Pretty Baby
File:Pretty baby poster.jpg
Theatrical release poster
Directed by Louis Malle
Produced by Louis Malle
Polly Platt (associate)
Written by Polly Platt (story)
Louis Malle (story)
Polly Platt (screenplay)
Starring Brooke Shields
Keith Carradine
Susan Sarandon
Music by Ferdinand Morton
Cinematography Sven Nykvist
Editing by Suzanne Fenn
Distributed by Paramount Pictures
Release date(s) April 5, 1978 (1978-04-05)
Running time 109 minutes
Country United States
Language English
Box office $5,786,368

Pretty Baby is a 1978 historical fiction drama film directed by Louis Malle. The screenplay was written by Polly Platt. The title is inspired by the Tony Jackson song, "Pretty Baby", which is used in the soundtrack. Although the film was mostly praised by critics, it was quite controversial at the time, especially for its scenes of the nude pre-teen Brooke Shields.

Contents

Plot summary [link]

The film is set in 1917, during the last months of legal prostitution in Storyville, the red-light district of New Orleans, Louisiana. Hattie, a prostitute working at an elegant brothel run by the elderly, cocaine-sniffing Madame Nell, has a 12-year-old daughter, Violet, who also lives at the house. Hattie has also just given birth to a baby boy. When photographer Ernest J. Bellocq comes by with his camera, Hattie and Violet are the only ones awake. He asks to be allowed to take photographs of the women. Madame Nell only agrees after he offers to pay.

Bellocq becomes a fixture in the brothel, taking many photographs of the prostitutes, mostly of Hattie. His activities fascinate Violet, though she believes he is falling in love with her mother, which makes her jealous. Violet is also a restless child, and frustrated by the long, precise process Bellocq must go through to pose and take his pictures.

Nell decides that Violet is old enough for her virginity to be auctioned off. After a bidding war between regulars, Violet is bought by an apparently quiet customer, but this first sexual experience is unpleasant. Hattie, meanwhile, aspires to escape prostitution. She marries one of her customers and goes to St. Louis without her daughter, whom her husband believes to be her sister. Hattie promises to return for Violet once she’s settled and broken the news to her new spouse.

Violet runs away from the brothel in a fit of temper after being punished for some hijinks, showing up on Belloqc’s doorstep. The two become lovers, although Violet still needs a great deal of attention and is frustrated by Belloqc’s devotion to his work. For his part, the (perhaps asexual) older man is entranced by Violet’s beauty, youth, and photogenic face.

Violet eventually returns to Nell’s after quarrelling with Belloqc, but social reform groups are forcing the brothels of Storyville to close. Bellocq arrives to wed Violet, ostensibly to protect her from the larger world.

Immediately following the wedding,. Hattie and her husband arrive from St. Louis. They claim that Violet’s marriage is illegal without their consent and plan to take her back with them. Violet would like her husband to come with her, but he lets her go, realizing a more conventional life, and schooling, will benefit her more.

Main cast [link]

File:PrettyBabyLPBack.jpg
Shields and Carradine (center left) and Sarandon (center right) in a setting with costumes and poses inspired by the historic photos of Ernest J. Bellocq

Film music [link]

ABC Records released a soundtrack of the film's ragtime score, which was nominated for an Academy Award for Original Music Score in the "Adaptation Score" category.

Content and rating [link]

  • In addition to the subject of child prostitution, further issues were raised because of scenes involving a nude 12-year-old Brooke Shields.[1] Because of this, the 109-minute film was edited to 106 minutes in some releases. (The 109-version of the film is available on DVD. However, all existing DVD versions are censored by reframing: zooming forward to show less of the scene than the cinema or VHS versions. This was done whenever Shields was completely nude to avoid showing her pubic area or buttocks.[citation needed] The properly-framed version circulates online, this version is sourced from either TV broadcasts or the Laserdisc. Quality is significantly lower than on the DVD.) Continuing controversy over Shields' nude scenes caused Pretty Baby to be banned in the Canadian provinces of Ontario and Saskatchewan. Gossip columnist Rona Barrett called the film "child pornography," and director Louis Malle allegedly was portrayed as a "combination of Lolita's Humbert Humbert and controversial director Roman Polanski"[1].
  • Pretty Baby received an R rating in the U.S., an 18 rating in the U.K., and an R18+ rating in Australia, for nudity and sexual content.

Reception [link]

Box office [link]

Pretty Baby earned $5.8 million in the United States.[2]

Critical reception [link]

The film received mostly positive reviews from critics. Review aggregator Rotten Tomatoes reports that 79% of 14 critics have given the film a positive review, with a rating average of 6.9 out of 10.[3] While many reviewers praised the film's dreamy evocation of 1917 brothel life — and the performances of Sarandon, Shields, and Carradine — some found the slow pacing and languid acting a dull viewing experience.

Understandably, the issues of prostitution and child pornography were not far from critics' thoughts. In his review, The New York Times' Vincent Canby wrote "... Mr. Malle, the French director ... has made some controversial films in his time but none, I suspect, that is likely to upset convention quite as much as this one — and mostly for the wrong reasons. Though the setting is a whorehouse, and the lens through which we see everything is Violet, who ... herself becomes one of Nell's chief attractions, Pretty Baby is neither about child prostitution nor is it pornographic." Canby ended his review with the claim that Pretty Baby is "... the most imaginative, most intelligent, and most original film of the year to date.."[4]

Similarly, Chicago Sun-Times critic Roger Ebert discussed how "... Pretty Baby has been attacked in some quarters as child porn. It's not. It's an evocation of a time and a place and a sad chapter of Americana."[5] He also praised Shields' performance, writing that she "... really creates a character here; her subtlety and depth are astonishing."[5]

On the other hand, Variety's wrote that "the film is handsome, the players nearly all effective, but the story highlights are confined within a narrow range of ho-hum dramatization."[6] And Asheville, North Carolina, Mountain Xpress critic Ken Hanke, looking at the film from the perspective of 2003, said of Pretty Baby: "It was once shocking and dull. Now it's just dull."[3]

Awards [link]

The film won the Technical Grand Prize at the 1978 Cannes Film Festival.[7]

See also [link]

References [link]

  1. ^ a b McMurran, Kristen. "Pretty Brooke", People (May 29, 1978).
  2. ^ Pretty Baby, Internet Movie Database. Accessed May 6, 2010.
  3. ^ a b "Pretty Baby (1978)". Rotten Tomatoes. Retrieved May 6, 2010.
  4. ^ Canby, Vincent. "Critic's Pick: Pretty Baby," New York Times (April 5, 1978).
  5. ^ a b Ebert, Roger. "Pretty Baby," Chicago Sun-Times (June 1, 1978).
  6. ^ Variety Staff. "Pretty Baby" Variety (January 1, 1978). Accessed May 6, 2010.
  7. ^ "Festival de Cannes: Pretty Baby". festival-cannes.com. https://www.festival-cannes.com/en/archives/ficheFilm/id/1965/year/1978.html. Retrieved 2009-05-21. 

External links [link]


https://wn.com/Pretty_Baby_(1978_film)

Pretty Baby....

"Pretty Baby...." is an episode of the British television soap opera EastEnders, broadcast on BBC One on 31 January 2008. It is the only EastEnders episode to feature just one character and the first of its kind in soap. It was written by Tony Jordan, directed by Clive Arnold and produced by Diederick Santer. The episode features Dot Branning, played by June Brown, recording a message for her husband Jim (John Bardon), who is in hospital recovering from a stroke, reflecting Bardon's real-life stroke, which saw him written out of the show and allowed the opportunity for the single-hander to arise. Jordan's scripting was inspired by Samuel Beckett's Krapp's Last Tape.

The episode was watched by 8.86 million viewers and received mixed reviews from critics. Brown's acting attracted praise, with both Nancy Banks-Smith of The Guardian and Mark Wright of The Stage doubting that any other actress would have been capable of carrying Dot's monologue. Banks-Smith and The Times's Tim Teeman questioned Dot's characterisation, and Teeman ultimately found the episode "much-loved character overkill", while Gerard O'Donovan of The Daily Telegraph called Brown's performance "mesmerising" but said the episode was "fuss over nothing". Brown received a British Academy Television Award nomination for Best Actress in 2009 for her performance in the episode.

Pretty Baby

Pretty Baby may refer to:

  • Pretty Baby (1978 film), a controversial drama by Louis Malle starring Susan Sarandon, Keith Carradine and Brooke Shields
  • Pretty Baby (1950 film), a comedy featuring Dennis Morgan and Betsy Drake
  • "Pretty Baby....", an EastEnders episode
  • Pretty Baby (album), by Dean Martin
  • "Pretty Baby" (song), by Tony Jackson
  • "Pretty Baby" (Vanessa Carlton song)
  • "Pretty Baby" (The Primettes song)
  • "Pretty Baby," a song by Blondie on the album Parallel Lines
  • Sly and Robbie

    Sly and Robbie are a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Sly and Robbie are estimated to have played on or produced 200,000 recordings, many of them on their own label, Taxi Records.

    Career

    1970s: Beginnings in reggae

    Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are huge fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican legendary labels Studio One and Treasure Isle), and reggae production in particular. They first worked together with The Revolutionaries for the newly created Channel One studio and label, operated by the Hoo Kim brothers.

    According to The Independent, their breakthrough album was The Mighty Diamonds' 1976 release Right Time, which helped to establish them as the "masters of groove and propulsion." The drum beat on the title song was particularly tricky; in 2001 Dunbar recalled, "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become establish."

    Podcasts:

    PLAYLIST TIME:

    Woman For The Job

    by: Sly & Robbie

    [ CHORUS ]
    KRS, Latifah, don't forget
    Mash up any male or female artist on the set
    Mi comin with mi style, mi take your title and your
    The BDP Posse and Flavor Unit in effect
    [ VERSE 1 ]
    It's Queen Latifah with the R.E. Posse, Flavor Unit
    sound
    Broken down by the Boogie Down (Productions)
    Slip and slide to a Sly & Robbie instrumental
    And also as an indicental
    The music to which vocals you know I have done
    Produced by (KRS-One)
    One tribe, one guide, and one destiny
    You want the best of me?
    Death to those who testin me
    Cause to test is to try to conquer
    But me, I catch em (1-2-3) and do an encore
    Get paid by music, no money to the mob
    Cause I'm the woman for the job
    [ CHORUS ]
    [ KRS-One: ]
    Flavor Unit - assemble!
    BDP Crew - assemble!
    Sly & Robbie - wheel up!
    [ VERSE 2 ]
    Once again, it's time for Queen Latifah to return
    Because to live is to learn
    I learn a lotta suckers out there thought we slept
    Now they give us (nuff respect!)
    I'ma get loose inside this queendom
    Suckers tried to duck, it didn't work, cause I seen
    them
    I'm not out to shoot anybody out the box, but it's my
    scene
    (I know just what you mean)
    Woman called Latifah is a wise one
    There are no others like me, I'm a prized one
    Although they try to measure up, I outsize them slobs
    Cause I'm the woman for the job
    [ CHORUS ]
    [ VERSE 3 ]
    Intelligence captivates your mind
    While the sound of my voice detains and occupies your
    ears
    The thought and the message speak clearly through the
    vocals
    Your heart is breathtaken, and it's bringin you to
    tears
    The t-i-p (tip) That is what you are on the m-u-s-i-c
    (Music) That is what you want to own, but you could
    never be
    The one to take my off the throne
    Your mind's like a child's, my dear, and I am grown
    So just forget it, cause while you wanna do it, I did
    Also admit it, if you can hit it, you're with it
    Show me your chest, you musta flown over a coockoo's
    nest
    No buts about it, my life you wanna out it? I doubt it
    Suckers don't play me, cause suckers I do vamp
    Last time you challenged me, you cancelled due to
    cramps
    Allegedly, really you weren't readily
    Able to rock a rhyme so smooth, so steadily
    But next time you better be
    Cause these appointments ain't for nothin
    They're only for coolin, crushin, and solo-bumrushin
    KRS-One's creatin music like an Einstein
    Rollin up the rhythm to keep the pace of my rhyme
    Me chosen by super musicians, Sly and Rob
    Cause I'm the woman for the job




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