Puer

Puer may refer to:

See also

Puer aeternus

Puer aeternus is Latin for eternal boy, used in mythology to designate a child-god who is forever young; psychologically, it is an older man whose emotional life has remained at an adolescent level. The puer typically leads a provisional life, due to the fear of being caught in a situation from which it might not be possible to escape. He covets independence and freedom, chafes at boundaries and limits, and tends to find any restriction intolerable.

The puer in mythology

The words, puer aeternus, come from Metamorphoses, an epic work by the Roman poet Ovid (43 BC – c.17 AD) dealing with Greek and Roman myths. In the poem, Ovid addresses the child-god Iacchus as puer aeternus and praises him for his role in the Eleusinian mysteries. Iacchus is later identified with the gods Dionysus and Eros. The puer is a god of vegetation and resurrection, the god of divine youth, such as Tammuz, Attis and Adonis. The figure of a young god who is slain and resurrected also appears in Egyptian mythology as the story of Osiris.

Geomantic figures

The 16 geomantic figures are the primary symbols used in divinatory geomancy. Each geomantic figure represents a certain state of the world or the mind, and can be interpreted in various ways based upon the query put forth and the method used to generate the figures. When geomancy was introduced to Europe in the Middle Ages, the figures acquired astrological meanings and new forms of interpretation. The figures bear superficial resemblance to the ba gua, the eight trigrams used in the I Ching, a Chinese classic text.

Properties of the figures

Each of the figures is composed of four lines, each line containing either one or two points. Each line represents one of the four classical elements: from top to bottom, the lines represent fire, air, water, and earth. When a line has a single point, the element is said to be active; otherwise, with two points, the element is passive. Because there are four lines, and since each line can be either active or passive, there are 2⁴, or 16, different figures. The different combinations of elements yields different representations or manifestations of the figure's energy.