Manuel may refer to:
Manuel (1896–1900) was an American Thoroughbred racehorse that won the 1899 Kentucky Derby in what was deemed a very uneventful race. He was foaled in Kentucky and was a bay colt sired by Bob Miles out of the mare Espanita (by Alarm). He is related through his grandsire to 1907 Derby winner Pink Star. Manuel was bred by George James Long at his Louisville stud farm, Bashford Manor Stable.
Long retained ownership of Manuel throughout his two-year-old season, finally selling him in October 1898 to the Morris brothers for $15,000.[3] A few days after the Derby at Churchill Downs, Manuel injured his leg by stepping in a hole in the track which prompted his withdraw from racing for the rest of the season.
Manuel was sold to Frank Morel (through his agent J. Baker) as a four-year-old in October 1900 for $500 at the Morris Park sale. Manuel only raced for two seasons and did not produce any registered offspring. A 1910 Daily Racing Form article states that he died shortly thereafter as a four-year-old.
Manuel is a fictional character from the BBC sitcom Fawlty Towers. Played by Andrew Sachs, he is an iconic character in British comedy history. He reappeared for a small sketch with John Cleese in We Are Most Amused in November 2008.
Manuel himself appeared on the audio adaptations of Fawlty Towers as a linking narrator, explaining things from his point of view, when the series was released on audio format. The first two episodes released did not feature him at all, as the dialogue was edited and short burst of piano music would indicate a change of scene. However, when the whole series was re-released, they were re-edited with Manuel's linking commentary.
A prologue or prolog (Greek πρόλογος prólogos, from pro, "before" and lógos, "word") is an opening to a story that establishes the setting and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek prólogos included the modern meaning of prologue, but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.
It is believed that the prologue in this form was practically the invention of Euripides, and with him, as has been said, it takes the place of an explanatory first act. This may help to modify the objection which criticism has often brought against the Greek prologue, as an impertinence, a useless growth prefixed to the play, and standing as a barrier between us and our enjoyment of it. The point precisely is that, to an Athenian audience, it was useful and pertinent, as supplying just what they needed to make the succeeding scenes intelligible. But it is difficult to accept the view that Euripides invented the plan of producing a god out of a machine to justify the action of deity upon man, because it is plain that he himself disliked this interference of the supernatural and did not believe in it. He seems, in such a typical prologue as that to the Hippolytus, to be accepting a conventional formula, and employing it, almost perversely, as a medium for his ironic rationalismo.
Prologue is a grey market album by Elton John featuring music publishing demonstration recordings made in the 1960s. It features four songs with Linda Peters on vocals, who would later marry musician Richard Thompson. Elton sings the remaining titles. The CD is a copy of a promotional 1970 vinyl demo album for producer Joe Boyd's Warlock label. Only 100 of these original vinyl albums are purported to have been made, of which six are known to exist today. The CD is a poor quality copy of a damaged vinyl record. Stylistically, it is very similar to Tumbleweed Connection. The songs are all written by artists signed to Warlock, including Nick Drake and John Martyn.
Kyle Cooper (Born July 1962) is an American designer of motion picture title sequences.
Cooper was born in Salem, Massachusetts, and studied interior architecture at University of Massachusetts Amherst. He then went on to study graphic design under Paul Rand at Yale University, receiving his Master of Fine Arts from there in 1988. Early in his professional career, Cooper worked as a creative director at R/GA - an advertising agency with offices in New York and Los Angeles. During this period, Cooper created the title sequence for the 1995 American crime film Seven, a seminal work which received critical acclaim and inspired a number of younger designers. According to Cooper, at the time he made the title sequence for Seven, main title sequences were behind of what was happening in print, music videos and commercials. He wanted to create main titles that were raising the bar creatively.
In 1996, Kyle co-founded Imaginary Forces with Peter Frankfurt and Chip Houghton- one of the most successful creative agencies in Hollywood that came out of the West Coast division of R/GA. "We have spent a long time building and refining a brilliant creative and production team ... Keeping this group together as our own company is truly exciting," commented Cooper about the name change. Too involved by the business-side of running a design company the size of Imaginary Forces, Cooper decided it was time for him to focus more on his creative work. He left Imaginary Forces. In 2003, Cooper founded Prologue, a creative agency in which he works in a small team while concentrating on creating title sequences.