Press

Press may refer to:

Media

Machines

Press (album)

Press is the debut album from American ska punk band MU330, released in 1994.

Overview

According to the band's website, Press was recorded in the basement of saxophonist Matt Knobbe's parents' house in late 1993. The album was first released independently in 1994 on the band's own label, NO Record Co., before being picked up and re-issued by Moon Ska Records later the same year. In 1997, when MU330 moved to Asian Man Records, Press was re-released with two additional tracks, both unrecorded Press-era songs recorded by the band's 1996 line-up.

Press was the only MU330 studio album to feature vocalist/trumpeter John Kavanaugh and saxophonist Matt Knobbe, who both left the band shortly afterwards. On December 31, 2011, the original Press-era line-up reunited at the Firebird club in St. Louis to perform the album in its entirety.

Track listing

All songs written by MU330.

Pressing (wine)

Pressing in winemaking is the process where juice is extracted from grapes. This can be done with the aid of a wine press, by hand, or even by the weight of the own grape berries and clusters.Historically, intact grape clusters were trodden by feet but in most wineries today the grapes are sent through a crusher/destemmer, which removes the individual grape berries from the stems and breaks the skins, releasing some juice, prior to being pressed. There are exceptions, such as the case of sparkling wine production in regions such as Champagne where grapes are traditionally whole-cluster pressed with stems included to produce a lighter must that is low in phenolics.

In white wine production, pressing usually takes place immediately after crushing and before primary fermentation. In red wine production, the grapes are also crushed but pressing usually doesn't take place till after or near the end of fermentation with the time of skin contact between the juice and grapes leaching color, tannins and other phenolics from the skin. Approximately 60-70% of the available juice within the grape berry, the free-run juice, can be released by the crushing process and doesn't require the use of the press. The remaining 30-40% that comes from pressing can have higher pH levels, lower titratable acidity, potentially higher volatile acidity and higher phenolics than the free-run juice depending on the amount of pressure and tearing of the skins and will produce more astringent, bitter wine.

Fader

Fader may refer to:

Music

Fader Mixed by DZ & DJ M 2015

Other uses

See also

Fader (The Temper Trap song)

"Fader" is the third single from the Australian indie rock band The Temper Trap from their debut album Conditions.

The single was first released in Australia in December 2009, where it peaked at No. 85, marking the single highest and currently only placement in the Charts. It was also voted in at No. 21 in the 2009 Triple J Hottest 100.

The single was released digitally in the UK on 4 January 2010 where it peaked at number 76 on the UK Singles Chart later that week.

The song was featured in the 2010 Australian film Tomorrow, When the War Began and in the 2011 films The Roommate and Chalet Girl. The song was also featured in season 1 episode 6 of the hit US TV series The Vampire Diaries and in the video games MLB 11: The Show and Test Drive Unlimited 2.

Track listing

Fade (audio engineering)

In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).

A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio region is smooth in order to not have any prominent glitches. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and out can also be used to change the characteristics of a sound, for example a fade-in is used to soften the attack, especially in vocals where very plosive (‘b’,‘d’, and ‘p’) sounds can occur. It can also be used to soften up the attack of the drum and/or percussion instruments. A cross-fade can be manipulated through its rates and coefficients in order to create different styles of fading. Almost every fade is different; this means that the fade parameters must be adjusted according to the individual needs of the mix.