Armando may refer to:
Herman Dirk van Dodeweerd (born September 18, 1929), known as Armando, is a Dutch painter, sculptor and writer.
Armando was born in Amsterdam, and as child moved to Amersfoort. There he saw, during the German occupation of the Netherlands, how the Nazis set up a "transition camp" for prisoners who were to be sent to concentration camps. The suffering of the victims and the cruelty of the Nazi camp guards, so near his home, influenced him for the rest of his life. After the liberation (1945), he studied art history at the University of Amsterdam.
His first solo exhibition was at the Galerie Le Canard, Amsterdam, in 1954. At this time he also started to write poetry. He was influenced by the CoBrA art group, and made abstract drawings—with his left hand, in the dark. He was also influenced by Dubuffet and Jean Fautrier, producing thickly impastoed paintings.
In 1958 he was one of the founder-members of the Nederlandse Informele Groep (Informelen), with the painters Kees van Bohemen, Jan Henderikse, Henk Peeters, Jan Schoonhoven and others.
Armando Gallop (sometimes written as Armando Gallup) (February 12, 1970 – December 17, 1996), who released material under his first name only, was an American house-music producer and DJ who was an early contributor to the development of acid house.
Armando was born in Chicago to parents of Afro-Cuban descent. He was a star baseball player as a youngster before spinal meningitis put an end to his athletic aspirations. He became interested in dance music, organizing parties by age 16 and mixing on radio by age 17. He and Mike Dunn founded Musique Records and Warehouse Records in 1988, the latter releasing Armando's singles "151" and "Land of Confusion". "Land of Confusion" became a transatlantic club hit in Chicago as well as in Britain, where it influenced their early acid-house scene. He also produced Warehouse releases from Ron Trent, DJ Rush, and Robert Armani.
Instead of working on production, Armando spent most of the early 1990s with a residency at Chicago's Warehouse from 1992 to 1994. He served as an A&R rep for Felix da Housecat's Radikal Fear label and, soon afterward, recorded for that label himself. His first and only full-length album, One World, One Future, was released in 1996 on Play it Again, Sam. Armando died of leukemia shortly after the album's release.
Priscilla (/prᵻˈsɪlə/) and Aquila (/ˈækwᵻlə/) were a first century Christian missionary married couple described in the New Testament and traditionally listed among the Seventy Disciples. They lived, worked, and traveled with the Apostle Paul, who described them as his "fellow workers in Christ Jesus" (Romans 16:3 NASB).
Priscilla and Aquila are described in the New Testament as providing a presence that strengthened the early Christian churches. Paul was generous in his recognition and acknowledgment of his indebtedness to them (Rom. 16:3-4). Together, they are credited with instructing Apollos, a major evangelist of the first century, and "[explaining] to him the way of God more accurately" (Acts 18:26).
It has been conjectured, in light of her apparent prominence, that Priscilla held the office of pastor. She is also thought by some to be the anonymous author of the Epistle to the Hebrews.
They are mentioned seven times in four different books of the New Testament. They are always named as a couple and never individually. Of those seven references, Priscilla's name is mentioned first on five occasions (as shown in italics in the list below), which is conspicuously unusual for such a male-dominant society. Throughout Scripture, the man is usually mentioned first; e.g., Adam and Eve, Ananias and Sapphira, making the four appearances of Priscilla's name first a notable exception.
Davy is a small lunar crater that is located on the eastern edge of the Mare Nubium. It overlies the lava-flooded remains of the satellite crater Davy Y to the east, a formation which contains a crater chain designated Catena Davy. To the southeast of Davy is the prominent crater Alphonsus.
The outer rim of Davy is low, and the interior has been partly resurfaced. The perimeter is somewhat polygonal in shape, especially in the western half, and the southeast rim has been overlain by Davy A. The latter is bowl-shaped with a notch in the northern rim. The interior of Davy lacks a central peak, although there are some low central mounds and the rim of Davy Y forms a low ridge leading from the northern outer rim.
This linear string of 23 tiny craters runs from the midpoint of Davy Y towards the walled basin Ptolemaeus, following a slightly curving course to the east-northeast. It is located at selenographic coordinates 11.0° S, 7.0° W, and has a diameter of 50 km.
This formation is not believed to be due to secondary cratering because it is not radial to a suitable source crater. The most likely cause is believed to be due to a single body that broke apart prior to impact due to tidal effects. High resolution images have demonstrated that the craters formed at about the same time since the ejecta from each crater does not overlay neighboring craters. However, there are still some scientists who believe that this chain of craters may be volcanic in origin.
Priscilla hypsiomoides is a species of beetle in the family Cerambycidae, and the only species in the genus Priscilla. It was described by Thomson in 1864.