 1897. The OSČ represented a desire on the part of Czech trade unionists to build a Czech trade union movement separate from the Viennese Imperial Trade Union Commission (the 'Vienna Commission'), the culmination of two years of complaints by Czech trade unionists that the Vienna Commission was neglecting the Czech labour movement. The formation of OSČ did not, however, represent a total break with the Vienna Commission; several OSČ unions retained affiliations with the Vienna Commission. The founding congress was attended by 108 delegates, representing 90 trade union organizations, who met in the metalworkers' assembly hall in Karlín. Fourteen trade union organizations not represented at the congress also supported the OSČ's formation. Josef Roušar was elected its secretary. The new organization was linked to the Czechoslav Social Democratic Workers Party.
A pull is a force that acts in the direction of the origin of the force.
Pull may also refer to:
Pull is the fourth studio album by American pop band Mr. Mister, and the only album not to feature founding guitarist Steve Farris, who had departed the band in 1989. It was recorded from 1989 to 1990, but the record company refrained from releasing this more introspective album. Due to the band's being left without a record company – and subsequent breakup – the album was left unreleased until 2010, when it was remixed and released. In the intervening time, bootleg copies of the album (along with various fan-made album cover images) could be found on the Internet. In 2010, the album was finally released by Richard Page's own Little Dume Recordings label.
The album was made available as a physical CD plus digital download.
No singles were released from this album, although one track ("We Belong to No One") was offered as a free download from the Little Dume website while the album was being prepped for release. Also, "Waiting in My Dreams" was first featured on the band's The Best of Mr. Mister album.
Arcwelder is an American punk band which formed in Minneapolis, Minnesota in 1988. The band, a perennial local favorite, consists of brothers Rob and Bill Graber and Scott Macdonald, all of whom share in the tasks of songwriting and singing.
Under their original name Tilt-A-Whirl, the band released their first album This in 1990 on the small Minneapolis label Big Money, Inc. As the record was being released, the band was sued for trademark infringement by Sellner Manufacturing, the manufacturer of the Tilt-A-Whirl amusement ride. Rather than go to court, the band changed their name to Arcwelder, the title of an instrumental on the record. The initial release of This had a disclaimer sticker noting the lack of affiliation between the ride's manufacturer and the band.
Arcwelder has toured the U.S. with such bands as the Jesus Lizard, Jawbox, and Tar, and has played shows with such artists as Dirty Three, Pegboy, Caspar Brötzmann, and Cows.
In 1992, the song "Favor", from the album Jacket Made in Canada, appeared at number 32 on John Peel's "Festive Fifty".
[Chorus:]
The people them full Up inna di daaaaance
Bere big chune a play people bawl out pull Up inna di daaaaance
Let in di gal dem cyaa tek one bag a bull Up inna di daaaaance
Gal dem a talk inna di video and gwaan awful Up inna di daaaaance
Yow... yuh hear thatthen
[Verse 1:]
Collateral we have a bank full
Hot gal we a roll with a van full
If a petrol we have a tank full
Not to mention we have a dozen can full
A red bull gal bawl before one pull
If a weed all we need is a hand full
If a shotta thing we have a gang full
And if a lyrics the song full... hear wha
[Chorus:]
The people them full Up inna di daaaaance
Bere big chune a play people bawl out pull Up inna di daaaaance
Let in di gal dem cyaa tek one bag a bull Up inna di daaaaance
Gal dem a talk inna di video and gwaan awful Up inna di daaaaance
Hear me nuh... don... cool face... then
[Verse 2:]
Party a keep and di whole place full
When me say the place pack, every space full
Liquor stack pile up- 30 case full
Tru we a flose them a say we waste full
But, watch yuh talk yuh better be care full
Shotta we nuh short a, whole base full
Copper we nuh short a, yuh get a face full
Mek yuh walk and drop like yuh shoes lace pull
[Chorus:]
Full Up inna di daaaaance
Bere big chune a play people bawl out pull Up inna di daaaaance
Let in di gal dem cyaa tek one bag a bull Up inna di daaaaance