In drama, a protasis is the introductory part of a play, usually its first act. The term was coined by the fourth-century Roman grammarian Aelius Donatus. He defined a play as being made up of three separate parts, the other two being epitasis and catastrophe. In modern dramatic theory the term dramatic arc has substantially the same meaning, though with slightly different divisions.
Conditional sentences are sentences expressing factual implications, or hypothetical situations and their consequences. They are so called because the validity of the main clause of the sentence is conditional on the existence of certain circumstances, which may be expressed in a dependent clause or may be understood from the context.
A full conditional sentence (one which expresses the condition as well as its consequences) therefore contains two clauses: the dependent clause expressing the condition, called the protasis; and the main clause expressing the consequence, called the apodosis. An example of such a sentence (in English) is the following:
Here the condition is expressed by the clause "If it rains", this being the protasis, while the consequence is expressed by "the picnic will be cancelled", this being the apodosis. (The protasis may either precede or follow the apodosis; it is equally possible to say "The picnic will be cancelled if it rains".) In terms of logic, the protasis corresponds to the antecedent, and the apodosis to the consequent.
Usted que analiza mi vida
Y que opina lo que hubiera hecho en mi lugar…
Tal vez tuve otra alternativa,
Hasta pude evitar éste final y escapar…
Pero decidí esperar y aguantar.
Tuve una esposa y dos hijas
Y mi suegra basureandome de aquí para allá,
Siempre me decían “conchita”
Me trataban como mierda sin razón en mi hogar…
Pero un día me cansé de esperar
Ya no quería seguir volviéndome insano.
Se burlaron de mí y ahí nomás les disparé…
Si volviera a nacer lo habría intentado otra vez.