Protocol is a 1984 comedy film starring Goldie Hawn and Chris Sarandon, written by Buck Henry, and directed by Herbert Ross. Hawn plays a Washington, D.C., cocktail waitress who prevents the assassination of a visiting Arab emir and winds up a national heroine.
Sunny Ann Davis is a seemingly ditzy blonde who works as a cocktail waitress in Washington, D.C. She rents a small room in the home of a gay couple, has a lousy love life and drives a rust bucket of a car that she cannot afford to repair.
The car breaks down, blocking the route of a diplomatic convoy that is traveling to the White House. Unsympathetic to Sunny's predicament, the Diplomatic Security Service treat the incident as a possible security threat and move into full security mode, guns drawn. Sunny is naive to the seriousness of her situation, concerned only that she will now be late for work.
At the Safari Club where Sunny works, her night is getting worse. Her date cancels and she is forced to wear an emu suit because all of the other costumes are now taken by waitresses who arrived on time. She hates the costume because it invites unwanted sexual propositions. Even though she is "so broke," she refuses an offer from a patron requesting special "favors" in return for cash, as well as a loan from a waitress friend, Ella.
$, also known as Dollars and in the UK as The Heist, is a 1971 American caper film starring Warren Beatty and Goldie Hawn, and distributed by Columbia Pictures. The movie was written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film was partly shot in Hamburg, Germany, which forms the primary location of the film and was supported by the Hamburg Art Museum and Bendestorf Studios.
The film's title appears in the opening credits only in the form of a giant character, as would be used in a sign, being transported by a crane.
Set in Hamburg, West Germany, several criminals take advantage of the German bank privacy laws to use safe deposit boxes in a German bank to store large amounts of illicit cash. These include a Las Vegas mobster as well as a ruthless drug smuggler known as the Candy Man and a crooked overbearing U.S. Army sergeant and his meek-mannered partner the Major, who conspire on a big heroin and LSD smuggling score. Joe Collins (Warren Beatty), an American bank security consultant, has been spying on them and makes mysterious and elaborate preparations to steal their money (totaling more than $1.5 million) with the help of Dawn Divine (Goldie Hawn), a hooker with a heart of gold.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.