Primo (film)
Primo is a 2005 film directed by Richard Wilson, starring the BAFTA-nominated Antony Sher and broadcast by HBO and the BBC.
This film is a recording of the Royal National Theatre production of the play Primo, also directed by Wilson. Adapted by Antony Sher from If This Is A Man by Primo Levi, it is a monologue told as a memoir by an older Primo looking back at his life in Auschwitz.
Set designer Hildegard Bechtler devised a symbolist set consisting of a single bare wall and a lone chair with variations in lighting.
British composer, Jonathan Goldstein, was nominated for an Ivor Novello award for the score to the film.
Wilson and Sher travelled to Auschwitz whilst researching the play. Sher was confined in the back of a lorry and German actors were hired to shout out orders to him in order to give him some feel of the powerlessness and confusion Levi experienced during his incarceration. Sher said that he found the play terribly draining; he refused to extend the play or to tour with it.
List of Yu-Gi-Oh! 5D's characters
The following is a list of characters from the Yu-Gi-Oh! 5D's anime series. Where appropriate, names from the original Japanese media are on the left while the English names are on the right. Character descriptions pertain to the original Japanese version of the series.
Signers
Signers are people who bear the Mark of the Crimson Dragon, a deity worshiped by a pre-Incan civilization that defended the world from the Red Nova and the Earthbound Immortals with the help of the Signer Dragons, powerful dragons that have been turned into Duel Monsters cards that the current Signers now possess. Signers are chosen by the Crimson Dragon to protect the world from evil.
Allies
Antagonists
Dark Signers
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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