Psalm 95 (Greek numbering: Psalm 94) is part of the biblical Book of Psalms. One of the Royal Psalms, Psalm 93-99, praising God as the King of His people.
In the Latin Psalters used by the Roman liturgy it forms the invitatory which is sung daily before matins. It may be sung as a canticle in the Anglican and Lutheran liturgy of Morning Prayer, when it is referred to by its incipit as the Venite or Venite, exultemus Domino (also A Song of Triumph).
Psalm 92 (Greek numbering: Psalm 91), known as Mizmor Shir L'yom HaShabbat, is a psalm ostensibly dedicated to the Shabbat day. Though it is permissible to recite it any day, it is generally reserved for Shabbat and is also recited during the morning services on festivals.
According to the Midrash, Psalm 92 was said by Adam. Adam was created on Friday, and he said this psalm on the onset of the Shabbat. It is not a psalm that speaks about the Shabbat, but one that was said on the Shabbat. this was Adam's first day of existence and he marveled at the work of the Creator.
Psalm 37 is the 37th psalm of the Book of Psalms. It has the form of an acrostic Hebrew poem, and is thought to have been written by David in his old age.
Psalm 37 is a response to the problem of evil, which the Old Testament often expresses as a question: why do the wicked prosper and the good suffer? The Psalm answers that the situation is only temporary. Catholicism sees, God will reverse things, rewarding the good and punishing the wicked here on earth. A interpretation shared by Protestants. Mathew Henry calls it Davids call to patience and confidence in God by the and in face of the wicked.Spurgeon calls it "The great riddle of the prosperity of the wicked and the affliction of the righteous".
Written as an acrostic and divided into discrete sections. Each section ends with Gods resolution of the question.
The psalm has also been understood as a prayer of the persecuted who has taken refuge in the temple or figuratively of refuge in God. The psalm concludes with a plea to God those who honor him, to bless with his justice and to protect them from the snares of the wicked.
The Chinese Elm cultivar Ulmus parvifolia 'Glory' is one of the early American selections, best known for its winter hardiness.
'Glory' can reach heights over 13 m.
The species and its cultivars are highly resistant, but not immune, to Dutch elm disease, and unaffected by the Elm Leaf Beetle Xanthogaleruca luteola.
'Glory' is common in the United States. The tree featured in the elm trials conducted by Northern Arizona University at Holbrook. It is not known to have been introduced to Europe or Australasia. Hardiness: USDA zones 5b–10a.
Free Weezy Album (abbreviated as FWA) is the eleventh studio album by American hip hop recording artist Lil Wayne. It was released on July 4, 2015, by Young Money Entertainment and Republic Records, exclusively on TIDAL.
On December 4, 2014, just five days before Lil Wayne's Tha Carter V was due to be released, Wayne issued a statement saying the album would not be released on its expected release date, due to his displeasure with Cash Money Records label-boss Birdman, not wanting to release the album although it had been completed. Wayne also expressed his feelings by stating he felt both he and his creativity were "being held prisoner". On January 20, 2015, Wayne self-released Sorry 4 the Wait 2, a mixtape to compensate for the continued delay of Tha Carter V. It is the sequel to 2011's Sorry 4 the Wait, which served for the same purpose during the delay of his ninth album, Tha Carter IV (2011). Upon Sorry for the Wait 2's release, it was noted Wayne disses Birdman and Cash Money Records, several times throughout the mixtape. On January 28, 2015, it was reported Wayne filed a $51 million lawsuit against Birdman and Cash Money Records over the delay of Tha Carter V.
Glory is a sculpture created by American artist Garry R. Bibbs in 1999. The sculpture resides on the corner of West Michigan Street in Indianapolis, Indiana. Glory is made from fabricated steel and bronze. Angels and trumpets are the two distinct images visible within the sculpture. The sculpture is very large, with dimensions of 80 ft x 40 ft x 1 ft, and it sits at the entrance to the J. F. Miller Center. Gibbs signed his name to the sculpture and included a copyright sign.
The sculpture was commissioned by Joseph F. Miller, founder of the J. F. Miller Center. The dedication date is listed as March 1999. The Joseph F. Miller Center on West Michigan Street used to house the Second Baptist Church, one of the city’s oldest African-American Baptist churches, until it moved in 2002. The building was renovated to become a place for offices and now houses the Miller Center, which commissioned the sculpture.
Bibbs drew inspiration from the Bible’s book of Ezekiel, from African-American heritage and from a historical African-American medical clinic located nearby.
The Lord is my shepherd there is nothing I shall want.
Fresh and green are the pastures where he gives me repose
Near restful waters he leads me, to revive my drooping spirit
He guides me along the right path. He is true to his name
If I should walk in the valley of darkness, no evil would I fear.
You are there with your crook and your staff;
with these you give comfort.
You have prepared a banquet for me in the sight of my foes;
My Head you have anointed with oil; my cup is overflowing.
Surely goodness and kindness shall follow me all the days of my life.
In the Lords own house shall I dwell forever and ever.