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Sly and Robbie | |
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![]() Robbie Shakespeare, 1978 |
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Background information | |
Origin | Jamaica |
Genres | Reggae |
Years active | 1970s–present |
Labels | TAXI Records |
Website | OfficialSlyAndRobbie.com |
Members | |
Lowell Dunbar Robert Shakespeare |
Sly and Robbie is the most prolific Jamaican rhythm section and production team. Drummer Sly Dunbar and bassist Robbie Shakespeare joined in the mid 1970s after having established themselves separately in Jamaica as professional musicians. Sly and Robbie are estimated to have played on or produced 200,000 recordings, many of them on their own label, Taxi Records.[1]
Contents |
Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are huge fans of Motown, Stax Records, the Philly Sound, and Country music, in addition to Jamaican legendary labels Studio One and Treasure Isle), and Reggae production in particular. They first worked together with The Revolutionaries for the newly created Channel One studio and label, operated by the Hoo Kim brothers.
According to The Independent, their breakthrough album was The Mighty Diamonds' 1976 release Right Time, which helped to establish them as the "masters of groove and propulsion."[2] The drum beat on the title song was particularly tricky; in 2001 Dunbar recalled, "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become established."[3]
The duo changed the face of reggae several times: in 1976, they introduced a harder beat called "Rockers", which quickly replaced the then prevalent "One Drop" style, then introduced the "Rub A Dub" sound in the early 1980s. Sly and Robbie were important in developing the trend towards computer assisted music and programming in the mid 1980s. Chris Blackwell made them the core of the Compass Point All Stars, the Nassau (Bahamas) recording band based at Compass Point Studios that was to produce classic records for Grace Jones, Joe Cocker and Gwen Guthrie among many others. They had a number 12 hit on the UK Singles Chart in 1987 with "Boops (Here to Go)" which Robbie Williams later sampled for his single Rudebox.
In the early 1990s they introduced a novel sound with the hits "Bam Bam" and "Murder She Wrote" by Chaka Demus & Pliers. Chaka Demus' rough DJ vocals were matched with Pliers' sweet, melodic, soul-influenced singing; this unusual vocal pairing was championed by Sly and Robbie. This formula has since been used with great success by the likes of Shaggy (who teamed up with singers Rayvon and Rik Rok), Shabba Ranks, Maxi Priest and others. This predates and may have influenced the recent trend in some rap music where a song's "hook" or chorus is sung by a guest, while the verses are rapped.
In the "Bam Bam" style, Sly introduced Indian tabla sounds in his drum beats, while Robbie altogether stopped playing bass on this particular project.
Sly & Robbie continued to innovate during the 1990s and early 2000s, fusing Dancehall and Latin music sounds (La Trenggae) or Dancehall and hip hop/R&B (their 2004 Big Up riddim). They had a second UK top 40 hit in 1997, with the collaboration with Simply Red on a cover of Gregory Isaacs' "Night Nurse", reaching number 13. In 1999, their "Strip to the Bone" album paired them with electro producer Howie B, and together they explored new dub territories. Their 1999 single "Superthruster" from this album became a mainstream hit by being played on MTV frequently. The reason for this was undoubtedly not only the pulsing beat but the high quality animated video in sinister Anime style. It showed Sly and Robbie in battlesuits chasing a Harlequin through a technological complex. As the video progresses, the harlequin turns out to be a marionette directed by the real villain. The early scene involving the Harlequin marionette bears at least a passing resemblance to Sven Väth's 1994 animated cult-video "Harlequin". "Superthruster" was released on vinyl and as a DVD single, its February 9, 1999 release date making it one of or even the first DVD single ever to go on sale.
In 2003 they compiled and mixed a DJ mix album, Late Night Tales: Sly & Robbie, as part of the Late Night Tales series for Azuli Records.
Far from restricting themselves to the Jamaican scene, (in which they have played for virtually every prominent Jamaican musical artist from Beenie Man to Sean Paul to Peter Tosh, Black Uhuru, Gregory Isaacs, Dennis Brown, Ini Kamoze and others), they have played with and produced artists such as Ben Harper, Bob Dylan, Mick Jagger, the Rolling Stones, Grace Jones, Joan Armatrading, Gilberto Gil, Joe Cocker, Matisyahu, Serge Gainsbourg, Simply Red, Michael Franti, Sting, Khaled, Mey Vidal, Tricky, Doug E. Fresh, Carlos Santana, Sinéad O'Connor, and others.
They have produced No Doubt's huge international hits "Hey Baby" and "Underneath It All". They also produced some tracks off Suggs' first album The Lone Ranger including the hit version of "Cecilia" featuring Louchie Lou & Michie One which sold over 500,000 copies in the UK alone.
After 35 years together, they still tour and record relentlessly. In early 2005, they toured with Tony Rebel and Half Pint. During the Summer of 2005, they toured Europe and the UK with Bunny Rugs, lead singer for Third World. During the Fall of 2005 they were on the road with Sinéad O'Connor in August 2006, they appeared with Don Carlos at the Reggae on the River festival, and in August 2007 they performed on a tour of the Western United States and Canada along with Dancehall-soul singer and actress Cherine Anderson, including headlining Reggae Rising in Humboldt County and The Hollywood Bowl. They toured with Bitty McLean, the TAXI Gang, and in 2012, are planning a Jamaican Legends tour throughout Europe with jazz pianist Monty Alexander and the legendary guitarist Ernest Ranglin.
In recent years, they have produced several new Jamaican artists for their Taxi label, as well as confirmed superstars such as Elephant Man and Buju Banton, for whom they re-used their 1982 instrumental song "Unmetered Taxi" for the number one hit "Driver A". In 2006, they recorded with their original group, the Revolutionaries, to produce Horace Andy's new album "Livin' it up" and produced several hits for Cherine Anderson. In the 2007, they collaborated with the Italian rapper Jovanotti on the album Safari, they also produced tracks for former Beatle Paul McCartney and Britney Spears. In 2008, Sly and Robbie collaborated with the Ecuadorian singer-songwriter Cecilia Villar Eljuri,[4] on her song "El Aire". Sung in Spanish, the song quickly charted on Worldbeat and Latin Alternative radio.
In 2009, Movin' On, the new album by Bitty McLean, which they produced with Bitty and their longtime friend and associate Guillaume Bougard, came out and was immediately acclaimed as the best Reggae album of the year. They toured Japan, Morocco (Mawazine festival) and Europe with Bitty to showcase the album. A DVD of the Paris concert is being prepared for release.
Sly & Robbie produced four songs on Cherine Anderson's EP " The Introduction-Dubstyle". The second single "Shine On Jamaica", which was produced by the duo peaked at # 1 for four weeks on both the South Florida Reggae charts as well as the WAVS 1170 Reggae Charts.
Ever busy, when they are not on the road, they can be found in Kingston studios. They are currently putting the finishing touches to Khalifa's new album G.RIOT 2012 and Bitty McLean's upcoming album.
Artist | Title | Year | Label |
---|---|---|---|
Amp Fiddler | Inspiration Information | 2008 | Strut Records |
Barry Reynolds | I Scare Myself | 1982 | Island |
Beenie Man | Maestro | 1996 | Shocking Vibes |
Black Uhuru | Positive | 1987 | Greensleeves |
Black Uhuru | Brutal | 1986 | Greensleeves |
Black Uhuru | Anthem | 1984 | Island |
Black Uhuru | The Dub Factor | 1983 | Island |
Black Uhuru | Chill Out | 1982 | Island |
Black Uhuru | Tear It Up | 1982 | Island |
Black Uhuru | Red | 1981 | Island |
Black Uhuru | Sinsemilla | 1980 | Island |
Black Uhuru | Showcase | 1979 | Virgin |
Bob Dylan | Infidels | 1983 | CBS |
Brent Dowe | My Everything | unkn | Circulation Music/Records |
Britney Spears | Piece of Me (Sly & Robbie Remix) (featuring Cherine Anderson) | 2006 | Jive Records |
Bunny Wailer | Food/Serious Things | 1986 | Solomonic |
Bunny Wailer | Dubdisco | 1980 | Solomonic |
Bunny Wailer | Marketplace | 1984 | Solomonic |
Bunny Wailer | sings The Wailers | 1980 | Solomonic Island |
Bunny Wailer | Roots Radics Rockers Reggae | 1983 | Shanachie |
Chaka Demus & Pliers | Tease Me | 1993 | Mango |
Chaka Demus & Pliers | For every kinda people | 1996 | Island |
Charlie Chaplin | Que Dem | 1986 | Powerhouse |
Cornell Campbell | Follow Instructions | 1982 | Mobiler |
Culture | Two sevens Clash | 1978 | Joe Gibbs |
Culture | Harder than the Rest | 1978 | Virgin |
Cutty Ranks | Can I Touch U Baby | 1999 | Circulation Music/Records |
Dennis Brown | Brown Sugar | 1988 | RAS |
Don Carlos | Spread Out | 1983 | Channel One (Kingston, JA) |
Eljuri | El Aire | 2008 | Manovill Records |
Foundation | Heart feel it | 1989 | Island |
Frankie Paul | Strictly ReggaeMusic | 1983 | Londisc |
Fugees | Fu Gee La Remix | 1996 | Columbia |
Grace Jones | Living my Life | 1982 | Island |
Grace Jones | Nightclubbing | 1981 | Island |
Grace Jones | Warm Leatherette | 1980 | Island |
Gregory Isaacs | Showcase | 1980 | Taxi |
Gregory Isaacs | Cool Ruler | 1978 | Front Line |
Gregory Isaacs | Soon Forward | 1979 | Front Line |
Gwen Guthrie | Gwen Guthrie | 1982 | Island |
Half Pint | In fine Style | 1982 | Sunset |
Half Pint | Victory | 1988 | RAS |
Half Pint | Greetings | 1987 | Jet Star |
Half Pint | showcase w. Michael Palmer | 1986 | Greensleeves |
Half Pint/Junior Delgado | I want your love | 1987 | Powerhouse |
Herbie Hancock | Rockit 12 inch maxi | 1983 | CBS |
Home T4 | Sly & Robbie present | 1984 | Taxi |
I Wayne | Lava Ground | 2005 | VP |
I Wayne | Book of Life | 2007 | VP |
Ian Dury | Lord Upminster | 1981 | Polydor |
Ini Kamoze | Pirate | 1986 | Island |
Ini Kamoze | Statement | 1985 | Island |
Ini Kamoze | Ini Kamoze | 1984 | Island |
The Itals | Brutal out Deh | 1981 | Nighthawk |
Jacob Miller | Jacob Killer Miller | 1980 | Island |
Jimmy Cliff | Follow My Mind | 1975 | Warner |
Jimmy Riley | Rhythm Driven | 1981 | Island |
Joe Cocker | Sheffield Steel | 1982 | Island |
Kazumi Watanabe | Mobo 2 | 1983 | Gramavision Records |
Kazumi Watanabe | Mobo 1 | 1982 | Gramavision |
Ky-Mani Marley | Like Father Like Son | 1996 | Warner Bros. Records/Rhino |
Linval Thompson | Starlight | 1988 | Mango |
Linval Thompson | Linvall | 1977 | Vista Sounds |
Linval Thompson | Rockers From Channel One | 1979 | Trojan |
Mad Cobra | Hard to wet, Easy to dry | 1992 | Columbia |
Madonna | Supernatural (Remix) | 1992 | Warner Bros. Records |
Madonna | Give It 2 Me (Remix) | 2008 | Warner Bros. Records |
Marianne Faithfull | Lola R. For Ever (From the tribute album Monsieur Gainsbourg Revisited) | 2006 | Barclay |
Material | The Third Power | 1991 | Axiom |
Material | Seven Souls | 1989 | Island |
Matisyahu | Jerusalem (Out Of The Darkness Comes Light) | 2006 | JDub |
Maxi Priest | Maxi | 1987 | Virgin |
Michael Franti & Spearhead | All Rebel Rockers | 2008 | ANTI- |
Michael Franti & Spearhead | Yell Fire! | 2006 | Boo Boo Wax & ANTI- |
Michael Palmer | showcase w. Half Pint | 1986 | Greensleeves |
Michael Rose | X-uhuru | 1998 | Tabou 1 / Taxi |
Mick Jagger | She's the Boss | 1985 | CBS |
Mighty Diamonds | Unruly Pickney | 1982 | MR |
Mighty Diamonds | Tell Me What Wrong | 1980 | JIL |
Mighty Diamonds | Vital Selection | 1981 | Virgin |
Mighty Diamonds | Money Love | 1982 | Powerhouse |
Mighty Diamonds | Backstage | 1982 | Music Works |
Mighty Diamonds | Dubwise | 1982 | Music Works |
Monty Alexander | meets Sly and Robbie | 2000 | Telarc |
Mr. Anonymous | Mr. Anonymous | 2005 | KAB America |
No Doubt | Hey Baby | 2001 | Interscope |
No Doubt | Underneath It All | 2002 | Interscope |
Peter Tosh | Wanted Dread and Alive | 1980 | EMI |
Peter Tosh | Live at Montreux | 1979 | |
Peter Tosh | Mystic Man | 1979 | EMI |
Peter Tosh | Bush Doctor | 1978 | Rolling Stones |
Peter Tosh | Equal Rights | 1977 | Columbia |
Prince Far I | Cry Tuff Dub encounter II | 1979 | Virgin's Front Line |
Prince Jammy | Kamikaze Dub | 1996 | Trojan |
Prince Jammy | A Dub Extravaganza | 1992 | Charley |
Revolutionaires | Goldmine Dub | 1979 | Greensleeves |
Revolutionaries | Outlaw Dub | 1979 | Trojan |
Revolutionaries | Dutch Man Dub | 1978 | Burning Vibrations |
Rico | Man from Wareika | 1977 | Island |
Ronnie Davis | Crucial | 1978 | Big Mac Soul Power |
Serge Gainsbourg | Negusa Nagast | 1981 | Polygram |
Serge Gainsbourg | Mauvaises nouvelles des etoiles | 1981 | Phillips |
Serge Gainsbourg | au Palace | 1980 | Phillips |
Serge Gainsbourg | Aux Armes | 1979 | Phillips |
Shabba Ranks | A Mi Shabba | 1995 | Epic |
Simply Red | Life | 1995 | East West Records |
Sly and Robbie | Crucial Reggae | 1981 | Island Mango |
Sly and Robbie | Present Taxi | 1981 | Island |
Sly and Robbie | Rebel Soldier [Soljie] | 1982 | Taxi |
Sly and Robbie | Kings of Reggae | 1983 | Keystone |
Sly and Robbie | Sounds of Taxi | 1984 | Taxi |
Sly and Robbie | Sly & Robbie "Language Barrier" | 1985 | Island |
Sly and Robbie | A Dub Experience | 1985 | Island |
Sly and Robbie | The Sting | 1986 | Moving Target |
Sly and Robbie | Electro Reggae | 1986 | Island |
Sly and Robbie | Taxi Fare | 1987 | Heartbeat |
Sly and Robbie | presents Sound of Taxi 3 | 1987 | Taxi |
Sly and Robbie | Rhythm Killers | 1987 | Island |
Sly and Robbie | Taxi Connection Live in London | 1987 | Island |
Sly and Robbie | Fire / Ticket To Ride | 1987 | Island |
Sly and Robbie | The Summit | 1988 | Greensleeves |
Sly and Robbie | present Gregory Isaacs | 1988 | RAS |
Sly and Robbie | Two Rhythms Clash | 1989 | RAS |
Sly and Robbie | Silent Assassin with KRS-ONE and BDP | 1989 | Island |
Sly and Robbie | Rhythm Killers | 1990 | Polygram Records |
Sly and Robbie | Hits 1978-1990 | 1990 | Sonic Sounds |
Sly and Robbie | DJ Riot | 1990 | Island |
Sly and Robbie | Dubs for Tubs | 1990 | Rohit |
Sly and Robbie | Sixties Seventies and Eighties | 1991 | Mango |
Sly and Robbie | Dub Rockers Delight | 1991 | Magnum Music Group |
Sly and Robbie | Sound of Sound | 1991 | Pow Wow |
Sly and Robbie | Remember Precious Times | 1992 | RAS Taxi |
Sly and Robbie | Ragga Pon Top | 1993 | Pow Wow |
Sly and Robbie | Many Moods of | 1994 | Sonic Sounds |
Sly and Robbie | present Mykall Rose | 1995 | Taxi |
Sly and Robbie | Funkcronomicon | 1995 | Axiom |
Sly and Robbie | Hail up the Taxi | 1996 | Island |
Sly and Robbie | Mysteries of Creation | 1996 | Axiom |
Sly and Robbie | meet King Tubby | 1996 | House of Reggae |
Sly and Robbie | The Punishers | 1996 | Island |
Sly and Robbie | Mambo Taxi | 1997 | Island |
Sly and Robbie | Hail up Taxi 2 | 1998 | Tabou1 / Taxi |
Sly and Robbie | present Taxi Christmas | 1998 | RAS |
Sly and Robbie | Friends | 1998 | Island |
Sly and Robbie | Drum and Bass Strip to the Bone by Howie B | 1999 | Palm Pictures |
Sly and Robbie | Massive | 1999 | nyc music |
Sly and Robbie | Sly & Robbie | 1999 | Rhino |
Sly and Robbie | Version Born (produced by Bill Laswell) | 2004 | Palm Pictures |
Sly and the Revolutionaries | Black Ash Dub | 1978 | Trojan |
Sly Dunbar | Simply Slyman | 1978 | Virgin Frontline |
Sly Dunbar | Sly Wicked and Slick | 1979 | Virgin |
Sly Dunbar | Sly-Go-Ville | 1982 | Island |
Sugar Minott | A True | 1984 | Arrival |
Sugar Minott | Buy Off The Bar | 1983 | Powerhouse |
Sugar Minott | Sugar & Spice | 1990 | RAS |
Suggs | The Lone Ranger | 1995 | WEA |
Tiken Jah Fakoly | Coup de gueule | 2004 | Barclay |
Toots Hibbert | Toots in Memphis | 1988 | Island Mango |
Vanessa da Mata | Sim | 2007 | Sony BMG |
Various | Music Works Showcase | 1982 | Music Works |
Various | Raiders of the Lost Dub | 1981 | Mango |
Various | Down in Jamaica | 1990 | Invitation |
Various | La Trenga | 1997 | VP |
Wailing Souls | Live On | 1994 | Island |
Yami Bolo | Freedom and Liberation | 1998 | Tabou 1 / Taxi |
Yellowman | Yellow like Cheese | 1987 | RAS |
[ CHORUS ]
KRS, Latifah, don't forget
Mash up any male or female artist on the set
Mi comin with mi style, mi take your title and your
The BDP Posse and Flavor Unit in effect
[ VERSE 1 ]
It's Queen Latifah with the R.E. Posse, Flavor Unit
sound
Broken down by the Boogie Down (Productions)
Slip and slide to a Sly & Robbie instrumental
And also as an indicental
The music to which vocals you know I have done
Produced by (KRS-One)
One tribe, one guide, and one destiny
You want the best of me?
Death to those who testin me
Cause to test is to try to conquer
But me, I catch em (1-2-3) and do an encore
Get paid by music, no money to the mob
Cause I'm the woman for the job
[ CHORUS ]
[ KRS-One: ]
Flavor Unit - assemble!
BDP Crew - assemble!
Sly & Robbie - wheel up!
[ VERSE 2 ]
Once again, it's time for Queen Latifah to return
Because to live is to learn
I learn a lotta suckers out there thought we slept
Now they give us (nuff respect!)
I'ma get loose inside this queendom
Suckers tried to duck, it didn't work, cause I seen
them
I'm not out to shoot anybody out the box, but it's my
scene
(I know just what you mean)
Woman called Latifah is a wise one
There are no others like me, I'm a prized one
Although they try to measure up, I outsize them slobs
Cause I'm the woman for the job
[ CHORUS ]
[ VERSE 3 ]
Intelligence captivates your mind
While the sound of my voice detains and occupies your
ears
The thought and the message speak clearly through the
vocals
Your heart is breathtaken, and it's bringin you to
tears
The t-i-p (tip) That is what you are on the m-u-s-i-c
(Music) That is what you want to own, but you could
never be
The one to take my off the throne
Your mind's like a child's, my dear, and I am grown
So just forget it, cause while you wanna do it, I did
Also admit it, if you can hit it, you're with it
Show me your chest, you musta flown over a coockoo's
nest
No buts about it, my life you wanna out it? I doubt it
Suckers don't play me, cause suckers I do vamp
Last time you challenged me, you cancelled due to
cramps
Allegedly, really you weren't readily
Able to rock a rhyme so smooth, so steadily
But next time you better be
Cause these appointments ain't for nothin
They're only for coolin, crushin, and solo-bumrushin
KRS-One's creatin music like an Einstein
Rollin up the rhythm to keep the pace of my rhyme
Me chosen by super musicians, Sly and Rob
Cause I'm the woman for the job